Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, “The war made my mother who she was.” Audrey Hepburn’s war included participation in the Dutch Resistance, working as a doctor’s assistant during the “Bridge Too Far” battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem’s most famous young ballerina. Audrey’s own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II.

    From Edwards's account we learn, for example, that Garland saw it as her duty to provide for her family financially, a generosity that her mother Ethel exploited with disastrous results. A student of great poets—Shelley, Keats, and Browning in particular—she often tried her own hand at verse; surviving poems are reproduced here. Above all Judy Garland sought to please, whether it was an audience or a studio head, and therein lies her powerful and heartbreaking story.

    . . Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the "Funniest Film of All Time". It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told—until now.

    S provides the deepest understanding yet of one of our greatest entertainersAs the right hand of Frank Sinatra from 1953 to 1968, George Jacobs arguably had one of the coolest jobs in the world at the time when Sinatra was the undisputed master of the entertainment universe. Jacobs rose from his humble beginnings in New Orleans to join Sinatra in the mansions of Beverly Hills, the penthouses of Manhattan, the palaces of Europe, the pinnacles of world power. George Jacobs saw it all, did it all.Sinatra took Jacobs with him on the ride of the century, from blacklist Hollywood to gangland Chicago to an emerging Vegas to Camelot, not to mention dolce vita Rome and swinging London. As a member of Sinatra's inner circle, Jacobs drank with Ava Gardner, danced with Marilyn Monroe, massaged John F. Kennedy, golfed with Sam Giancana, and played jazz with the Prince of Monaco while his boss secretly pursued Princess Grace. He also partied with Mia Farrow, but that one cost him his job of a lifetime.Through the ring-a-ding-ding and the stars, royals, politicians, moguls, and mobsters emerged a warm and intimate relationship that reveals a complex Sinatra: vulnerable and arrogant, charismatic and violent, loving and disdainful, confident and painfully self-conscious. Jacobs is no sycophant, but rather a sharp-eyed observer of the highs and lows of his boss's turbulent life. And Mr. S is perhaps the most complete, honest, and intimate portrait of Sinatra ever written.It is an unforgettable trip, and George Jacobs provides a front-and-center seat at the life of an American icon.

    Ginger is at once a heartwarming personal memoir and an inside look at the heyday of Hollywood. More than 30 photographs.

    Packed with photos that are complemented by informative captions, these stunning books tell the fascinating stories behind the lives and careers of some of the twentieth century's most recognizable personalities.

    Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.

    His career spanned the entire history of the movies, from the silent era to the present, and he was guru to Alfred Hitchcock, Marilyn Monroe, Marlon Brando, and Jimmy Stewart, and to a new generation of filmmakers beginning with Steven Spielberg and George Lucas. For more than four years, Dennis McDougal interviewed over 350 people who knew the man with the giant dark horn-rimmed glasses -- colleagues, relatives, rivals -- and drew on tens of thousands of pages of documents to produce this extraordinary and first-ever portrait of a legend and his times, a book that the New York Times Book Review called "thoroughly reported and engrossing" and that the Daily News called, simply, "a bombshell."

    Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ”We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.

