. .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, who takes his own life after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.

    Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    At the close of the 17th century, Iceland is an oppressed Danish colony, suffering from extreme poverty, famine, and plague. A farmer and accused cord-thief named Jon Hreggvidsson makes an improper joke about the Danish king and soon after finds himself a fugitive charged with the murder of the king’s hangman.In the years that follow, the hapless but resilient rogue Hreggvidsson becomes a pawn entangled in political and personal conflicts playing out on a far grander scale. Chief among these is the star-crossed love affair between Snaefridur, known as “Iceland’s Sun,” a beautiful, headstrong young noblewoman, and Arnas Arnaeus, the king’s antiquarian, an aristocrat whose worldly manner conceals a fierce devotion to his downtrodden countrymen. As their personal struggle plays itself out on an international stage, Iceland’s Bell creates a Dickensian canvas of heroism and venality, violence and tragedy, charged with narrative enchantment on every page.

    It is set in the midst of the port town of Brest, where sailors and the sea are associated with murder. Its protagonist, Georges Querelle, is a bisexual thief, prostitute, and serial killer who manipulates and kills his lovers for thrills and profit. The novel formed the basis for Rainer Werner Fassbinder's last film, Querelle (1982)

    Moving between the South of France, the East Coast of the U.S., and Algeria, The Last Life explores the weight of isolation and exile in one French family. Of course, the adjective French is already inadequate, as at least some of the LaBasses still long for the paradise lost of Algeria. And Alex LaBasse's wife, Carol, try as she might with her Continental impersonations, will always be an American sporting a metaphorical twin set. The narrator, Sagesse, too, soon finds herself equally stranded. Only her autocratic grandfather, Jacques, is ostensibly comfortable with the identity he has wrought: successful owner of the Bellevue Hotel and head of his dynasty. It is thanks to this man that 14-year-old Sagesse comes to crave invisibility. Having lost of all of her friends, she sees herself as "a member of the Witness Protection Program, surrounded by an odd human assortment chosen only for the efficiency of disguise; but somehow, nevertheless, inescapable."The cause of this loss? Jacques, fed up with Sagesse and her pals' late-night noise at the hotel pool--or perhaps with their failure to take him seriously--shoots at one girl. This incident ruptures life for each LaBasse, the Bellevue no longer "their bulwark against absurdity." Looking back on the crucial two years following the patriarch's "target practice," Sagesse possesses both a teenager's slant self-interest and an older, acute eye for the mechanisms of shame. The Last Life is that rare thing, a fast-moving philosophical novel masquerading as a bildungsroman. In her efforts at identity and affection, its heroine is increasingly alive to the subterfuges of narrative, forcing herself to sort through versions of reality. Her grandmother, for instance, relates one myth about her husband, only to have Carol undercut it entirely. And Sagesse herself can't figure out whether Jacques is "sentimental or heartless." What if both, she realizes, are possible?As Messud's narrator navigates her way through the past--and the Algerian sections are among the book's most extraordinary--there is everything to savor in her wavelike sentences, many of which possess a dangerously witty undertow. And the scenes of familial tedium are the opposite of tedious. The dialogue snaps with subverted emotion, anxiety, and irony. At one of the LaBasses' bleaker fests, much is made of the mouna, a special (if dry) Algerian cake. Nonetheless, the grandmother does her best to fob it off at evening's end. "I've never cared for it myself, although it's a lovely memory." Retrospect, as Sagesse realizes, is "a light in which we may not see more clearly, but at least have the illusion of doing so."

    His impeccable record should speak for itself but he wasn’t taking any chances. When his commander volunteers him to head the annual Toys-For-Toddlers Christmas gala, saying no wasn’t an option. It seemed as though Sal had pulled off the impossible, even with only sixty days to do so. But at the last minute, things seemed to unravel and he found himself in over his head. Party planner was never going on his resume. Gloria, (Rori) Boudreau loved the holidays. Her business as a photographer and graphic designer was booming. Yet she needed to think about January, when it stalls out. When a part-time dispatcher position opened up at the police department, she grabs it. Timing was horrible, but it fit her schedule and it paid enough to ensure she could continue chasing her dream next year and that was all that mattered. Through the lens of Rori’s camera, everyone except Salvatore seemed to be enjoying the Christmas fundraiser. This was her reputation on line as well, and she needed it to be picture perfect. One way or another, she was determined to get a smile out of Salvatore. In the end, Salvatore lands more than a promotion. It might not be what he wanted for Christmas, but one moment, can change a lifetime. And he can’t wait until Christmas to unwrap this gift. Was what he had to offer enough for Rori? Salvatore didn’t want his love to end up amongst her unwanted gifts to return.

