A startling and original courtroom drama from New York Times #1 Bestseller John Grisham that is the prequel to his newest legal thriller, THE WHISTLER   A judge’s first murder trial.A defense attorney in over his head.A prosecutor out for blood and glory.The accused, who is possibly innocent.And the killer, who may have just committed the perfect crime.

     The Sun People are bound by an ancient law, left by the long-vanished Sky People: they must never kill. To other tribes, who have no such law, the Sun People are easy prey who will not defend themselves. Their game is poached, their stores are raided, their women abducted, their men killed for sport. But when Raging River and her sister are attacked by a Wolf People raiding party, River fights back and kills one of the warriors. Worse, she has killed the son of their chief. Now, with the Wolf People vowing revenge and her people facing annihilation, River must do the impossible. She must prove herself as priestess. She must find the mythical Sky People. The Sky People is a fast-paced novella of revenge and redemption that explores new territory for #1 international bestseller Terry Goodkind

    

    Douglas. The play features Academy Awards nominees Paul Giamatti in the role of Stephen A. Douglas and David Straithairn as Abraham Lincoln. Two Presidential candidates - one a rising Illinois legislator, the other a bombastic US Senator. Obama and McCain? Think again. In this transcendent Broadway play, the famous Lincoln-Douglas debates tackle the day's most passionate issue - slavery. Their battle comes to life through the eyes of Adele Douglas, wife of candidate Stephen Douglas. Challenged by the charming man from Illinois, she reexamines her basic beliefs about the American concept of freedom. Evocative, inspiring and stirring theatre]] raves The New York Times.

    This classic comedy opens as a group of the guys assembled for cards in the apartment of divorced Oscar Madison. And if the mess is any indication, it's no wonder that his wife left him. Late to arrive is Felix Unger who has just been separated from his wife. Fastidious, depressed and none too tense, Felix seems suicidal, but as the action unfolds Oscar becomes the one with murder on his mind when the clean-freak and the slob ultimately decide to room together with hilarious results as The Odd Couple is born. "His skill is not only great but constantly growing...There is scarcely a moment that is not hilarious." - The New York Times "Fresh, richly hilarious and remarkably original. Wildly, irresistibly, incredibly and continuously funny." - New York Daily News

    This book wouldn't elevate a cow. I cannot conscientiously recommend it for any useful purposes whatever. All I can suggest is that when you get tired of reading 'the best hundred books, ' you may take this up for half an hour. It will be a change." (from the Preface to "Idle Thoughts of an Idle Fellow by Jerome Jerome)

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children. Walter Swann, the premier male of the Swann family, is valet to the earl. His wife Alice, a clever seamstress who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. Lady Daphne, the most beautiful of the Earl's daughters, is about to be presented at court when a devastating event changes her life and threatens the Ingham name. With World War I looming, both families will find themselves tested in ways they never thought possible. Loyalties will be challenged and betrayals will be set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again. Cavendon Hall is Barbara Taylor Bradford at her very best, and its sweeping story of secrets, love, honor, and betrayal will have readers riveted up to the very last page.

    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    Scarborough declared that his well-known eldest son was not legitimate. Mr. Scarborough himself had not been well known in early life. He had been the only son of a squire in Staffordshire over whose grounds a town had been built and pottery-works established. In this way a property which had not originally been extensive had been greatly increased in value, and Mr. Scarborough, when he came into possession, had found himself to be a rich man. He had then gone abroad, and had there married an English lady. After the lapse of some years he had returned to Tretton Park, as his place was named, and there had lost his wife. He had come back with two sons, Mountjoy and Augustus, and there, at Tretton, he had lived, spending, however, a considerable portion of each year in chambers in the Albany. He was a man who, through many years, had had his own circle of friends, but, as I have said before, he was not much known in the world. He was luxurious and self-indulgent, and altogether indifferent to the opinion of those around him. But he was affectionate to his children, and anxious above all things for their welfare, or rather happiness. Some marvelous stories were told as to his income, which arose chiefly from the Tretton delf-works and from the town of Tretton, which had been built chiefly on his very park, in consequence of the nature of the clay and the quality of the water. As a fact, the original four thousand a year, to which his father had been born, had grown to twenty thousand by nature of the operations which had taken place. But the whole of this, whether four thousand or twenty thousand, was strictly entailed, and Mr. Scarborough had been very anxious, since his second son was born, to create for him also something which might amount to opulence. But they who knew him best knew that of all things he hated most the entail. . . .

    Burgess’ humor is a city to which his hero, Denham, J. W., businessman, forty, British, returns on leave from the Far East to find the face of England hardened into a standardized grimace. He is appalled by his observations in all quarters of cheapness, shallowness, vice. He is appalled also by monotony. But monotony reigns only briefly. Soon Everett, the broken-down poet, and Winterbottom, the printer, have involved him in affairs which put a strain on his holiday spirit. And with the appearance of Mr. Raj, Ceylonese gentleman, persistent lecher and unflagging sociologist, speed quickens and control diminishes as Denham is carried helpless down the homestretch of his grueling comic course. Mr. Burgess’ humor stems from the depth of life rather than from its surface. His people are so vividly alive, and the anger, laughter and melodrama of their experiences so affecting that their story takes on dimension rare in novels so thoroughly entertaining.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.