However, fate is a fickle mistress, and six years after the death of her mother, she's faced with the fact that her father is dying as well. Forced to leave her sheltered little homestead in the woods, Kyri discovers that there is more to life than just hunting and making master quality arrows. During her journey to find a new home and happiness, she struggles with the path that seems to take her away from the quiet life of a fletcher. She learns that sometimes the hardest part of growing up is reconciling who we were, with who we will become.

    A chance accident brings a new companion, however – the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth – that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

    Yet Hal is happiest with a sword in her hand, and forsakes her status as ward to become a professional duellist, spending her days in training, her nights revelling, famed for her prowess in the capital's duelling arena. All of that changes when Hal falls in love with Meracad Léac, the freedom-craving daughter of a wealthy merchant. Meracad's father will stop at nothing to ensure his own wealth and position, and plans to marry Meracad to Bruno Nérac, a powerful northern lord. Hal's world is about to be thrown into chaos when she sets out to save the woman she loves …

    . . or burn a building to the ground -- and seventeen-year-old Ingrid Ellis wants her fair share.Ingrid doesn't have a family fortune, monetary or magical, but at least she has a plan: Rise to the top on the arm of Linden Holt, heir to a hefty political legacy and the largest fortune of flare in all of Candesce. Her only obstacle is Linden's father who refuses to acknowledge her.So when Senator Holt announces his run for president, Ingrid uses the situation to her advantage. She strikes a deal to spy on the senator’s opposition in exchange for his approval and the status she so desperately craves. But the longer Ingrid wears two masks, the more she questions where her true allegiances lie.Will she stand with the Holts, or will she forge her own path?

    Sixteen-year-old Heavenly Faith (H.F.) discovers she has a crush on a local college professor's daughter, and embarks on a search for her missing mother.

    Instead, strong, passionate females race to the rescue of their female lovers in this new collection of erotic fantasy.The stories within Witches, Princesses, and Women at Arms are masterfully crafted to lead your mind down unexpected paths to your favorite fantasy adventure, from the classic fairy-tales of Little Red Riding Hood to Rapunzel to the modern marvel of Game of Thrones. They will wash over you in an epic sea of words meant to entice and embolden your inner princess, heroine, or both.Enter a time where you may be abducted by bandits or seduced by witches one second and find your heart spellbound by a dryad the next. But be warned, gentle traveler! With this new, provocative collection edited by Sacchi Green, the stories may begin with "Once upon a time", but they will leave you coming back, time and time again.

    The intimacy of a cabin at Lake Tahoe provides the combustible setting that brings Diana Holland and Lane Christianson together in this passionate novel of first discovery.

    Holly tells herself that the reason she hasn’t asked her girlfriend to move in (after four years of dating) is that she’s too busy–but it isn’t true. A very book-obsessed librarian, Holly has buried herself in so many romantic and magical stories, that at night, she dreams of a woman who will sweep her off her feet–something her indifferent girlfriend has never done. But one night, during an unusually vicious storm, magic and romance appear in Holly’s backyard in the form of a mysterious, gorgeous woman…wielding a sword. The dashing stranger’s name is Virago. She claims that she’s a warrior on the hunt for a great and terrible beast; that she, and the beast, slipped through a portal from their world into ours. Holly isn’t sure what to believe, but she is now responsible for a (possibly crazy) swordswoman who is bewildered by modern-day conveniences like escalators, but not by the chivalry of sweeping a woman off her feet. Can Holly help Virago find her own world again, or will that falling-in-love thing get in the way? And, of course, there’s the tiny problem of the beast Virago wounded that is now seeking revenge…

    . . Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy. The city beyond contains glowing glass relics from a lost civilization. They call to her, but she wants freedom not mysteries. So, reinvented as 'Micah Grey', Gene joins the circus. As an aerialist, she discovers the joy of flight - but the circus has a dark side. She's also plagued by visions foretelling danger. A storm is howling in from the past, but will she heed its roar?

    Until the day she hears something. A song, an unfamiliar one that moves her in a way she cannot understand or explain. Judy Paige was also an ordinary woman, who lived an ordinary life, up until the day she sang a song at a concert in the year 1964. When Karen's curiosity about the song she heard turns into an obsession about the woman who sang it, she's drawn to the town of Leyfant, Texas. The town Judy Paige was born and raised in, and it's there that Karen is approached by a man who calls himself Mr. Smith. A man who asks Karen a simple question. "Would you like to meet her?" The question is simple, but the answer is not. Because Judy Paige has been dead for almost twenty years.

    Trying not to get lost in translation is quite the culture shock for this born-and-bred Midwesterner.She’s surprised when her boss asks her to beta test the new dolls—an assignment that requires having her brain scanned so the company can fashion a personalized doll based on her innermost desires. But most surprising of all: her test PLC turns out to be a woman—one who looks and acts remarkably like her neighbor and coworker, Yuriko Vellucci. American-born Yuriko is a former transplant herself and is sympathetic to the difficulties of adjustment—to a point. Kathleen is about the most pathetic foreigner this engineer’s ever met. She clearly needs Yuriko’s help and expertise if this transition—and the PLC project—is to be a success. With Yuriko to show her the way, Kathleen will learn to socialize at an izakaya, find the best onsen in Nikko, party at a matsuri, buy doujinshii in Akihabara, and fall in love with a country so very different from her own. But can she also learn how to confess her love for the person who showed it to her?

    One night, Manny's sudden announcement that he wants a divorce forces mother and daughter to move to upstate New York to live with Lizzy's grandmother and grandfather—a mixed blessing. At school, Lizzy befriends, then falls in love with, Eva Singer, who is dyslexic, looks like Natalie Wood and lives right down the street. Like all girls her age, Lizzy has to deal with her first period, her first bra and her first boyfriend. But what scares her most is her love for Eva. She is also concerned with getting a new husband for Mama—especially after reading Mama's letters that she has found in the attic. Then Eva gets a boyfriend and Mama's life enters what seems to be a new crisis. . . . How Lizzy comes to grips with life's strange twists and turns makes fascinating reading for adults and young readers alike.

    Nic's had theatre friends and orchestra friends, but never just friend friends. And she's certainly never had a relationship.But on the very first day, she falls in with Katrina the Manic Computer Chick, Isaac the Nice-Guy-Despite-Himself, Kevin the Inarticulate Composer... and Battle.Battle Hall Davies is a beautiful blond dancer from North Carolina. She's everything Nic isn't. Soon the two are friends - and then, startlingly, more than friends. What do you do when you think you're attracted to guys, and then you meet a girl who steals your heart?

    Featuring stories by Merc Rustad, Jeanne Thornton, Brit Mandelo, and others, this anthology offers time-honored tropes of the genre--from genetic manipulation to zombies, portal fantasy to haunts--but told from a perspective that breaks the rigidity of gender and sexuality.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.