With help from American Morgan Delaney, Barry Briggs an Australian working with the UN and the enigmatic Lee Caldwell an agent for the world’s largest private security firm, Jeff uncovers a criminal conspiracy responsible for a series of bombings across Europe. Ignoring death threats Jeff and Morgan dig deeper and when the shocking truth behind Arben’s disappearance is finally uncovered it sets in motion a chain of events that brings Kosovo to the brink of civil war and NATO troops onto the streets of Kosovo’s major cities. ‘The Field of Blackbirds by Thomas Ryan is a gripping, fast paced thriller that will keep you on the edge of your seat, as you continue to flip through the pages of the novel, unable to stop your need to know what is going to happen next. Set mostly within the volatile borders of Kosovo, the action and danger is believable and written in a knowledgeable way. This book is great at interweaving international agencies and real life situations into the fabric of the story, creating an unnerving tale that bounces off of the pages as if you were right there running along the streets with Jeff and Morgan. Ryan does an excellent job describing the settings, and all of the characters are intricately developed, so that you are rooting for the heroes, and begging for the villains to receive the punishments they deserve. The Field of Blackbirds is an action packed thriller that you won’t want to put down.

    Okay yes, all that stuff too, but I'm not talking about that right now. The government has also been lying to us about space aliens. Aliens have landed on the National Mall and are asking to speak with the President of the United States. For the sake of the planet, diplomat Michael Wallenson is tasked with keeping them away from Donald Trump at all costs. Will Michael succeed? Or will these heavily armed, easily offended aliens succeed in reaching our leader? Building the border dome, coal-powered missiles, and the true identities of the men in black - all in Take Us To Your Trump, another hilarious satirical comedy from author Andrew Stanek.

    Exploring the cinematic quality and features offered by hybrid DSLRs, this book empowers the filmmaker to craft visually stunning images inexpensively.Learn to think more like a cinematographer than a videographer, whether shooting for a feature, short fiction, documentary, video journalism, or even a wedding. DSLR Cinema offers insight into different shooting styles, real-world tips and techniques, and advice on postproduction workflow as it guides you in crafting a film-like look.Case studies feature an international cast of cutting edge DSLR shooters today, including Philip Bloom (England), Bernardo Uzeda (Brazil), Rii Schroer (Germany), Jeremy Ian Thomas (United States), Shane Hurlbut, ASC (United States), and Po Chan (Hong Kong). Their films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

    So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world—everywhere Disney does business and its products are cherished.Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only “the most powerful man in Hollywood” but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards?DisneyWar is an enthralling tale of one of America’s most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. It tells a story that—in its sudden twists, vivid, larger-than-life characters, and thrilling climax—might itself have been the subject of a Disney classic—except that it’s all true.

    I am furious. Because I never thought it would happen to us. Not us, the rainbow nation that defied doomsayers and suckled and nurtured a fragile democracy into life for its children. I never thought it would happen to us, this relentless decline, the flirtation with a leap over the cliff.” In a searing, honest paean to his country, renowned political journalist and commentator Justice Malala forces South Africa to come face to face with the country it has become: corrupt, crime-ridden, compromised, its institutions captured by a selfish political elite bent on enriching itself at the expense of everyone else. In this deeply personal reflection, Malala’s diagnosis is devastating: South Africa is on the brink of ruin. He does not stop there. Malala believes that we have the wherewithal to turn things around: our lauded Constitution, the wealth of talent that exists, our history of activism and a democratic trajectory can all be used to stop the rot. But he has a warning: South Africans of all walks of life need to wake up and act, or else they will soon find their country has been stolen.

    2 at WikiLeaks and the organization’s most public face, after Julian Assange. In this book, he reveals the evolution, finances, and inner tensions of the whistleblower organization, beginning with his first meeting with Assange in December 2007. He also describes what led to his September 2010 withdrawal from WikiLeaks, including his disenchantment with the organization’s lack of transparency, its abandonment of political neutrality, and Assange’s increasing concentration of power. What has been made public so far about WikiLeaks is only a small fraction of the truth. With Domscheit-Berg’s insider knowledge, he is uniquely able to tell the full story. A computer scientist who worked in IT security prior to devoting himself full-time to WikiLeaks, he remains committed to freedom of information on the Internet. Today he is working on a more transparent secret-sharing website called OpenLeaks, developed by former WikiLeaks people, to be launched in early 2011.

