In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left—a woman stoned to death in the town center and an abandoned newborn—have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.But there will be no turning back.Not long after they’ve set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice:They are not alone.They’re looking for the truth…But what if it finds them first?

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    . . They were wrong. The House on Cold Hill is a chilling and suspenseful ghost story from the multi-million copy bestselling author of Dead Simple, Peter James.Moving from the heart of Brighton and Hove to the Sussex countryside is a big undertaking for Ollie and Caro Harcourt and their 12-year-old daughter Jade. But when they view Cold Hill House—a huge, dilapidated Georgian mansion—Ollie is filled with excitement. Despite the financial strain of the move, he has dreamed of living in the country since he was a child, and he sees Cold Hill House as a paradise for his animal-loving daughter, the perfect base for his web-design business, and a terrific long-term investment. Caro is less certain, and Jade is grumpy about being separated from her friends.Within days of moving in, it becomes apparent that the Harcourt family aren't the only residents of the house. A friend of Jade's is the first to see the spectral woman, standing behind her as the girls talk on FaceTime. Then there are more sightings, as well as increasingly disturbing occurrences in the house. As the haunting becomes more malevolent and the house itself begins to turn on the Harcourts, the terrified family discover Cold Hill House's dark history, and the horrible truth of what it could mean for them.

    No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    Billy Halleck, good husband and loving father, is both beneficiary and victim of the American good life: He has an expensive home, a nice family, and a rewarding career as a lawyer...but he is also fifty pounds overweight and edging into heart attack country.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    Checking into a quaint boardinghouse for the summer, she hopes to put her life into perspective. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos.But in this inviting refuge, where a century of souls has passed, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t. Bad dreams and night whispers lure Brynn to a shuttered room at the end of the hall, a room still heavy with a recent death. And now she’s become irresistibly drawn to Dominic—even in the shadow of rumors that wherever he goes, suspicious death follows.In this chilling season of love, transformation, and fear, something is calling for Brynn. To settle her past, she may have no choice but to answer.

    Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.