The renowned recording artist shares a half-century of personal memories, from his childhood in Depression-era Queens, to the New York jazz scene of the 1940s, to his successes with a new generation of fans in the 1990s.

    But her friend, who had prepared for the adoption for many months, panics soon after being presented with the frail baby, and the situation develops into one of the greatest challenges of Russell's life. Russell, watching in disbelief as Alex distances herself from the child, cares for the baby -- clothing, bathing, and feeding her -- and makes her feel secure in the unfamiliar surroundings. Russell is overwhelmed and disoriented by the unfolding drama and all that she sees in China, and yet amid the emotional turmoil finds herself deeply bonding with the child. She begins to have dreams of an ancient past -- dreams of a young woman who is plucked from the countryside and chosen to be empress, and of the child who is ultimately taken from her. As it becomes clear that her friend -- whose indecisiveness about the adoption has become a torment -- won't be bringing the baby home, Russell is amazed to realize that she cannot leave the baby behind and that her dreams have been telling her something significant, giving her the courage to open her heart and bring the child home against all odds. Steeped in Chinese culture, Forever Lily is an extraordinary account of a life-changing, wholly unexpected love.

    Taking Turns pulls back the curtain on life in the ward.A shining example of excellence in the treatment and care of patients, Unit 371 was a community for thousands of patients and families affected by HIV and AIDS and the people who cared for them. This graphic novel combines Czerwiec’s memories with the oral histories of patients, family members, and staff. It depicts life and death in the ward, the ways the unit affected and informed those who passed through it, and how many look back on their time there today. Czerwiec joined Unit 371 at a pivotal time in the history of AIDS: deaths from the syndrome in the Midwest peaked in 1995 and then dropped drastically in the following years, with the release of antiretroviral protease inhibitors. This positive turn of events led to a decline in patient populations and, ultimately, to the closure of Unit 371. Czerwiec’s restrained, inviting drawing style and carefully considered narrative examine individual, institutional, and community responses to the AIDS epidemic—as well as the role that art can play in the grieving process.Deeply personal yet made up of many voices, this history of daily life in a unique AIDS care unit is an open, honest look at suffering, grief, and hope among a community of medical professionals and patients at the heart of the epidemic.