    I'm Maureen O'Hara and this is my life story.-- From Chapter One of 'Tis HerselfIn language that is blunt, straightforward, and totally lacking in artifice, Maureen O'Hara, one of the greatest and most enduring stars of Hollywood's "Golden Era," for the first time tells the story of how she succeeded in the world's most competitive business.Known for her remarkable beauty and her fiery screen persona, Maureen O'Hara came to Hollywood when she was still a teenager, taken there by her mentor, the great actor Charles Laughton. Almost immediately she clashed with the men who ran the movie business -- the moguls who treated actors like chattel, the directors who viewed every actress as a potential bedmate.Determined to hold her own and to remain true to herself, she fought for roles that she wanted and resisted the advances of some of Hollywood's most powerful and attractive men. It was in the great director John Ford that she first found someone willing to give her a chance to prove herself as an important actress. Beginning with the Academy Award-winning How Green Was My Valley, she went on to make five films with Ford and through him first met the great John Wayne, with whom she also made five films.In O'Hara, Ford had found his ideal Irish heroine, a role that achieved its greatest realization in The Quiet Man. And in O'Hara, John Wayne found his ideal leading lady, for she was perhaps the only actress who could hold her own when on screen with "The Duke." Ford, however, was not without his quirks, and his relationship with his favorite actress became more and more complex and ultimately deeply troubled. The on-screen relationship between Wayne and O'Hara, on the other hand, was transformed into a close friendship built on mutual respect, creating a bond that endured until his death.Writing with complete frankness, O'Hara talks for the first time about these remarkable men, about their great strengths and their very human failings. She writes as well about many of the other actors and actresses -- Lucille Ball, Tyrone Power, Errol Flynn, John Candy, Natalie Wood, to name a few -- with whom she worked, but ultimately it is about herself that she is most revealing. With great candor and a mixture of pride and regret, she reflects on just how this young girl from Ireland made it to America and onto movie screens all around the world. There were missteps, of course -- a troubled and deeply destructive marriage, a willingness to trust too readily in others -- but there were triumphs and great happiness as well, including her marriage to the aviation pioneer Brigadier General Charles F. Blair, who tragically died in a mysterious plane crash ten years after their marriage.Throughout, 'Tis Herself is informed by the warmth and charm and intelligence that defined Maureen O'Hara's performances in some sixty films, from The Hunchback of Notre Dame to Miracle on 34th Street to The Parent Trap to McLintock! to Only the Lonely. 'Tis Herself is Maureen O'Hara's story as only she can tell it, the tale of an Irish lass who believed in herself with the strength and determination to make her own dreams come true.

    Her face is perhaps as well known today as ever it was during her lifetime. And this fall, interest in Marilyn is at an all-time high for, on the 27th and 28th of October, the renowned auction house Christie's will place on sale many hundreds of objects that once belonged to the beloved actress. This specially designed hardcover book features more than 1,500 objects for sale, illustrated with hundreds of beautiful photographs as well as rare and never-before-seen archival photographs of Marilyn Monroe. Personal essays and fashion notes provide a behind-the-scenes look into the life of the world's most famous celebrity.

    Her writing echoes her deep, sardonic, no-nonsense timbre and jazzy tempo....Bacall is at her best when talking about friends she has loved and watched die. Bernstein, she says, was more than a little seductive; Huston, more than a little remote; Olivier, a survivor to the end."--Chicago Sun-Times"HER PROSE IS SPARE AND HONEST....A kaleidoscope of thoughts and ideas on loneliness, aging, and above all, surviving...There are also poignant reminiscences of the golden years of Hollywood and many of its leading creators."--The Washington Post Book World"SHE REMINDS US OF SOME FAMILIAR TRUTHS WORTH ATTENDING TO. . . .What she's writing about, Ms. Bacall explains, is 'life' and indeed her musings about getting older, about intimations of mortality, about living solo, about letting go of one's children will resonate with women who, like her, are of a certain age."--The New York Times Book Review"ENGROSSING. . .POIGNANT."--PeopleFrom the Paperback edition.

    From its perch overlooking the Sunset Strip, the glamorous Marmont reigned for decades as the spot for artists, writers, musicians, and actors of every stripe and remains a home-away-from-home for A-listers like Scarlett Johansson and Johnny Depp. Here, Sarlot and coauthor Fred E. Basten share a wealth of scandalous and intriguing tales about them all, from the stars of Hollywood’s Golden Era like Jean Harlow and Grace Kelly to idols of the sixties and seventies like Jim Morrison and John Belushi (who tragically died there in 1982).              Whether your obsession is Hollywood history or celebrity gossip, Life at the Marmont has plenty of gripping, juicy stories to fascinate.

    From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino' s short and tragic life–the first fully documented biography of the star–Emily W. Leider looks at the Great Lover' s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino's androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity. As the silver screen's first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

    Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted,