In each journal, Handke concentrates on small things he observes, trying to capture their essence, their “simple, unadorned validity.” What results is a work of remarkable precision, in which he uncovers the general appearance of random objects––an ash tree, a shoeshine man, hats in a crowd, a boat loading on a pier––and discovers their inner workings and mystery. Always, his writing hints at the unknown. Describing the snow melting in a garden or falling during a train ride through inland Japan, the glowworms illuminating the plains in Friuli, the tidal waters flowing and receding off the Atlantic coast of Spain, these amazing little “epics” reveal a narrator obsessed with the wonders of detail and marveling, as are we, at the scope and variety of the natural world.

    Palahniuk channels both Stephen King and John Cheever in this singularly sinister and hilarious short story, straight from the passive-aggressive front lines of modern marriage, where a wife's frustration, along with the family cat, become weapons of mass destruction.Rachel married Ted because he was uncomplicated and loyal. But he was also devoted to his wretched house (done up in black granite, black appliances, even black dishware) and his first love, an old, flatulent cat named Belinda Carlisle. Once Rachel becomes pregnant, Ted reluctantly agrees to move and give up the cat. But the house doesn't sell, and Belinda Carlisle still haunts their home: every day the creature becomes fatter and more malodorous. When the house burns to the ground in a freak conflagration and the couple's daughter, April, is born blind soon thereafter, the marriage is never the same again. Only on a business trip three years later does Rachel begin to reckon with the damage.In an Orlando motel room far from Ted and April, Rachel wonders: Is her simple-minded husband more vindictive and manipulative than even Rachel could have imagined? How far will she go to keep the upper hand—a bit of emotional and physical torture, perhaps? Will she win the battle, only to lose so much else?If all is fair in love and war, there are few contemporary writers better equipped than Palahniuk to travel the extremes, right to the chilling intersection of "I do" and "I'm damned."

    where he leads a quiet and rewarding life. But he is also troubled by his past in combat with an elite military unit. Even after taking his vows, he is as ready to clasp his hands around the grip of a Glock as in prayer. He sometimes wonders who he really is. To the Vatican, however, Father Thrall is uniquely suited for a dangerous mission—one directly tied to the mystery of a 100-year old prophecy.One hundred years ago, the Blessed Virgin revealed a mysterious prophecy to three Portuguese shepherd children. The three Secrets of Fatima were closely held by the Vatican for decades, until the text of the third and last secret was finally released in 2000. But many believe that the Vatican withheld important parts of the Third Secret, perhaps because its contents were too dangerous to reveal . . .The Secret of Fatima’s knife-edge plot unfolds as both a modern-day spy thriller and a spiritual quest, as Father Thrall faces implacable enemies both within and outside of the Church who will test both his unique abilities and his faith. If he fails, the very foundations of the world will be shaken.

    But he’s called away to deal with a crisis in Hong Kong and she’s left to settle into a new country on her own. One by one, her three grown-up children need help with major life problems and there’s only her to help them, because as usual, Paul puts his job first. Then she finds out that her husband's been unfaithful for years, and it’s the final blow to their marriage, especially as she’s met another man she finds attractive and kind. Her confidence grows as she wins acclaim as an embroidery artist and then she comes into an inheritance. Will her loyalty keep her with her husband, as it has before, or will Paul get more than he’d bargained for with the new, independent Rosalind?

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

     From the author of the bestselling WHEN GOD WAS A RABBIT comes this spellbinding new novel. Marvellous Ways is eighty-nine years old and has lived alone in a remote Cornish creek for nearly all her life. Lately she's taken to spending her days sitting by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it. Drake is a young soldier left reeling by the Second World War. When his promise to fulfil a dying man's last wish sees him wash up in Marvellous' creek, broken in body and spirit, the old woman comes to his aid. A Year of Marvellous Ways is a glorious, life-affirming story about the magic in everyday life and the pull of the sea, the healing powers of storytelling and sloe gin, love and death and how we carry on when grief comes snapping at our heels.

    Yet, he knew deep down that if he ever had to make that hurtful decision again, the outcome would remain the same. Life must go on, money has to be made and only the strong will survive. Tiffany has spent the last four years of her life regretting the day she fell in love with Travon. Back then, she was too naïve to realize that everything in life comes with a price and unfortunately for her, the price she paid was her freedom. Will Tiffany ever have a chance to make Travon pay for ruining her life?

     When circumstances force her to reevaluate her personal life, her younger sister, Dada, suggests that she goes to Boston to have a weekend to herself. It’s Christela’s first chance to be selfish and put herself first. What she was not expecting was to meet Mac. Mac Pierre vows to love her for a weekend. To be selfless so that for once in her life she can be selfish. As a result, they form a bond that seems unbreakable. After a weekend full of lust and love will the two stay together or leave the other feigning for what they shared?

    The complete works of an extraordinary poet who consistently refines the notion of what constitutes an American sound.

    Between debate about the fate of a vacant property, and the rush to open the community center, new ideas are taking root all around town.But it’s a season of secrets, too. Someone seeks a chance to start over, while others are too proud to ask for a helping hand. And as Melinda searches for answers to a long-held rumor, she discovers that the past is never far away from the present.No matter how she tries, there’s never enough time to do it all. And when Uncle Frank and Aunt Miriam take off on a much-needed vacation, Melinda suddenly finds herself at the helm of her family’s business. As the weather slowly warms and the challenges pile up, can she find a way to stay afloat?

    And when a vicious migraine sends her to a saggy hotel bed and him to the marketing conference in her place, she is first relieved and then thankful.Weeks later, upon discovering she’s pregnant, Claire has no reason for concern. With the help of genetic counselors and fertility specialists, she and her college-sweetheart husband, Tim, have been striving for a sibling for their ten-year-old daughter, Ally. And now they have one: a precious baby boy they name Owen.But all is not well, and soon Claire begins spotting alarming quirks in Owen’s behavior that suggest he may be stricken with Batten Disease, the terminal illness that took her brother, Ricky, back in nineteen seventy-nine. If Claire is right and Owen is sick, other disturbing things may also be true. Things like: Claire has been raped; Owen is not Tim’s son; and Owen is going to die. As events unfold, Claire finds herself confronting unthinkable choices, the consequences of which could jeopardize her career, her marriage, and even her freedom.

    This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

    A strange new drug, a brightly lit carousel of a slum, the kindness of strangers, gunplay... no matter how serious the subject matter, and despite Aira's "fascination with urban violence and the sinister underside of Latin American politics" (The Millions), Shantytown, like all of Aira's mesmerizing work, is filled with wonder and mad invention.

    Qiouyi Lu, reprinted fiction by Kameron Hurley, essays by Sam J. Miller, Elsa Sjunneson-Henry, Shveta Thakrar, Dawn Xiana Moon, and Paul Booth, poetry by Cassandra Khaw, Brandon O’Brien, Bogi Takács, and Lisa M. Bradley, interviews with Stephen Graham Jones and Sarah Pinsker by Julia Rios, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.