Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    Robin Robertson has written a book of remarkable cohesion and range that calls on his knowledge of folklore and myth to fuse the old ways with the new. From raw, exposed poems about the end of childhood to erotically charged lyrics about the end of desire, from a brilliant retelling of the metamorphosis and death of Actaeon to the final freeing of the waters in "Holding Proteus," these are close examinations of nature--of the bright epiphanies of passion and loss.At times sombre, at times exultant, Robertson's poems are always firmly rooted in the world we see, the life we experience: original, precise, and startlingly clear.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    In the end they burned the people. Karen was only nine when it started. Five years later she is watching the smoke rise from her parent's cremation with her younger brother and sister. She needs to find them somewhere safe. It won't be easy. Food is scarce. Militias round up the survivors to take them to death camps. Helicopters and drones patrol the sky on search and destroy missions. Rebels roam the countryside pillaging from the innocent for the supposed greater good, and vile opportunists prey on the weakest of the survivors. She has to get them off the mainland to a place the Loop hasn't touched. She knows where to go. It's a five hundred mile journey. It seems impossible. She doesn't know if they can make it. She calls it Shetland.

    After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.

    But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

    In fact, he has made it a personal quest to dispel all unhappiness from his life. But it's harder than it sounds: he's approaching thirty, a downmarket DJ by day (and a struggling writer by night), living in a cramped Manhattan apartment. His friends are always there for him -- or are they Annie, his closest friend, is getting married to a man David dubs "Rat Boy"; Dustin and Cameron, David's cohorts in the city, are doing the unthinkable and settling down; and Zach, David's model of cool, as aloof and evasive as a wisp of smoke, is harboring a secret that could capsize the whole crew. On top of everything, David finds himself falling in love with Jane, a younger woman whose wit and charm are matched only by her instability.The Big Happy asks the big questions: Can love and happiness coexist? Are we doomed to live out the mistakes of our youth? Do friendships ripen, or rot, as we age? For David, the prospect of happiness has never been quite so depressing.

    Holmes comes a collection of short stories that will take you on an unforgettable journey into the lives of your favorite characters from The Gateway Trilogy and The Gateway Trackers. Go back in time and explore Fairhaven Hall with Karen and Elizabeth when they were just Apprentices. Hear in her own words how Savvy discovered the truth about her gift when she was only four-years-old, and how a fateful visit from a future High Priestess revealed her calling as a Durupinen. Follow Finn on his dangerous journey at Skye Príosún when he and Jess were torn apart, unsure if they would ever see each other again. These and many other thrilling tales await you between the covers of this new companion novel.Rediscover the World of the Gateway through the eyes of the characters you love most, as well as some you've never heard from before. It's time to open the Gateway again, and see what new adventures await.Tales from the Gateway is a companion novel to E.E. Holmes' World of the Gateway series. What Amazon readers are saying about the World of the Gateway: ★★★★★ 'One of THE BEST ghost-themed paranormal series I've ever read!'★★★★★ 'Hauntingly thrilling.'★★★★★ 'A must-read for those interested in the paranormal.'★★★★★ 'Twilight combined with Harry Potter and then some!'★★★★★ 'Every turn of the page is like a new discovery.'★★★★★ 'A masterfully woven story.'★★★★★ 'Holmes has written a lovely series with something for everyone; humor, self-reflection, loyalty, mystery, intrigue, action and so much more.'★★★★★ 'If you're into the paranormal, like ghosts, ghost hunting, ghost stories, crossing over, Gaelic folklore, dark secrets, plot twists that I didn't even see coming (and I am a writer myself!) and even a little magic, you should definitely read this book.'Experience the captivating paranormal series that obsessed readers have described as “unputdownable” and “spellbinding”. If you love ghost stories, with plenty of action and suspense, along with a tough and independent heroine you’ll want to stand up and cheer for, you will fall in love with this best-selling series… but proceed with caution: you’ll be up all night reading!