ENGLISH MAJORS. You know who you are and here is a double-CD celebrating the secret society of those who, though they may be chauffeuring kids to swim lessons or writing Unix programs or frying cheeseburgers, still could, if need be, write a term paper on the water imagery in "The Waste Land." Includes the "Six-Minute Hamlet," the "Ten-Minute MacBeth," tributes to Hawthorne and Kerouac and Emily Dickinson, a Guy Noir adventure that exposes an M.F.A. scam, the Ballad of John Henry ('John Henry was an English major and poetry was his line. He sat by the window with his yellow legal pad and he wrote one sentence at a time.'), and more. With guest appearances by Allen Ginsberg, Billy Collins, Roy Blount Jr., Robert Bly, Donald Hall, and Calvin Trillin.

    What time is the 3:00 parade? Why does a child need to be 40 inches tall to ride a roller coaster? What happens when the president of France gets lost inside Pirates of the Caribbean? A former employee, or "cast member", at Walt Disney World's Magic Kingdom answers these and other questions while sharing humorous stories about working inside the world's most popular theme park."Stories from a Theme Park Insider" takes you inside the park's famous tunnels and backstage for a look at how theme parks really work, and the funny moments and embarrassments that can happen when your work is someone else's vacation.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Naked, When You Are Engulfed in Flames, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, Holidays on Ice, Santaland Diaries, Barrel Fever. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: Naked, published in 1997, is a collection of essays by American humorist David Sedaris. The book details Sedaris life, from his unusual upbringing in the suburbs of Raleigh, North Carolina, to his booze-and-drug-ridden college years, to his Kerouacian wandering as a young adult. The book became a best-seller and was acclaimed for its wit, dark humor and irreverent tackling of tragic events, including the death of Sedaris mother. Prior to publication, several of the essays were read by the author on the NPR program This American Life. About the early life of the Sedaris family, and David's hopes to one day be rich and famous. It is revealed that the family is actually middle class. A description of Sedaris' obsessive-compulsive and Tourettic tendencies as a child. His behavior quirks include licking light switches and kissing newspapers, and they frequently land him in trouble at school. These tendencies are abandoned when he begins smoking at college. An account of Sedaris' elderly (and slightly senile) grandmother, known as Ya-Ya. After suffering an injury she is forced to live with his family, resulting in tension for all. Eventually, at the urging of Sedaris' mom (who was against Ya-Ya moving in with the family in the first place), she is put into a low-grade nursing home. When she dies, only his father seems to mourn. A description of events regarding a pornographic book that Sedaris finds when he is a child. The book is passed between his siblings, and eventually confiscated by his mother, who in turn reads it. A description of...More: http: //booksllc.net/?id=89168

    During the past ten years Harold Pinter has written a new play, three film scripts, sheaves of poems, several sketches and created, with composer James Clarke, a pioneering work for radio, Voices. He has acted on stage, screen and radio, he has appeared on countless political platforms, and his work has been extensively celebrated in festivals at Dublin's Gate Theatre and New York's Lincoln Center. In 2005 he was awarded the Nobel Prize for Literature and in 2006, the European Theatre Prize. As if this were not enough, he has in the last five years twice come close to death. But he has faced hospitalisation with stoic resilience and his spirit remains as fiercely combative as ever. As he wrote in 2005 to Professor Avraham Oz, one of Israel's leading internal opponents of authoritarianism: "Let's keep fighting."

    A perfect evening of comedy. Scenes Include:ACT ONEWord Dance (Part One)The Night the Bed FellFables for Our Time (Part One)The Wolf at the DoorThe Unicorn in the GardenThe Little Girl and the WolfIf Grant Had Been Drinking at AppomattoxCasuals of the KeysThe Macbeth Murder MysteryGentleman ShoppersThe Last FlowerACT TWOThe Pet DepartmentFile and ForgetMr. Preble Gets Rid of His WifeTake Her Up TenderlyThe Secret Life of Walter MiddyWord Dance (Part Two) Only material authorized for the production of this play may be used."Of belly laughs there is abundance...Small, cozy, and completely captivating revue...a sheer delight... joyous, magnificently lunatic festival" - New York Daily News

    From 'The hideousness of the art world', 'Being thick is no obstacle to being a successful artist' and 'Painting is a blind man's obsession'; to 'Socialising for party duds', 'Love may be blind, but marriage is an eye-opener' and 'If it can't be explained by science, try a seance'.

    Get paid to travel and write about it.Only no one told Jules that it would mean eating oily seabirds, repeatedly falling off a husky sled, getting stranded on a Mediterranean island, and crash-landing in Iran.The exotic destinations come thick and fast – Hong Kong, Hawaii, Huddersfield – as Jules navigates what it means to be a travel writer in a world with endless surprises up its sleeve.Add in a cast of larger-than-life characters – Elvis, Captain Cook, his own travel-mad Dad – and an eye for the ridiculous, and this journey with Jules is one you won’t want to miss.

    Around every corner lies a potential faux pas waiting to happen. But if you've ever struggled for the right response to an unwelcome gift or floundered for conversation at the dinner party from hell, fear not: help is at hand.In Rules for Modern Life, Sir David Tang, resident agony uncle at the Financial Times, delivers a satirical masterclass in navigating the social niceties of modern life. Whether you're unsure of the etiquette of doggy bags or wondering whether a massage room in your second home would be de trop, Sir David has the answer to all your social anxieties - and much more besides.

    But independent of the Python team, Jones has been writing columns targeting the Anglo-American response to September 11. His wit and venom are particularly focused on the messianic vernacular of Bush and Blair and the semantics of the "war on terror." As Jones writes, "What really alarms me about President Bush's ‘War on Terrorism' is the grammar. How do you wage war on an abstract noun? ... How is ‘Terrorism' going to surrender? It's well known, in philological circles, that it's very hard for abstract nouns to surrender." Terry Jones's War on the War on Terror proves that in times of high political anxiety, humor and irony are most potent antidotes to the spin emanating from the White House and Downing Street.

    With acid tongue planted firmly in cheek, author Aldous J. Pennyfarthing takes on the president’s unsurpassed ignorance, rampant racism, shocking pettiness, vertiginous dishonesty, and more. Based on the viral Daily Kos post of the same name. Approximately 345 pages.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by John Berger's eloquence and courageous moral imagination.

    Stories so compelling you'll stay in your car to hear them through--even if you're sitting in your own driveway. "Wait Wait...Don't Tell Me! "host Peter Sagal captures your attention with colorful tales for and about moms. Heard in "All Things Considered, Weekend Edition, News & Notes," and other NPR programs, these stories and more are for moms, moms-to-be, and anyone who has ever known or had a mother.

    Includes "Dress Your Family in Corduroy and Denim, Live at Carnegie Hall, Me Talk Pretty One Day, Naked, Holidays on Ice," and "Barrel Fever and Other Stories." Abridged. 20 CDs.