Campbell Award–winning author: The original trilogy chronicling the military science fiction adventures of Nicholas Seafort. In a “splendid homage to the grand tradition of the old seafarer’s tale,” the Seafort Saga tells the story of an intergalactic captain’s journey through the galaxy (Roger MacBride Allen). Now, the first three installments of this epic series are available in one volume.  Midshipman’s Hope: The year is 2194. Seventeen-year-old Nicholas Seafort is a fresh recruit with the United Nations Naval Service, serving as midshipman onboard the UNS Hibernia. En route to the colony of Hope Nation, the ship answers a distress call—only to lose the senior command staff in a daring rescue attempt. The chain of command has elevated Seafort into a leadership role he never anticipated. Surrounded by resentful and potentially mutinous officers, Seafort earns his stripes throughout Hibernia’s voyage, but his real trial awaits at Hope Nation with a startling revelation for humanity.  Challenger’s Hope: Capt. Nicholas Seafort was in command of the UNS Challenger until he was assigned to Adm. Geoffrey Tremaine’s task force. Removed from his flagship, Seafort has been given the smaller UNS Portia, transporting colonists to the world of Detour. But an alien attack devastates both ships, leaving dozens of crewmen and passengers dead. Only UNS Challenger is in good enough condition to bring the survivors home—provided Seafort can regain and retain his captaincy.  Prisoner’s Hope: Nicholas Seafort’s disastrous mission as captain of the UNS Challenger cost him nearly everything. The aliens responsible for decimating the United Nations Naval fleet are still a threat to the colony world of Hope Nation, whose inhabitants feel abandoned as the navy returns to Earth. To save the colonists, Seafort will have to sacrifice everything he has left and commit an act of high treason that could result in his death sentence.

    When he wakes, he is in another place and, it seems, another time. Colin is a very long way from home, on the Ship FNS Destiny with no way to return. When he visits the devastated colony of Zafar, he becomes a changed man, a man with a new purpose in life. Pirates attacking planets and Star-Ships quickly show him the universe is not the friendly place he once thought it was. The idea that people who are as technologically advanced as these will be peaceful and benevolent is only partly true. These Aliens must still maintain a military to defend themselves against their enemies. After pirates attack the ship he is travelling on, the entire command structure is out of action, leaving only Colin to guide the repairs and help the crew steer the ship safely back to home port. Along the way he must rescue innocent civilians from the pirates and help the Federation of Sentient Peoples (FSP) to survive. He learns that the very actions he must take to save the ship and crew could also see him branded a pirate if he is successful. While the FSP is by no means a utopian society, its leaders are smart enough to know they are in trouble and who they should ask for help. Can Colin save the ship and her crew? If he does, will the Federation authorities put him in prison for doing so?

    Adrian Tarn and R.J. Smith are persuaded to escort two scientists to a landing there to investigate. What they find has unexpected consequences for Earth and every person on it. Join Adrian Tarn, R.J. Smith, and Danica Donoro as they fight to close Pandora's box before Earth becomes a new asteroid belt.

    A collector of classic art and fine wine, Michael's business has provided him with a very good life.But Michael also has a secret. One that could cost him everything if discovered. With the aid of Marlin, a former CIA case officer and his longtime mentor, Michael operates a clandestine organization that protects his company from a global network of intellectual-property pirates who want what he has, even if they have to kill to get it. Together, the two men use whatever means necessary to defend what Michael has spent his life building.Because of his very dangerous life, Michael has forbidden himself from ever getting too close to anyone. That is, until he meets Caitlin Doyle, a beautiful, intelligent, and politically connected campaign strategist working on the upcoming presidential election. While on a weekend vacation to the mountains, Michael and Caitlin come under attack by a group of hired assassins. Barely escaping the sudden, brutal, and well-orchestrated assault, Michael must respond against a powerful and unknown enemy in ways that test his courage and beliefs like never before. With merely a blurred photo of a man's hand to go on, Michael wages a battle that circles the globe – all to hunt down the men who invaded his perfect life.Set against the contrasting worlds of high technology, politics, and espionage, The Archangel Response moves quickly from a defiled Russian monastery to an exploding supertanker in Hong Kong’s Victoria Harbor, through the corrupt halls of government in Washington DC to Spain's Running of the Bulls.Ending in a violent confrontation that could cost Michael everything he's worked for, and even the woman he loves, The Archangel Response is a pulse-pounding thriller from first-time author Kevin Harmon that will leave readers shocked and emotionally moved.

