He is excited and afraid; he wants to recapture the love he knew with his parents before they died and become a doctor like his father. But in his new home of celebrities, crooks, untrustworthiness, and excessively wealthy deviants, lust and want thwart his search for selfless caring love, and in his quest to become a doctor, he discovers the altruism of health care and scientific discovery riddled with profit motivation and deficient moral standards. A finalist in the 2012 William Faulkner-William Wisdom Creative Writing Competition.

    As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood—is a great accomplishment. Readers, I think, will find this book irresistible."

     Wichita holds memories for both of the targets of the “hit,” and even though they hate each other, they reluctantly join forces to hunt down the person who ordered the hit on them. Their pursuit takes them on many adventures together, occasionally getting sidetracked to chase down bank robbers and murderers such as Blackjack Parmeter. The result is that their dislike for each other turns into reluctant respect, along with some surprising Wichita connections to their past lives and families. This new action-packed adventure has everything a Western reader could want, or need. Gunplay, mystery—and much, much more!

    But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem -- and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice -- and some money for the dead man's woman -- they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die...

    IN THE TRADITION OF TRUE CRIME narratives such as In Cold Blood, acclaimed author Jack Todd’s new novel grips the reader from the first page; and as it spans continents and generations of one family, its taut and shocking undercurrent of violence builds to a stunning crescendo. Todd’s first novel, Sun Going Down, which introduced the Paint family, won praise from reviewers and major authors such as Michael Korda and Michael Blake. His second novel, Come Again No More, recounted the Paints’ saga of triumph and tragedy through the Great Depression, inspiring the Ottawa Citizen to label Todd “a first-rate novelist with a tender heart.” Rain Falls Like Mercy opens with the murder investigation of a young girl in Wyoming in mid- 1941. Tom Call, the young sheriff running the investigation, falls in love with Juanita, the wife of Eli Paint, whose son Leo and grandson Bobby Watson are on duty with the U.S. Navy. Almost overnight, the case is derailed by the Japanese attack on Pearl Harbor, disrupting the lives of all involved. Bobby mans an antiaircraft gun during the attack. Tom joins the U.S. Air Force and is deployed to England to fly bombers, still trying to pursue his murder investigation. His suspicion falls on Pardo Bury, the psychotic son of a wealthy rancher in Wyoming. As Pardo and Tom make their ways to their inevitable and shattering confrontation, Rain Falls Like Mercy displays Todd’s uncanny ability to zero in on his characters’ emotional lives while simultaneously painting a sweeping picture of the historical events that shape their destinies.

    I can think of just about no contemporary poets who publish such consistently great work.” —Corduroy Books “Bob Hicok's poetry is a fleeting comfort, a temporary solace from the chaos of the world. Smart, honest, powerfully inventive, his writing asks the biggest questions while acknowledging that there are no answers beyond the imposed structure of the page.” —Los Angeles Times on This Clumsy Living “The most potent ingredient in virtually every one of Bob Hicok's compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there's almost no problem that can't be solved by this poet's gentle humor.” —New York Times Book Review on Insomnia Diary

    She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while cracks are beginning to show in Acapulco because of the cartels, Lydia’s life is, by and large, fairly comfortable. But after her husband’s tell-all profile of the newest drug lord is published, none of their lives will ever be the same.Forced to flee, Lydia and Luca find themselves joining the countless people trying to reach the United States. Lydia soon sees that everyone is running from something. But what exactly are they running to?

    Nora Johnson's The World of Henry Orient, published in 1958, is an amusing, affectionate satire of the last days of innocence in the lives of two New York girls, Marian "Gil" Gilbert and Valerie "Val" Boyd. The boredom and impatience of adolescence are richly caught, even as they inspire crazy escapades that will eventually open up the world for these two bright but naive girls.Val and Gil have become friends at an age when friendship is the most important thing. Boys have not entered the picture yet, but childhood has begun to recede and the world is beckoning them. The girls are growing up in comfortable upper-middle-class homes in Manhattan, which creates a special kind of tension and stress in their lives. They are just old enough to have some independence, to play at being grownups, with the city as their playground. At a Carnegie Hall concert, they see a pianist named Henry Orient, and they are immediately smitten with him -- not in the sexual sense, but moonstruck nonetheless. Henry Orient becomes the focus of their lives. They follow him around Manhattan, observing his routine, his "world," unaware at first that they are observing the pianist bound up in a snarl of romantic liaisons. What happens to Val and Gil is what we now called "bonding," the kind of friendship that smoothes the transition from innocence to worldliness, from the certainties of childhood to the infinite possibilities of adulthood.Engaging and exuberant, The World of Henry Orient treats its heroines with affection and good humor. These are silly girls, it seems, doing little more than playing games, but a great deal goes on beneath the surface of their lives. Nora Johnson is sensitive to the delicate stresses that threaten the security adolescents have always known.

