Her father and his brother worked in the colony of Fernando Po, but these letters tell a different story than the tales of life in Africa that made it to the dinner table. Clarence has no idea what really went on during their time at the cocoa plantations—or why no one in her family has ever returned to the island in all the years since. But the letters suggest that a great love story is buried beneath the years of silence.Setting out from her home in Spain’s snowy mountains, Clarence makes the same journey across the sea that her uncle and father traveled before her. There, she unlocks the painful secrets her family has hidden in the rich African soil. But what she discovers may also be the key to awakening her own listless heart.

    But he was saved by a pair of grizzled old fur trappers, and he learned to fend for himself and live off the land.When Jim finally returns home to St. Louis, he finds that there was more to his father's murder than he'd thought. Though the Indians did the killing, someone else did the planning--someone too close for comfort. Now young Jim must untangle a thick web of lies, and when the dirty dealings come to light he will come face-to-face with a murderer. But if he tastes the vengeance owed him, it won't be as the boy everyone knew as Jim--it will be as a man named Trace McCall...

    In the face of enormous personal tumult, he sits down to write. What follows is an audacious chronicle of his childhood and an unsparing account of his life's trials, failures, and triumphs that becomes a moving look at what family gives and takes away.With the intimacy of a diarist, he reckons with the ghosts of his parents and the current specters of his divorce, his children, his career, and his addictions. In unswervingly honest prose, Vilas explores his identity after great loss--what is a person without a marriage or without parents? What is a person when faced with memories alone? Already an acclaimed poet and novelist in Spain, Vilas takes his work to a whole new level with this autobiographical novel; critics have called it "a work of art able to cauterize pain."Elegiac and searching, Ordesa is a meditation on loss and a powerful exploration of a person who is both extraordinary and utterly ordinary--at once singular and representing us all--who transforms a time of crisis into something beautiful and redemptive.

    But in a few brief moments, Walter sees his life and his world fracture and split apart, driving him to commit a terrible crime. Many years later, Frank Cartwright ponders his next move. His film career has left him wealthy but incomplete. When a director approaches him with a script that has a riddle for a plot Frank is intrigued by its resonance. In his search for an answer to the riddle, Frank embarks on a journey that will lead him into a past he doesn’t remember.Jim Lewis, acclaimed author of Why the Tree Loves the Ax, returns with a novel stunning in its originality and scope. And as he tells the stories of two men and the conflicts that shape them, he delivers a powerful portrait of America and the treacherous currents that run through it.

    As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled.Translated from the French by Haakon M. Chevalier

    The Sand Child tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

    G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    He’s every woman’s dream. The fact that no one knows much about him, only makes women want him more. His only concern is making money and keeping his sister out of harm's way. MyZell learned the hard lesson that the more people know, the more power they have. Ryan fell in love with the wrong man, she gave him her all, and all he gave her was four years of heartache. He loved her, but not in the way she needed or deserved to be loved. Polo blamed it on the fact that he was young and not ready, but she knew it was simply because he was selfish. The only way to escape his deadly love was to run and not look back. She ends up in Miami where she crosses paths with MyZell, who saves her from a bad situation and possibly her past, only he doesn’t know it yet. Ryan and MyZell both have pasts that haunt them, but when the find each other, will they be able to build a future together? Or will they get caught up trying to right their wrongs and never truly move on?

    Before he was born, his family was disfigured by a fire. His sister wears a white mask to cover her burns.He spends his hours with his cactus, reading his book on insects, or touching the one ray of sunlight that filters in through a crack in the ceiling. Ever since his sister had a baby, everyone’s been acting very strangely. The boy begins to wonder why they never say who the father is, about what happened before his own birth, about why they’re shut away.A few days ago, some fireflies arrived in the basement. His grandma said, There’s no creature more amazing than one that can make its own light. That light makes the boy want to escape, to know the outside world. Problem is, all the doors are locked. And he doesn’t know how to get out.…

    At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    Gemma died from acute myeloid leukaemia, just three days after being diagnosed.In Love, Interrupted, Simon is brutally honest about his journey through grief, and opens up about how close he came to ending his own life. Simon didn’t know how to carry on without Gemma; he just knew that, for the sake of his eight-year old son, he had to find a way …Love, Interrupted is a moving story of love, loss, faith, and family.

    In 2005 it won the prestigious Naoki Prize, awarded semiannually for the best work of popular fiction by an established writer.Sayoko, a thirty-five-year-old homemaker with a three-year-old child, begins working for Aoi, a free-spirited, single career woman her own age who runs a travel agency-housekeeping business. Timid and unable to connect with other mothers in her neighborhood, Sayoko finds herself drawn to Aoi's independent lifestyle and easygoing personality. The two hit it off from the start, beginning a friendship that is for Sayoko also a reaffirmation of what living is about.Aoi, meanwhile, has not always been the self-confident person she appears to be. Severe classroom bullying in junior high had forced her to change schools, uprooting her and her family to the countryside; and at her new school, she was so afraid of again becoming the object of her classmates' cruelties that she spent most of her time steering clear of those around her.The present-day friendship between Sayoko and Aoi on the one hand, and Aoi's painful high school past on the other, form a gripping two-tier narrative that converges in the final chapter. The book touches on a broad range of issues of concern to women today, from marriage and childrearing to being single and working for oneself. It is a universal story about both the fear and the joy of opening up to others.

     Wanted by his lover for rescue from a fiend. Robert has been sent a personal message by the Owl, a serial-rapist who has been torture-killing women in New York City for months: “Find me in 72 hours or I rape-kill Sharon in the most viral video ever.” The clock is ticking. The cops are breathing down his neck. Karma is the new vigilante in the final novel of the Dr. Vigilante trilogy.

     Sweet and melancholy, the Ayrton family novels paint a vivid picture of one family torn apart by wider events in their world. See why D. E. Stevenson has amassed her own cult following with this moving collection.

    Every day, Thibault, a paramedic, drives where his dispatcher directs him, fighting traffic to attend to disasters. For many of the people he rushes to treat, he represents the only human connection in their day. Mathilde and Thibault are just two figures being pushed and shoved in a lonesome, crowded city. But what might happen if these two souls, traveling their separate paths, could meet?Delphine de Vigan's novel tells of urban isolation with poetic precision and resilient humor, in the much lauded follow-up to her bestselling No and Me.Praise for No and Me:"Thought-provoking and often poetic musings about No's life challenge readers to rethink their responsibilities to humankind...Quiet yet gripping."-Kirkus Reviews "All ages will find much to relish in this deceptively simple tale that is touching and enlightening." -Herald (Scotland)