    Orson Welles did it with Citizen Kane, but Beatty did it twice, with Heaven Can Wait and Reds. Starting with Bonnie and Clyde, he became one of the most important, influential, and successful figures in Hollywood..- Candid, surprising, irresistible: Biskind draws on interviews with colleagues and intimates, as well as with Beatty himself, to reveal surprising information about the star's personal and professional lives..- Bestselling author: Peter Biskind is the author of two film bestsellers, Easy Riders, Raging Bulls and Down and Dirty Pictures. He provides a brilliantly informed assessment of Beatty as an actor, director, and filmmaker..

    Based on the present political situation in Kashmir valley.

    We drifted through neighbourhoods in small packs, clinging to each other, all but alone. Our parents had given up. Packed their photos and furniture and moved to the forest to live simpler lives. But we stayed because there was nowhere else to go. We sold everything for rent — time, dignity, self-respect. Beneath the shiny new paint jobs and streets paved with debt lay our home."Stuck in a dead-end office job, Zlata hopes for a record deal so she can escape Auckland city. Then at party she meets Hamish, a graffiti artist and part-time drug dealer. Each has their own ideas about the other’s life, and surrounded by a makeshift family of friends and ex-lovers, their dreams of music, art and travel take shape.But as quickly as things come together, they can be torn apart — unravelling relationships and lives.

    From Sequart Research & Literacy Organization. More info at http: //Sequart.org

    It has a wide variety of all your favorite tropes including:Friends to loversSecond chanceInsta-LoveEnemies to loversForbidden loveAnd so much more. Laugh, cry, sigh and swoon during this beautiful collection of short stories by sweet romance authors handpicked by Enchanted Quill Romance.This heart-stirring boxset is a limited edition, so pick it up now to avoid missing out.

    This book provides a personal commentary on the film, a brief production history and a detailed filmography. In the "BFI Film Classics" series.

    As was the case with Gore's first movie (An Inconvenient Truth), the movie is bursting with bad science, bad policy and some outright falsehoods. The storm events Gore addresses occur naturally, and there is little or no evidence they are being made worse from human activities: sea level is rising at the same rate it was before humans started burning fossil fuels; in Miami Beach the natural rise is magnified because buildings and streets were constructed on reclaimed swampland that has been sinking; the 9/11 memorial was not flooded by sea level rise from melting ice sheets, but a storm surge at high tide, which would have happened anyway and was not predicted by Gore in his first movie, as he claims; the Greenland ice sheet undergoes melt every summer, which was large in 2012 but then unusually weak in 2017; glaciers advance and retreat naturally, as evidenced by 1,000 to 2,000 year old tree stumps being uncovered in Alaska; rain gauge measurements reveal the conflict in Syria was not caused by reduced rainfall hurting farming there, and in fact the Middle East is greening from increasing CO2 in the atmosphere; agricultural yields in China have been rising, not falling as claimed by Gore. The renewable energy sources touted by Gore (wind and solar), while a laudable goal for our future, are currently very expensive: their federal subsidies per kilowatt-hour of energy produced are huge compared to coal, natural gas, and nuclear power. These costs are hidden from the public in increased federal and state tax rates. Gore is correct that "it is right to save humanity", but what we might need saving from the most are bad decisions that reduce prosperity and hurt the poor.

    It was also the first to introduce a full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. This title tells that story in all its colour and drama. The narrative that emerges is an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonizing New Zealand were essentially humane; and that Maori, far from being passive victims of a "fatal impact", coped heroically with colonization and survived by selectively accepting and adapting what Western technology and culture had to offer. The latter part of the book reveals how an insulated and dependent British colony transformed itself into an independent nation, open to and competing with technological and cultural influences sweeping the globe.

    Dalton Trumbo was the central figure in the "Hollywood Ten," the blacklisted and jailed screenwriters. One of several hundred writers, directors, producers, and actors who were deprived of the opportunity to work in the motion picture industry from 1947 to 1960, he was the first to see his name on the screen again. When that happened, it was Exodus, one of the year's biggest movies.This intriguing biography shows that all his life Trumbo was a radical of the homegrown, independent variety. From his early days in Colorado, where his grandfather was a county sheriff, to Los Angeles, where he organized a bakery strike, to bootlegging, to Hollywood, where he was the highest-paid screenwriter when he was blacklisted (and a man with constant money problems), his life rivaled anything he had written. His credits include Kitty Foyle, The Brave One, Thirty Seconds Over Tokyo, Spartacus, Lonely are the Brave, and Papillon, and he is the author of a power pacifist novel, Johnny Got His Gun.