Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    Produced by Broadway Video, this is not an audiobook-it's a 10-episode, star-studded, audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye's Fab Five, and so many more. Queen Mortuana of the Night Realm (McKinnon) and her ditsy raven minion JoJo (Lynne) receive a prophecy about a peasant uprising. Together, they must journey to find the "Shard of Acquiescence," which will put down the rebellion and save the throne. Will their friendship survive sensitive generals, chatty sex slaves, whiny behemoths, princes with bird fetishes, and the notion of democracy? This raunchy satire also includes the wicked talents of Andrea Martin, Carol Kane, Audra McDonald, Aidy Bryant, Alex Moffat, Heidi Gardner, Chris Redd, Steve Higgins, Bob the Drag Queen, Esther Perel, and more. So, hold on to your head, and let the bad times roll.

    The superstitious townspeople resent their happiness and their subsequent meddling ends in violence and tragedy. This play was proclaimed a Broadway hit.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    It is not what we do; it is what we are that is decisive. People with weak, trivial natures will be unhappy, no matter who they are with, or what they are doing. Instead of improving their character, they will always long for that someone or something or some place to make it all better. Those with stronger characters have a greater chance of happiness no matter what their choices have been.

    It is essentially a racy crime thriller full of gritty suspense. Act one builds up slowly to result in a crescendo of conflicts between personalities and ideas finally to end with an unnatural death before the interval. Is it a suicide or a murder? Act two evolves through a series of incisive interrogations to unravel the truth, which is deeply disturbing and affecting. As the play unfolds into a very well crafted situational thriller, underneath is the debate about using land for agriculture or for industry, the ethics of a working author and the nexus of a modern state all wonderfully enmeshed into its storyline and the personal lives of its subtly etched out characters. The highpoints of the play are its central conflict between a mother and her daughter and its female sleuth – Renuka.

    Deep in the mist-shrouded forests of the Pacific Northwest is a small mill town called Commonwealth, conceived as a haven for workers weary of exploitation. For Philip Worthy, the adopted son of the town's founder, it is a haven in another sense-as the first place in his life he's had a loving family to call his own. And yet, the ideals that define this outpost are being threatened from all sides. A world war is raging, and with the fear of spies rampant, the loyalty of all Americans is coming under scrutiny. Meanwhile, another shadow has fallen across the region in the form of a deadly illness striking down vast swaths of surrounding communities. When Commonwealth votes to quarantine itself against contagion, guards are posted at the single road leading in and out of town, and Philip Worthy is among them. He will be unlucky enough to be on duty when a cold, hungry, tired-and apparently ill-soldier presents himself at the town's doorstep begging for sanctuary. The encounter that ensues, and the shots that are fired, will have deafening reverberations throughout Commonwealth, escalating until every human value-love, patriotism, community, family, friendship-not to mention the town's very survival, is imperiled. Inspired by a little-known historical footnote regarding towns that quarantined themselves during the 1918 epidemic, "The Last Town on Earth" is a remarkably moving and accomplished debut.

    Like Whitney Otto’s How to Make an American Quilt in its intimate portrayal of women’ s lives, and reminiscent of novels by Elizabeth Berg and Anne Tyler, Keeping the House is a rich tapestry of a novel that introduces a wonderful new fiction writer. When Dolly Magnuson moves to Pine Rapids, Wisconsin, in 1950, she discovers all too soon that making marriage work is harder than it looks in the pages of the Ladies’ Home Journal. Dolly tries to adapt to her new life by keeping the house, supporting her husband’s career, and fretting about dinner menus. She even gives up her dream of flying an airplane, trying instead to fit in at the stuffy Ladies Aid quilting circle. Soon, though, her loneliness and restless imagination are seized by the vacant house on the hill. As Dolly’s life and marriage become increasingly difficult, she begins to lose herself in piecing together the story of three generations of Mickelson men and women: Wilma Mickelson, who came to Pine Rapids as a new bride in 1896 and fell in love with a man who was not her husband; her oldest son, Jack, who fought as a Marine in the trenches of World War I; and Jack’s son, JJ, a troubled veteran of World War II, who returns home to discover Dolly in his grandparents’ house. As the crisis in Dolly’s marriage escalates, she not only escapes into JJ’s stories of his family’s past but finds in them parallels to her own life. As Keeping the House moves back and forth in time, it eloquently explores themes of wartime heroism and passionate love, of the struggles of men’s struggles with fatherhood and war and of women’s conflicts with issues of conformity, identity, forbidden dreams, and love.Beautifully written and atmospheric, Keeping the House illuminates the courage it takes to shape and reshape a life, and the difficulty of ever knowing the truth about another person’s desires. Keeping the House is an unforgettable novel about small-town life and big matters of the heart.

    When Elizabeth Endicott arrives in Aleppo, Syria she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. The year is 1915 and she has volunteered on behalf of the Boston-based Friends of Armenia to help deliver food and medical aid to refugees of the Armenian genocide. There Elizabeth becomes friendly with Armen, a young Armenian engineer who has already lost his wife and infant daughter. When Armen leaves Aleppo and travels south into Egypt to join the British army, he begins to write Elizabeth letters, and comes to realize that he has fallen in love with the wealthy, young American woman who is so different from the wife he lost. Fast forward to the present day, where we meet Laura Petrosian, a novelist living in suburban New York. Although her grandparents' ornate Pelham home was affectionately nicknamed "The Ottoman Annex," Laura has never really given her Armenian heritage much thought. But when an old friend calls, claiming to have seen a newspaper photo of Laura's grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family's history that reveals love, loss - and a wrenching secret that has been buried for generations.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    Perfect for fans of "Downton Abbey," it's the story of an aristocratic family, a house, a mysterious death, and a way of life that vanished forever, told in flashback by a woman who witnessed it all.The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It's also a meditation on memory and the devastation of war and a beautifully rendered window into a fascinating time in history.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .April 1915Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.