Consider yourself warned. HOW WRONG COULD IT GO? CASSIE knew exactly what she was looking for when she trawled the world of mobile dating to find the perfect man for an afternoon of rough, kinky fantasy. She only did this once a year, and this time it was going to be extra special. But, there was just one problem... RICH thinks he’s hit the jackpot when he meets a hot older woman on a dating app. She’s gorgeous and doesn’t want any long term commitments, just an afternoon of no-strings-attached kinky fun — what could be better? But can he be man enough to tie her up and play the role of aggressor in her dark, twisted and violent fantasy? BUT NEITHER of them knew that things would all go so terribly, darkly, disturbingly wrong.

    Along the way, lines will be crossed, taboos will be violated, and common decency will take an extended leave of absence. This is not for the faint of heart or weak of stomach. Or anyone who enjoyed Fifty Shades of Grey. A young hospital security guard with a disturbingly unique taste in women. A maternity doctor with a horrifically unusual appetite. When the two of them meet, they embark on a journey of self-discovery as they shatter societal norms while engaging in destructive and abhorrent behavior. As they unwittingly help each other understand a world in which neither of them seems to belong, they begin to realize what it truly means to be alive...and that it might not always be a good thing.

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    At a desolate pub, they are effortlessly seduced into a change of plans by three mysterious, beautiful hippies who invite them to a party at their mansion, alluring them with the promise of sex, drugs, and good times.The following morning, Prue wakes up to find herself alone with Faith, the leader of the strange community of misfits living within the mansion’s walls. Faith says that Prue’s friends are at the farm, and will be back soon... although it doesn’t take long for Prue to realise that what sounds like an innocent day trip is something far, far more sinister, and more horrifying than she could ever imagine.Meanwhile, Prue's coworkers wake up to find themselves damned to the confines of the terrifying, twisted cages of the Farm. With the belief that animals are used for excruciating experiments, slaughtered for meat, ripped from their young and forced to live in filth and agony, Faith believes God put her on earth to seek their revenge...NOT for the faint of heart, Farm is the stuff of nightmares, a disturbing, blood-soaked horror that will make you think twice about visiting the British countryside again...

    Get Nadia. Find a way out. Simple.”A week ago, seventeen-year-old Lela Santos’s best friend, Nadia, killed herself. Today, thanks to a farewell ritual gone awry, Lela is standing in paradise, looking upon a vast gated city in the distance—hell. No one willingly walks through the Suicide Gates, into a place smothered in darkness and infested with depraved creatures. But Lela isn’t just anyone—she’s determined to save her best friend’s soul, even if it means sacrificing her eternal afterlife. As Lela struggles to find Nadia, she’s captured by the Guards, enormous, not-quite-human creatures that patrol the dark city’s endless streets. Their all-too-human leader, Malachi, is unlike them in every way except one: his deadly efficiency. When he meets Lela, Malachi forms his own plan: get her out of the city, even if it means she must leave Nadia behind. Malachi knows something Lela doesn’t—the dark city isn’t the worst place Lela could end up, and he will stop at nothing to keep her from that fate.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .