From unicorns, salamanders, satyrs, giants, elves and trolls, to dragons, nymphs, mermaids, werewolves and griffins — take an enchanting journey through the history, folklore, and mythology of these beasts from virtually every culture in the world. With stories and amazing facts on even the most obscure mythological creature, this is a cornucopia of magic and folklore.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    Or so 15-year-old Liza has been told. Nothing has been seen or heard from Faerie since, and Liza's world bears the scars of its encounter with magic. Trees move with sinister intention, and the town Liza calls home is surrounded by a forest that threatens to harm all those who wander into it. Then Liza discovers she has the Faerie ability to see into the past, into the future and she has no choice but to flee her town. Liza's quest will take her into Faerie and back again, and what she finds along the way may be the key to healing both worlds.

    Until the fey he avoids at all costs—including his reputation—begin to disappear, and Ethan is attacked. Now he must change the rules to protect his family. To save a girl he never thought he’d dare to fall for.Ethan thought he had protected himself from his older sister’s world—the land of Faery. His previous time in the Iron Realm left him with nothing but fear and disgust for the world Meghan Chase has made her home, a land of myth and talking cats, of magic and seductive enemies. But when destiny comes for Ethan, there is no escape from a danger long, long forgotten.My name is Ethan Chase.And I may not live to see myeighteenth birthday.

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.

    They were tiny men, dressed all in green. Nobody but Frances saw them, so her cousin Elsie painted paper fairies and took photographs of them "dancing" around Frances to make the grown-ups stop teasing. The girls promised each other they would never, ever tell that the photos weren’t real. But how were Frances and Elsie supposed to know that their photographs would fall into the hands of Sir Arthur Conan Doyle? And who would have dreamed that the man who created the famous detective Sherlock Holmes believed ardently in fairies— and wanted very much to see one? Mary Losure presents this enthralling true story as a fanciful narrative featuring the original Cottingley fairy photos and previously unpublished drawings and images from the family’s archives. A delight for everyone with a fondness for fairies, and for anyone who has ever started something that spun out of control.

    Fireworks. Explosions. All inside my brain. The white world goes dark and I know what's about to happen.Zara White suspects there's a freaky guy semi-stalking her. She's also obsessed with phobias. And it's true, she hasn't exactly been herself since her stepfather died. But exiling her to shivery Maine to live with her grandmother? That seems a bit extreme. The move is supposed to help her stay sane...but Zara's pretty sure her mom just can't deal with her right now.She couldn't be more wrong. Turns out the semi-stalker is not a figment of Zara's overactive imagination. In fact, he's still following her, leaving behind an eerie trail of gold dust. There's something not right - not human - in this sleepy Maine town, and all signs point to Zara.In this creepy, compelling breakout novel, Carrie Jones delivers romance, suspense, and a creature you never thought you'd have to fear.

    But when she meets the handsome Sonny Flannery, Kelley has to face the shocking truth that the world of Faeries is all too real - and that she is an unwitting part of it. Sonny warns Kelley that she is no mere mortal, and that she is being haunted by powerful forces from the Faerie realm. Now, Kelley must come to terms with her heritage - and her growing feelings for Sonny - if she wants to save not only herself, but also the human world that she holds dear.

    They fill our myths, our legends, and the stories we tell our children in the dark of night. They come from the air, from water, from earth, and from fire. What are these creatures that enjoin out imagination? Faeries. Something Rich and Strange creates a faerie story that's not to be missed: Megan is an artist who draws seascapes. Jonah owns a shop devoted to treasures from the deep. Their lives, so strongly touched by the ocean, become forever intertwined when enchanting people of the sea lure them further into the underwater world—and away from each other.

    It was like the day the gnomes chased me all over again, but this time I was not escaping some horrible little creatures, I was fleeing from an incredibly good-looking guy who could very well understand me completely. I was either saving myself from that serial killer I always imagined lived down in the swamp, or I had finally gone over the deep end . . .Meghan Elam has been strange her entire life: her eyes have this odd habit of changing color and she sees and hears things no one else does. When the visions and voices in her head start to get worse, she is convinced that her parents will want to drag her off to another psychiatrist. That is, until the mysterious Cade MacRoich shows up out of nowhere with an explanation of his own.Cade brings her news of another realm where goblins and gnomes are the norm, a place where whispering spirits exist in the very earth, and a world where Meghan just might find the answers she has always sought.

    They were terrifyingly beautiful—too beautiful for words.Laurel turned to the mirror again, her eyes on the hovering petals that floated beside her head. They looked almost like wings.In this extraordinary tale of magic and intrigue, romance and danger, everything you thought you knew about faeries will be changed forever.

    The effect of the pill once digested, however, depends upon the viewer. This large, lavishly produced hardcover serves as the catalog for Camille Rose Garcia's first solo museum show outside of Los Angeles. Tragic Kingdom surveys her work with an emphasis on her most recent creations, showcasing paintings, drawings, sketchbooks, prints, and more.

    Squire. Hockey fan. Canadian. And Crown Prince to the entire continent of North America, known as “the Westlands” to the fae, currently ruled by his parents, High King Aethlin and High Queen Maida. Not that most people know that, since he’s a blind foster squired to a changeling—not exactly something that screams “hidden royalty.”But with a new Queen on the throne in the Mists, his parents have finally come to town to see how he’s doing…and to take him home with them. That’s going to be a problem, since Quentin doesn’t particularly want to leave, and his knight, Sir October Daye, doesn’t particularly want to let him go.Set after Chimes at Midnight and before The Winter Long, it’s finally time to meet the parents in our first-ever story narrated by Quentin himself.

    It’s the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a "delicate situation"—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help. Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn’t expect to fall for the girl’s father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her own scars, and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey. Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things is true? Step by step Jane unlocks the secrets of her new life—and discovers just how far she will go to become whole again.

    But until now, no rigorous survey has captured them in all their glorious variety. "Dragons: A Natural History" is that survey...a one-of-a-kind book, bringing these captivating creatures to life with lavish illustrations and vivid commentary. This marvelous compendium will take you on a journey that begins with the earliest serpent dragons and continues to the present day. Along the way, Dr. Karl Shuker, one of the world's leading experts on dracontology, shares his wealth of knowledge on: Dragon dwellings: These magnificent beasts have been found in an astounding number of places. Dragons and their near relatives have found niches in every ecosystem on the planet -- from the mountains of Greece to the forests of northern Europe to the volcanic plain of Mesoamerica to the river valleys of China -- and have, as a consequence, become deeply embedded in human culture. Dragon variety: Here are five main types of dragons, emerging from the floods or flames of history -- the frightening Serpents, Wyverns, and Classical Dragons of the West; the Sky Dragons, including beneficent Chinese Dragons, Amphipteres, and winged New World species; the Neo-Dragons such as the Basilisk, Salamander, and the like; as well as dozens of varieties and subspecies, including orms, guivres, lindorms, and more. Dragon traditions: From St. George's batwinged, scaly-legged adversary to Wagner's Fafnir to Quetzalcoatl, mythic dragons have been a powerful presence in the legends of humanity. Each of them is described and illustrated in "Dragons: A Natural History."