    It is a story of bridges -- bridges spanning the rivers of Philadelphia and Pittsburgh, bridges arching over the rifts that have divided our communities, our country, our hearts. Narrated in the bluesy voices of its three main characters, Two Cities is a simple love story, but it is also about the survival of an endangered black urban community and the ways that people discover for redeeming themselves in a society that is failing them. With its indelible images of confrontation and outrage, matched in equal measure by lasting impressions of hope, Two Cities is a compassionate, lacerating, and nourishing novel.

    Set in the plain of North Carolina and the coast and hills of Virginia from 1903 to 1944, it chronicles the marriage of Forrest Mayfield and Eva Kendal, the hard birth of their son, Eva's return to her father after her mother's death, and the lives of two succeeding generations. The Surface of Earth is the work of one of America's supreme masters of fiction, a journey across time and the poignantly evoked America of the first half of our century that explores the mysterious topography of the powers of love, home, and identity. In his evocation of the hungers, defeats, and rewards of individuals in moments of dark solitude and radiant union, Price has created an enduring literary testament to the range of human life.

    A brilliant tale of ineptitude, self-righteousness, and human folly, it combines the mordant wit of W. Somerset Maugham with a sense of humor reminiscent of P.G. Wodehouse.When Dr. Sydney Prout is named the head of the United Nations mission to Elephant Island, he believes he is more than ready to meet the challenge of guiding its primitive inhabitants into the post-Colonial era, and eventually, full independence. But neither his many academic credentials nor the Journal of Race Relations have prepared Dr. Prout to reckon with the unrepentant bloody-mindedness of the natives, or anticipate the inventive ways their tribal philosophers will incorporate the most unlikely aspects of modern civilization into their religious lore and traditional way of life.Author Owen Stanley is an Australian explorer, a philosopher, and a poet who speaks seven languages. He is at much at home in the remote jungles of the South Pacific as flying his Staudacher aerobatic plane, deep-sea diving, or translating the complete works of Charles Darwin into Tok Pisin.

    From her first stock show to the day she turns eighteen and flees for the comforts of the city, Dickie bucks the cattle-ranching lifestyle and yearns for manicured lawns, housebroken pets, and neighborhood playmates. Yet she reluctantly finds herself drawn to the vast, desolate landscape of the desert and the solitude it offers—a feeling she won't acknowledge even within herself.Now a grown woman, Dickie is a respected reporter in Salt Lake City, convinced that physical distance and a convenient but passionless relationship will erase the memory of her painful childhood. But when her brother dies in a tragic accident, Dickie finds herself back in the farmhouse she tried so desperately to abandon. Suddenly, she is faced with her family's past and a love she's never admitted to, bringing down the walls of her carefully contrived existence.Accustomed to the physical boundaries city life entails, Dickie feels emotionally exposed by the fenceless expanse of the ranch. As she navigates her past, piecing together relationships, romance, and the pull of the mountains themselves, she finally confronts the pivotal moment of her childhood—the horrifying discovery that made her flee the desert so many years ago.A novel that spans two generations and vast landscapes, The Last Cowgirl brings to mind the writing of Pam Houston and Barbara Kingsolver. Richman's provocative prose, pulled from personal experience, will strike a chord with anyone who has been faced with demons from their past and found solace in the space around them.

    Here we meet Roxanne, the tomboy who consistently chooses men who are not her equal; the loving Marta, whose husband keeps a separate house where he retreats when married life overwhelms him; and Bebe, a married mother of two teenagers who leaves it all behind when her lover comes on a motorcycle to claim her. With painfully keen perception, Nelson creates stories that linger in the mind long after they are read, and which create a unique view of relations between the sexes in the small towns and big cities of America.

    But the real challenge is the cowboy who's guiding her to it.

    . . . There is a marvelous tapestry of interwoven myth and magic that guides Anaya's characters' sensibilities, and is equally important in defining their feel of place. Above all, in this novel is a deep caring for land and culture and for the spiritual well-being of people, environment, landscape."--John Nichols, author of The Milagro Beanfield War: A Novel". . . Alburquerque portrays a quest for knowledge. . . . [It] is a novel about many cultures intersecting at an urban, power-, and politics-filled crossroads, represented by a powerful white businessman, whose mother just happens to be a Jew who has hidden her Jewishness, . . . and a boy from the barrio who fathers a child raised in the barrio but who eventually goes on to a triumphant assertion of his cross-cultural self."--World Literature Today"Alburquerque fulfills two important functions: it restores the missing R to the name of the city, and it shows off Anaya's powers as a novelist."--Alan Cheuse, National Public Radio