Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?

    Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.Praise for" The Collected Poems of Ted Berrigan: ""This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review ""It's a must-have, a poetic knockout."--"Time Out New York"

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

    Brian Doyle’s The Kind of Brave You Wanted to Be is a book of cadenced notes on the swirl of miracle and the holy of attentiveness; a book about children and birds, love and grief and everything alive, which is to say all prayers.

    Through ‘A Rustic Mind’ I aim to provide a thoughtful take on such actions and incidents. Poetic in its expression, these words will strike a chord which is not only deep but relatable on many levels.

    – Shubhangi Swarup (Latitudes of Longing)

    Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski."Poet, novelist, short–story writer, playwright, translator, and critic, Samuel Beckett created one of the most brilliant and enduring bodies of work in twentieth–century literature. In celebration of the one hundredth anniversary of his birth, the four volumes of this new edition bring together nearly every word Beckett published during his lifetime. Open anywhere and begin reading. It is an experience unequaled anywhere in the universe of words." — Paul Auster, from his Series Notes

    But they’re real, they’re honest, and hopefully they’ll make you feel a little less alone." -Ashley Dun

    Can a couple of rural coppers and a demoralised ragbag of accountant soldiers intercept the two boys, before they blunder into an old firing range infested with unexploded ordnance?Moira can at least rely on two unlikely allies; her estranged African friend Dahlila, and Social Worker Mildred Pierce. Even so, the beast has picked up her trail; as the double pursuit races toward a terrifying climax, Hardcastle will have to tap every ounce of his wavering resolve in order to halt an unstoppable madman. Yet even murderers have mothers, and ultimately, it is love that must prevail; thanks in no small part to the inexhaustible optimism and humanity of four remarkable women...

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

                Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    His lines are so clear and simple."—Michael Dirda,The Washington Post“Readers [of Splitting an Order] will find ‘characters’ both strange and wonderful, animal or human. There is a sense that time is passing quickly and that everything worthy must be captured and savored, from an old couple lovingly sharing a sandwich to another sowing seed potatoes to a tribute to an old dog who waits as age and winter approach… Master of the single-metaphor poem, Kooser offers images that evolve, fluid and unforced.”—Library Journal, starred review"Wisdom, compassion, and dignity continue to mark the poetry of Ted Kooser...Splitting an Order [is] a quiet collection that honors small victories and gives reasons to be hopeful."—Elizabeth Lund, The Christian Science Monitor"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift."—Bloomsbury ReviewPulitzer Prize winner and best selling poet Ted Kooser calls attention to the intimacies of life through commonplace objects and occurrences: an elderly couple sharing a sandwich is a study in transcendent love, while a tattered packet of spinach seeds calls forth innate human potential. This long-awaited collection from the former U.S. Poet Laureate—ten years in the making—is rich with quiet and profound magnificence.From "Splitting an Order":I like to watch an old man cutting a sandwich in half… and then to see him lift halfonto the extra plate that he asked the server to bring,and then to wait, offering the plate to his wifewhile she slowly unrolls her napkin and places her spoon,her knife and her fork in their proper places,then smoothes the starched white napkin over her kneesand meets his eyes and holds out both old hands to him.Ted Kooser is the author of numerous books of poetry and prose, including Delights and Shadows (Copper Canyon Press), which won the Pulitzer Prize. A former US Poet Laureate, Kooser serves as editor for "American Life in Poetry," a nationally syndicated weekly newspaper column.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t