In most ways, he’s the same as any other forester: tall, strong and well built, red-haired like his northern kin, and like them considered small by other foresters but not by anyone else. He has all the proverbial politeness of his kin and all of their stubbornness as well. He differs from them in only two things: he is a Whisperer of the sort not seen for a very long time, and he has come to be regarded as a hero and a legend in his own lifetime … much to his own amazement, disbelief and horror. This is the story of how he did it. Book One is the story of a young Rowan who leaves the forests as few of his kind ever do, to become a Guardsman in the neighbouring province of Wirran. The Wirran Guard are justly proud of their distinguished reputation and find themselves shocked to find a young Siannen is as good as any of them and better than most when he takes them on at their own game. Book Two finds Rowan’s life has changed a lot, and not for the better. He has faced unimaginable loss, trauma and betrayal and decides to find and confront the Gods themselves, simply to tell them what he thinks about the way they’re running things. He might mention some improvements that they could make while he’s at it. His meeting with those he finds in Plausant Bron will change him and the world of Yaarl forever. Book Three sees Rowan more at peace with himself at last, though at times he still struggles with the losses and traumas of his past. At the urging of an old friend he will finally return to his old garrison to face and accept the adulation and honours that he turned his back on. While he’s there, he will show a new generation of swordsmen that the Champion is not to be trifled with, no matter how old and decrepit he may appear to be.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    26 poems: Tunnel, Dark Corners, Parallel, Press Play, Mundane, Walls, Sunbathing, Broken, Space Traveler, Brilliant, Gloom, Harbor, Fallen, Words, Stargazing, That Great Night, These Eyes, What Defines Me, Screams from Outer Space, Crosshairs, Eclipse, Peace of Mind, Drowning, Corpses, Before I Go, Journey

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    All headnotes are new or updated, and many footnotes have been added, replaced, or revised. Criticism reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson. A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

    An essential book for a full understanding of one of our major poets.Color woodcut, Night Scene, by Neil Welliver. Courtesy of the artist.

    Rogue & Kat Savage.

    0-935906-02-9$5.00 / Javan Press

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    Alexis refuses to admit that her lies are the reason her son is fatherless. Silvia loves her man and will stop at nothing to prove her love . . . nothing . . . So murder is an option.All of these women have one thing in common: They believe that Monica is the problem, and they want her out of the way.Why Her? is a novel about cruel, low self-esteem wenches who never understood the number one rule of love: Love thyself first. Because of that, they will make Monica’s life miserable. Will Monica be able to survive the drama? Or will she give up and let them win?

    And this time he's got a baby. William Walker loves his gorgeous wife and new son – even if he did faint at the birth. What man wouldn't, after two whole days of labour and only one small sip of (medicinal) whiskey to sustain him? But now he's a father, and a proud one at that. It's just a shame that parenthood doesn't stop him doing the wrong thing at precisely the wrong time, with comically catastrophic results for his small – and increasingly exasperated – family.This hilarious romantic comedy will have you laughing out loud as William battles everything from floods to the Machiavellian denizens of a sinister Kentish village with more than a few hints of Royston Vasey…

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.