    Taking the Three Laws of Robotics literally, Prime Intellect makes every human immortal and provides instantly for every stated human desire. Caroline finds no meaning in this life of purposeless ease, and forgets her emptiness only in moments of violent and profane exhibitionism. At turns shocking and humorous, Prime Intellect looks unflinchingly at extremes of human behavior that might emerge when all limits are removed.

    Longbottom, the Nebula Award-winning science-fiction and fantasy author and head writer of Mythic Quest. C.W. found literary fame with Inside the Caves of Beneroth and Tears of the Anaren, but even his most loyal fans don’t know that Tears of the Anaren began as a short story he wrote in the early 1970s while interning at Amazing Tales magazine.This never-before-published draft is now yours to discover, complete with C.W.’s (extremely) colorful commentary and an Introduction and Afterword by Ian Grimm, the iconoclastic creator of Mythic Quest. As sparks fly between heroic scoundrel Zeb and space seductress Merrith, we get a glimpse into the mind of a talented young man yearning for greatness. Like early Mozart, it is raw and green — but also magic.From Charlie Day, Megan Ganz, and Rob McElhenney, the Apple TV+ original comedy series, Mythic Quest, goes behind the scenes to follow the game’s creators. In a workplace focused on building worlds, molding heroes, and creating legends, the most hard-fought battles don’t occur in the game — they happen in the office. Rob McElhenney stars as Ian Grimm alongside Charlotte Nicdao and F. Murray Abraham.

    Lightspeed publishes all types of science fiction, from near-future, sociological soft sf, to far-future, star-spanning hard sf, and anything and everything in between. Each month, Lightspeed features a mix of originals and reprints, from a variety of authors - from the bestsellers and award-winners you already know to the best new voices you haven''t heard of yet. Now, in Lightspeed: Year One, you will find all of the fiction published in Lightspeed''s first year, from new stories such as Nebula Award finalists, Vylar Kaftan''s "I''m Alive, I Love You, I''ll See You in Reno" and "Arvies" by Adam-Troy Castro, and Carrie Vaughn''s Hugo Award-nominee "Amaryllis," to classic reprints by Stephen King, Ursula K. Le Guin, George R. R. Martin, and more.Contents:"I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan"The Cassandra Project" by Jack McDevitt"Cats in Victory" by David Barr Kirtley"Amaryllis" by Carrie Vaughn"No Time Like the Present" by Carol Emshwiller"Manumission" by Tobias S. Buckell"The Zeppelin Conductors' Society Annual Gentlemen's Ball" by Genevieve Valentine"...For a Single Yesterday" by George R. R. Martin"How to Become a Mars Overlord" by Catherynne M. Valente"Patient Zero" by Tananarive Due"Arvies" by Adam-Troy Castro"More Than the Sum of His Parts" by Joe Haldeman"Flower, Mercy, Needle, Chain" by Yoon Ha Lee"The Long Chase" by Geoffrey A. Landis"Amid the Words of War" by Cat Rambo"Travelers" by Robert Silverberg"Hindsight" by Sarah Langan"Tight Little Stitches in a Dead Man's Back" by Joe R. Lansdale"The Taste of Starlight" by John R. Fultz"Beachworld" by Stephen King"Standard Loneliness Package" by Charles Yu"Faces in Revolving Souls" by Caitlin R. Kiernan"Hwang's Billion Brilliant Daughters" by Alice Sola Kim"Ej-Es" by Nancy Kress"In-Fall" by Ted Kosmatka"The Observer" by Kristine Kathryn Rusch"Jenny's Sick" by David Tallerman"The Silence of the Asonu" by Ursula K. Le Guin"Postings from an Amorous Tomorrow" by Corey Mariani"Cucumber Gravy" by Susan Palwick"Black Fire" by Tanith Lee"The Elephants of Poznan" by Orson Scott Card"Long Enough And Just So Long" by Cat Rambo"The Passenger" by Julie E. Czerneda"Simulacrum" by Ken Liu"Breakaway, Backdown" by James Patrick Kelly"Saying the Names" by Maggie Clark"Gossamer" by Stephen Baxter"Spider the Artist" by Nnedi Okorafor"Woman Leaves Room" by Robert Reed"All That Touches the Air" by An Owomoyela"Maneki Neko" by Bruce Sterling"Mama, We are Zhenya, Your Son" by Tom Crosshill"Velvet Fields" by Anne McCaffrey"The Harrowers" by Eric Gregory"Bibi From Jupiter" by Tessa Mellas"Eliot Wrote" by Nancy Kress"Scales" by Alastair Reynolds