    In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

    But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

    

    But what happens when a friendship fades, and people go their separate ways? Does it mean they won’t see each other again or does it make the friendship stronger when they reunite? Lexi is a college graduate who thought Frankie was the love of her life; until she met someone else. He swept her off her feet and promised to love her forever. Unfortunately, with every new person you meet, there’s always a hidden agenda. Frankie promised to marry Lexi when they were younger, but as fate would have it, nothing went as planned. She left for school while he stayed back and did his own thing. His new girlfriend, Crystal, has plans of her own for Frankie and will make sure nothing or no one stands in her way of getting him; including his long lost love Lexi. Take a journey with the characters you love to hate and see if Luvin' A Young Beast is everything it’s cracked up to be.

    That devil just so happens to be Trenae’s boyfriend of two years, Silas Jackson. Trenae is head over heels in love with Silas, but he only uses her for money while he turns to other women for his sexual needs, since Trenae doesn’t plan to give up the goods anytime soon. Blinded by Silas’s fake love for her, Trenae can’t see Silas doing any wrong in her eyes. When she meets Nahlij, Trenae just maybe forced to open her eyes to a whole new world of possibilities. Life for Nahlij has been one disappointment after the other. At the age of five, his mother abandons him, leaving his father to take on the responsibility of being a single father. On the night of his 15th birthday, Nahlij witnesses his dad be murdered in cold blood by a crooked cop who had a gambling habit. “Don’t let them get away with this shit,” were the last words his father spoke before he took his last breath, and Nahlij vowed to make the officer pay for the death of his father. Now at the ripe age of 30, Nahlij is an undercover killer, trained by his foster parents. Still heart broken and hurt by the abandonment of his mother, Nahlij has vowed to never love a woman out of fear that he’ll be left again. When he’s assigned to a mission in Tallahassee, Fla., Nahlij just may push his ‘no love’ persona to the back of his mind when he meets the beautiful Trenae Wallace. They say what happens in Rome, stays in Rome, but will that hold true for Nahlij and Trenae? Can one night with Nahlij make Trenae forget about Silas? Can Trenae make Nahlij forget about his vow to never love a woman and make him fall for her? Can’t Hide From Love will leave you on the edge of your seat, begging for more. The plots and twists of love and betrayal will leave you obsessed and possibly make you question…Who the hell can you really trust?

    High-priced defense lawyers twist the law to help murderers suppress evidence. Witnesses are intimidated into silence—or, if that doesn’t work, killed. The rich and powerful hide the truth to protect their fortunes. And, ultimately, the most vulnerable among us—often children—suffer the most.Who will fight for the teenage girl who lost both of her parents on one night of horrific bloodshed? Who has the courage to risk her own life to protect a key prosecution witness being hunted inside a courthouse? Who is persuasive enough to win a ruling to compel a tech company to identify one of its users—a faceless, online monster who manipulated a boy to shoot his classmates?Assistant district attorney Jessica Black.Jessie cares about justice, and she’ll do all that she can to expose the truth and bring peace to the victims and their loved ones.If you treasure legal thrillers that keep you up all night, guessing until the very last page, you need to read the Jessie Black Legal Thriller Series! Readers love the series for its surprising twists and turns, complex mysteries, and heart-pounding suspense—but mostly for Jessie and the other great characters. This box set contains the first three novels in the series: Burnout, Informant and Deadly Evidence. There’s a reason these books have garnered hundreds of five star reviews. If you're a legal thriller fan, don’t hesitate.Buy the box set now and start reading!

    Power. Prestige. Pastor Hilton Wilds has it all, but will temptation take it all away from him? Everyone at Endless Love Baptist Church adores Pastor Wilds, including women he has no business cavorting with, but the good pastor has one potentially fatal flaw – he loves women and never misses an opportunity to let lust lead him astray. Vonda Wilds was born to be the First Lady. Her strict upbringing set the stage for a life lived according to the virtues the Bible teaches, so marrying a pastor seemed like the ideal situation. But even the strongest and devout women can be fooled by the men they love. Pastor Wilds proclivity for women who aren’t his wife are about to cost him the life he and his devoted wife built together and shatter their tight-knit congregation. Both have serious decisions to make. Will they continue to pretend all is well or will they face the issues head on or will the temptation be too much for Pastor Wilds? Will his lust override his duty to the church and his marriage vows?