Written in an accessible style and with a wry sense of humor, Lynda Gray provides readers with a broad overview of the diverse and complex day-to-day realities of Firs Nations people. Jam-packed with information on more than 70 subjects including urbanization, veterans, feminism, appropriate questions to ask a First Nations person, child welfare, the medicine wheel, food access, Two-spirit (LGBT), residential schools, the land bridge theory, National Aboriginal History Month, and language preservation, First Nations 101 endeavors to leave readers with a better understanding of the shared history of First Nations and non-First Nations people. Ultimately, the author calls upon all of us--individuals, communities, and governments--to play active roles in bringing about true reconciliation between First Nations and non-First Nations people.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    The only clue besides a 9-mm slug in the victim's head is an ancient-Indian potsherd stuck into his chest. Deputy Sheriff Manny Rivera is assigned the case and judges that it's likely related to a drug deal gone bad. But he's actually up against an intelligent and cunning adversary driven by greed who's discovered a long-forgotten cave containing a collection of rare museum-quality Indian artifacts. Local politicians and merchants are exerting strong pressure on the sheriff for a quick resolution to the case as the killing is threatening to disrupt the upcoming tourist season, Moab's sole source of economic activity. After all, who would want to explore the backcountry with a killer on the loose out there? In the end, Rivera faces a moral crisis: Should he enforce the law or serve the cause of justice? And a woman learns the answer to a question that's been haunting her for seventy years.

    Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

    Anne Purdy, author of bestselling book Tisha, tells the story surrounding the lives of the Eagle Village Indians. She describes the end of the Gold Rush era changes that took place in the early part of the twentieth century, painting a vivid picture of life’s struggles here and of a woman who reaches out to those in desperate need of love and care.A tale of joy and sadness, with a final twist.

    Ned has photographed the girl, and her narrative combines with extracts from Ned diaries to tell a story that resonates years later, and that lays bare some of the harsh truths about the American presence in the West.

    It began when a 4,000-square-mile area of Arizona desert called Black Mesa was divided between the Hopi and Navajo tribes. To the outside world, it was a land struggle between two fractious Indian tribes; to political insiders and energy corporations, it was a divide-and-conquer play for the 21 billion tons of coal beneath Black Mesa. Today, that coal powers cheap electricity for Los Angeles, a new water aqueduct into Phoenix, and the neon dazzle of Las Vegas.Journalist and historian Judith Nies has been tracking this story for nearly four decades. She follows the money and tells us the true story of wealth and water, mendacity, and corruption at the highest levels of business and government. Amid the backdrop of the breathtaking desert landscape, Unreal City shows five cultures colliding—Hopi, Navajo, global energy corporations, Mormons, and US government agencies—resulting in a battle over resources and the future of the West.Las Vegas may attract 39 million visitors a year, but the tourists mesmerized by the dancing water fountains at the Bellagio don’t ask where the water comes from. They don’t see a city with the nation’s highest rates of foreclosure, unemployment, and suicide. They don’t see the astonishing drop in the water level of Lake Mead—where Sin City gets 90 percent of its water supply.Nies shows how the struggle over Black Mesa lands is an example of a global phenomenon in which giant transnational corporations have the power to separate indigenous people from their energy-rich lands with the help of host governments. Unreal City explores how and why resources have been taken from native lands, what it means in an era of climate change, and why, in this city divorced from nature, the only thing more powerful than money is water.

    In the process, King refashions old stories about historical events and figures, takes a sideways look at film and pop culture, relates his own complex experiences with activism, and articulates a deep and revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.This is a book both timeless and timely, burnished with anger but tempered by wit, and ultimately a hard-won offering of hope—a sometimes inconvenient, but nonetheless indispensable account for all of us, Indian and non-Indian alike, seeking to understand how we might tell a new story for the future.

    The local Indian tribe offers another explanation: Crota, a great beast of legend, has reawakened. As the body count increases, a hand-picked group of hunters stalk the mythical creature through an underground labyrinth where they will discover a horror beyond all imagining...but all too real!

    Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.

    Provies basic theoretical discussions of the principles of biopharmaceutics and pharmacokinetics, along with illustrative examples and practice problems and solutions to help the student gain skill in practical problem solving.

    Probes the mystery of the construction and significance of the Great Pyramid of Cheops, suggesting that it enshrines the scientific data of an advanced Egyptian civilization.

    They are the same kids. But nothing was the same and I knew it. I had become the girl with a baby. Jane has always been the good Williams. Her brothers might be high school dropouts and late-night rowdy partiers, but never Jane. Jane never drinks, smokes dope or misses a single day of school. She's in the drama club...smart and hot...one of the popular ones. Or she used to be. Now she's one of those: the teenage mothers packing diaper bags with their knapsacks, wheeling strollers into the high school daycare, tired and grumpy.Jane's only 14, younger than most of them, and she can feel the stares in the school halls. She can hear the whispers on her whitebread street, too: too bad, gone the way of her brothers, guess those Indians are all the same. Jane isn't what she used to be-but then, maybe she's more. When baby Destiny was being born, grandmother Tet told her she came from a long line of strong mothers, and Jane's discovering it's true. Because of baby Destiny, Jane dares to demand the best, not just of herself, but of her whole family. This Jane accepts the consequences of her decisions, good and bad, and pushes through prejudices the former Jane just tiptoed around. This Jane is a strong link in something bigger than herself. She's a girl with a baby, two feet on the ground, one hand in the warm grasp of Tet and her Indian past, and the other holding firmly to the future.

    Gregory Tah-Kloma learns the meaning of an Indian saying when he is determined to search for a female leader of a pack of timber wolves, and to find the wolf and her pack before trappers and bounty hunters could destroy them

    Using her training as a librarian and archivist, Geller collects her mother's documents, diaries, and photographs into a single suitcase and begins on a journey of confronting her family's history and the decisions she's been forced to make, a journey that will end at her mother's home: the Navajo reservation. Geller masterfully intertwines wrenching prose with archival documents to create a deeply moving narrative of loss and inheritance that pays homage to our pasts, traditions, heritage, the family we are given, and the family we choose.