    Elrod's picked 15 of her favorite short works for this multi-genre collection spanning 15 years of publication.Also included is a never before published VAMPIRE FILES story, featuring her urban fantasy vampire PI, Jack Fleming!Each story has been polished afresh for this anthology, with pages of new material added.More information -- and previews of the stories! -- may be found at her website vampwriter-dot-com.Titles:1. A Night at the (Horse) Opera (Vampire Files, Fleming)2. The Breath of Bast (Vampire Files), Ecsott)3. Bossman (Original mystery, no vamps)4. Slaughter (Vampire Files, Fleming & Gordy)5. The Devil's Mark (Original historical vampire)6. You'll Catch Your Death (Vampire Files)7. Izzy's Shoe-In (Historical mystery introducing Izzy DeLeon, fearless girl reporter)8. The Quick Way Down (Vampire Files, Fleming and Gordy)9. The Scottish Ploy (Original romance/mystery)10. Grave-Robbed (Vampire Files, Fleming)11. The Company You Keep (Vampire Files, Gabriel Kroun)12. Death in Dover (Jonathan Barrett before he got vamped, historical mystery)13. Drawing Dead (ALL NEW VAMPIRE FILES, Fleming)14. King of Shreds and Patches (Hamlet from a different point of view, mystery)15. Fugitive (Science fiction/space opera)16. BONUS STORY! The Wind Breathes Cold (Quincey Morris: Vampire)

    Schwartz, Ph.D., there is compelling scientific evidence that we no longer have to accept God on faith alone. Through a multidisciplinary approach, Harvard University-educated Dr. Schwartz blends psychology, quantum physics, and mathematics to examine the science of spirit. Faith and science are not mutually exclusive, and a better understanding of their relationship can lead us to recognize how God operates in everything.Trained in the scientific method as an "open-minded skeptic," Dr. Schwartz was taught how to raise questions, turn them into hypotheses, and design experiments to test them. He was not trained to consider the nature of God. And yet, his scientific research led him directly to the discovery of God's existence in intelligent evolution and everyday life.Scientifically rigorous and spiritually reassuring, this eye-opening book is a wake-up call for anyone who wonders about life's true meaning and who longs to believe in the existence of a universal intelligence.

    

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    

    Forward, Ph.D. and physicist to the stars, gives us a tour of the "real" far-out physics theory being discussed by scientists today - and then shows us what it's all "for" in his science fiction stories showing people utilizing those theories, and the impact they will have on a future that is - "INDISTINGUISHABLE FROM MAGIC"

    At his death last spring, Roueche left behind seven new narratives that have never been published in book form. This book collects these works along with one earlier classic--all relating true tales of strange illnesses, rare diseases, and the brilliant minds who race to understand and conquer them.