In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    With Adam playing Santa while draped in Mrs. Starkadders's shawls, the family shares their traditional "Christmas pudding"-a mélange containing random objects of doom foretelling the coming year: a coffin nail for death, a bad sixpence for financial ruin, and a menthol cone to indicate that the lucky recipient will go "blind wi' headache." These lively tales will delight anyone who loves Stella Gibbons and her signature wit.

    There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amongst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades.As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parrot -- a motley mix of pub crawlers and eccentrics -- he carries his time in Italy with him. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate, and returns to the Tuscan hills.With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family, and a richly drawn celebration of beauty and love in all its forms.

    Now, Karen Harper tells the tale of Consuelo Vanderbilt, her “The Wedding of the Century” to the Duke of Marlborough, and her quest to find meaning behind “the glitter and the gold.”On a cold November day in 1895, a carriage approaches St Thomas Episcopal Church on New York City’s Fifth Avenue. Massive crowds surge forward, awaiting their glimpse of heiress Consuelo Vanderbilt. Just 18, the beautiful bride has not only arrived late, but in tears, yet her marriage to the aloof Duke of Marlborough proceeds. Bullied into the wedding by her indomitable mother, Alva, Consuelo loves another. But a deal was made, trading some of the vast Vanderbilt wealth for a title and prestige, and Consuelo, bred to obey, realizes she must make the best of things.At Blenheim Palace, Consuelo is confronted with an overwhelming list of duties, including producing an “heir and a spare,” but her relationship with the duke quickly disintegrates. Consuelo finds an inner strength, charming everyone from debutantes to diplomats including Winston Churchill, as she fights for women’s suffrage. And when she takes a scandalous leap, can she hope to attain love at last…?From the dawning of the opulent Gilded Age, to the battles of the Second World War, American Duchess is a riveting tale of one woman’s quest to attain independence—at any price.

    Priestley was especially fond of this novel of his: "I am not one for favourites," he wrote in the introduction to the Everyman edition, "and I have always been irritated by questions about my favourite this, that and the other. But if I have a favourite among my novels, it is Bright Day, which I wrote towards the end of the war."The novel was written towards the end of World War II. JBP disclaimed any autobiographical roots in the work, but it is nontheless resonent with his early youth and coincided with JBP's recoil from the commercial film world. Bright Day was the only serious novel that he wrote in the first person.Gregory Dawson, the novel's hero, is a middle-aged film script writer who goes off to Cornwall to complete a script. At his hotel he spots Lord and Lady Harndean, and realizes that they are the Malcolm and Eleanor Nixey he knew when he worked as a clerk in a Bruddersford wool firm. They represent the beginning of the break-up of the bright day which had preceded the year 1914, and thus the story starts to unfold...Vincent Brome, one of JBP's biographers, wrote: "Bright Day is one of Priestley's two most important and successful novels. The other is Angel Pavement."

    For Emily, romance is in the air. For the mysterious Mrs Forester, there is scandal brewing. And for the Bishop of Simla, rainclouds are not the only storms on the horizon...The Hill Station is the novel on which J.G. Farrell was working at the time of his tragically early accidental death. It demonstrates powerfully what a great loss to world literature this was.

    Then one night on an exotic island she meets Larraby, a successful portrait painter, and through a long night of talk reveals how she is afraid to commit herself to a second chance of happiness with another person, yet is not brave enough to face life alone. Can Larraby help Celia come to terms with the past or will they part, her outcome still uncertain?'In Celia we have more nearly than anywhere else a portrait of Agatha.' Max Mallowan, Agatha Christie's second husband.

    So begins a series of unspeakable events that Laura must confront and overcome, by way of the occasional fainting fit and bout of delirium.Tragedy and comedy here go hand in hand as a very foolish young heroine is placed at the centre of Jane Austen's early satire on drawing-room society. Written as a series of letters, "Love and Friendship" is a delicious romp through the highs and lows of a young girl's lot in life and a precursor of Austen's later works of genius.

    "L'astragale" is the French word for the ankle bone Albertine Sarrazin's heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star.She died from a botched surgery at the height of her fame. Sarrazin's life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France; a new adaptation of Astragal is currently being filmed. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.

    Seven artists. Seven girls and women reading. A young orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in 17th-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A young woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure. Each chapter of this richly textured debut takes us into a perfectly imagined tale of how each portrait came to be, and as the connections accumulate, the narrative leads us into the present and beyond - an inspired celebration of women reading and the artists who have caught them in the act.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life - a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs Harris scrimps, saves and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris. When she arrives at the House of Dior, Mrs Harris has little idea of how her life is about to be turned upside down and how many other lives she will transform forever. Always kind, always cheery and always winsome, the indomitable Mrs Harris takes Paris by storm and learns one of life's greatest lessons along the way. This treasure from the 1950s introduces the irrepressible Mrs Harris, part charlady, part fairy-godmother, whose adventures take her from her humble London roots to the heights of glamour.