The anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject--the mass rape suffered by all, regardless of age or infirmity.

    Everything changes when she’s recruited into the Office of Strategic Services by family friend and legendary WWI hero Major General William Donovan.Donovan has faith in her—and in all his “glorious amateurs” who are becoming Anna’s fast friends: Maggie, Anna’s down-to-earth mentor; Irene, who’s struggling to find support from her husband for her clandestine life; and Julia, a cheerful OSS liaison. But the more Anna learns about the organization’s secret missions, the more she longs to be stationed abroad. Then comes the opportunity: go undercover as a spy in the French Resistance to help steal critical intelligence that could ultimately turn the tide of the war.Dispatched behind enemy lines and in constant danger, Anna is filled with adrenaline, passion, and fear. She’s driven to make a difference—for her country and for herself. Whatever the risk, she’s willing to take it to help liberate France from the shadows of occupation and to free herself from the shadows of her former life.

    It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

    As the wall between East and West falls, Miriam Winter cares for her dying father, Henryk. When he cries out for someone named Frieda – and Miriam discovers an Auschwitz tattoo hidden under his watch strap – Henryk’s secret history begins to unravel.Searching for more clues of her father’s past, Miriam finds an inmate uniform from the Ravensbrück women’s camp concealed among her mother’s things. Within its seams are dozens of letters to Henryk written by Frieda. The letters reveal the disturbing truth about the ‘Rabbit Girls’, young women experimented on at the camp. And amid their tales of sacrifice and endurance, Miriam pieces together a love story that has been hidden away in Henryk’s heart for almost fifty years.Inspired by these extraordinary women, Miriam strives to break through the walls she has built around herself. Because even in the darkest of times, hope can survive.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    There have been other books on Dr Morell's cocktail of treatments for Hitler and Goering's reliance on drugs, but Ohler's book is the first to show how the entire Nazi regime was permeated with drugs - cocaine, heroin, morphine and methamphetamines, the last of these crucial to troops' resilience and partly explaining German victory in 1940. Ohler is explicit that drugs cannot explain Third Reich ideology, but their promiscuous use impaired and confused decision-making, with drastic effects on Hitler and his entourage, who, as the war turned against Germany, took refuge in ever more poorly understood cocktails of stimulants. This chemical euphoria changes how we should think about the Nazi high command and its ability to understand the situation it found itself in by 1944-45. As such Blitzed will force a wider reinterpretation of several key events during the Second World War.

    A young Oxford don, Richard Myles and his wife Frances are about to leave for their usual long vacation on the continent. At the request of a Foreign Office friend of Richard's they agree to serve as messengers to a man who has been involved in rescue work and anti-Nazi espionage, a man who now seems to have gone missing. Their qualifications? Next to nothing except for Richard's superb memory and the fact that they look so very innocent. Across a continent on the brink of war from Paris to Innsbruck and beyond Richard and Francis travel ever deeper into danger.

    He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider.The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski.

    But soon Elenor discovers that Hitler's firestorm is not the only thing she must fear when she learns a devastating secret about Rose...With Rose's life in imminent danger, Elenor turns to the only person she can trust to keep the deadly secret, heroic Canadian pilot, Jackson St John. And amidst the destruction of war, an unlikely romance blossoms as they find a way to protect the child they have both grown to love...and each other.

    Though rumors of war circulate, she feels safe—the island is fortified, the airbases are ample, and the Filipino troops are well-trained.But on December 8, 1941, her dream world shatters. Captured by the invading Japanese, Margie ends up interned at Santa Tomas, an infamous prison camp. There, for the next three years, while enduring brutality and starvation, her bravery, resourcefulness, and faith are tested and her life forever changed.At once an epic tale of a nation at war and the deeply personal story of one woman’s journey through hell, A Pledge of Silence vividly illustrates the sacrifices the Greatest Generation made for their country, and the price they continued to pay long after the war was over.

    After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head.Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    Ernst, a cross-dressing lounge singer at a seedy nightclub, had many secrets, a never-ending list of lovers, and plenty of opportunities to get into trouble.Hannah delves into the city's dark underbelly to flush out his murderer, but the late night arrival of a five-year-old orphan on her doorstep complicates matters. The endearing Anton claims that Hannah is his mother. and that her dead brother Ernst is his father.As her investigations into Ernst's murder and Anton's parentage uncover political intrigue and sex scandals in the top ranks of the rising Nazi party, Hannah fears not only for her own life, but for that of a small boy who has come to call her 'mother.'

    This collection of short stories is our gift to bring you something positive and joyful with which to end the year.Soldiers stumbling upon mercy and miracles; children sharing gifts of friendship and love; romance finding its way into lonely, war-weary hearts; resistance fighters; spies; families on the home front—all bringing their own ray of hope in the darkest of times.For this holiday season, we offer you this collection of short stories to lift your spirit, and to remember a time when love and the strength of human spirit prevailed.We hope you will enjoy stepping back into the wartime Christmases in these stories with us.

    What would you sacrifice for love? Your home? Your material possessions? Your family and friends? Your principles? Your life?PrologueDetrick, a seven-year-old Aryan boy, with blonde hair that shines like the rays of the sun rides his brand new bicycle down a main street of Berlin in 1923. Young and carefree, he’s fully experiencing freedom for the first time. It is mid-day and the street is filled with humanity. Vendors hawk their wares and haggle with potential shoppers, while a few of the new inventions called automoblies honk as make their way through the crowded roads. There is so much to look at, to smell, and to take in, the fresh baked bread, the chocolate candy, the fresh fruit. Detrick is swept away by all of the activities surrounding him, so he is not paying attention when suddenly a horse drawn cart appears causing him to fall. Embarrassed and upset he decides to walk his damaged bicycle home by a different path, one where he is unlikely to be forced to face his friends. A path through the Jewish sector of town. It is here that he meets Jacob Abdenstern, a lovable Jewish bicycle repair man who offers to help the little boy. Detrick having an alcoholic, anti-Semitic father finds a friend and much-needed paternal figure in Jacob. A relationship flourishes between the two of them that will alter both of their lives forever.