It is an escape she didn’t know she was looking for.But then a shocking letter from her sister reveals a devastating secret. Gabby is transported back to her childhood home on the Cornish coast, and as memories unravel, so too does her new life in Karachi.Will Gabby find the courage to face the dark secrets and embrace a different future?

    But with Shazia denying everything and social services unable to find any evidence to support the teacher's fears, Shazia is allowed to return home.But a few weeks later, Maggie is woken up in the middle of the night by a phone call from a terrified Shazia, who has managed to escape the family home through a window. Sobbing, she confesses to Maggie that her parents are planning to send her to Pakistan to be married in a few days, and have threatened to kill her if she speaks out again.Returned to Maggie's care, Shazia is petrified that her parents will track her down and kill her, and Maggie must be on constant alert. But the worst is yet to come when it emerges that Shazia is the victim of FGM. Can Maggie help this damaged and traumatised young girl understand what has happened to her and to find a way to heal?In this new book, Maggie Hartley taps into the highly topical issues of FGM and arranged marriage, and presents a sensitive and unique insight into the effect these practices have on their young victims.

    Swallows wheel and dive silently over the branches, and the scent of jasmine threads through the air. Pomegranates hang heavy, their skins darkening to a deep crimson. Neglected now, the trees are beginning to grow wild, their fruit left to spoil on the branches.Many miles away, a frail young man is flung out of prison gates. Looking up, scanning the horizon for swallows in flight, he stumbles and collapses in the roadside dust. His ravaged body tells the story of fifteen years of brutality.Just one image has held and sustained him through the dark times -- the thought of the young girl who had left him dumbstruck with wonder all those years ago, whose eyes were lit up with life.A tale of tenderness in the face of great and corrupt power, In The Orchard, The Swallows is a heartbreaking novel written in prose of exquisite stillness and beauty.

    Yet there was much that seemed oddly familiar: staying with women in Purdah reminded Jamie of her own family past; the intense religious ceremonies brought back memories of Orangemen marching through Glasgow. This is a superbly written, entertaining and important book: a narrative of people and local life, that crosses Western and Islamic cultures. Originally published as The Golden Peak, Jamie returned to Pakistan to write an Afterword and Preface for this new edition.

    The only clue is an enigmatic message in blood scrawled on the Coke machine. A series of murders follows. But in a country where half the population is hidden beneath chadors, tracking a murderer can be difficult.

    withdraws from the longest war in its history.THE BROOKINGS ESSAY: In the spirit of its commitment to high-quality, independent research, the Brookings Institution has commissioned works on major topics of public policy by distinguished authors, including Brookings scholars. The Brookings Essay is a multi-platform product aimed to engage readers in open dialogue and debate. The views expressed, however, are solely those of the author.

    A successful lawyer, her London life is a long way from the grubby Northern streets she knew as a child, where her father headed up the Pakistani community and ran the local organised crime syndicate. Often his Jirga rule - the old way - was violent and bloody, but it was always justice of a kind. But now her father, Akbar Khan, has been murdered and Jia must return to take his place. In the past, the police relied on him to maintain the fragile order of the streets. But a power struggle has broken out amongst the various communities and now, nobody is safe. Justice needs to be restored, and Jia is about to discover that justice always comes at a cost.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    Each chapter, devoted to a color, begins with a short, inspiring essay that explores the qualities, meaning, and symbolism of that color, written in the same warm and lovely voice that guided the reader through "Visions of Earth." Color chapters include photographs that are predominantly blue, orange, green, yellow, purple and red. Smaller sections present images in silver, brown, black, gold, white, and "unseen color"--not seen with the naked eye, such as laser, the universe, and microscopic images. Throughout, interesting quotes and surprising short insights in the captions give the reader an entirely new look at the color in the world around us. Chock full of beautiful, amazing, fun images, this eye-pleasing volume is sure to appeal to a wide variety of people, most especially to women.

    I was once a son, a husband, a father. And now I’m a storyteller.” Meet Maqil - also known as Mike, Mehmet, Mikhail and Miguel - a chancer, charmer and charlatan. A criminally clever man who tells a good tale, trading on his charm and good looks, reinventing himself with a new identity and nationality in each successive country he makes his home, abandoning wives and children and careers in the process. He's a compulsive gambler - driven to lose at least as much as he gains, in games of chance, and in life. A damaged man in search of himself.From the day he was delivered in Lahore, Pakistan, alongside his stillborn twin, he proved he was a born survivor. He has been a master of flying escapes, from Cairo to Paris, from London to Hong Kong, humbled by love, outliving his peers, and ending up old and alone in a budget hotel in Biarritz some eighty years later. His chequered history is catching up with him: his tracks have been uncovered and his latest wife, his children, his creditors and former business associates, all want to pin him down. But even at the end, Maqil just can't resist trying it on; he's still playing his game, and the game won't be over until it's been won.

    Nida, intelligent and lonely, has married into an affluent political family and is desperately searching for some meaning in her existence; and impulsive, lovely Sasha, from the ordinary middle-class, whose longing for designer labels and upmarket places is so frantic that she willingly consorts with rich men who can provide them. Nida and Sasha meet at the famous Daata Sahib dargah and connect-their need to understand why their worlds feel so alien and empty, bringing them together. On her frequent visits to the dargah, Nida meets the gentle, flute-playing hijra Bhanggi, who sits under a bargadh tree and yearns for acceptance and affection, but is invariably shunned. A friendship-fragile, tentative and tender-develops between the two, both exiles within their own lives; but it flies in the face of all convention and cannot be allowed. Faiqa Mansab's accomplished and dazzling debut novel explores the themes of love, betrayal and loss in the complex, changing world of today's Pakistan.

    There she finds heartache, betrayal—and danger.Mallory Hammond is determined that no one will stand in the way of her goal—to save a life. She had that chance years ago, and she failed to take it, leaving her adrift and in search of the real meaning of her life. Finally, she meets a man online from a volatile corner of the world who offers her the chance to find that purpose. But she will have to leave everyone she loves behind in order to take it.Tate Webber has loved Mallory for many years. He understands that Mallory will never be happy with him until her deepest heart’s desire is satisfied. When Mallory decides to travel across the world to fulfi ll her dreams, Tate begs her not to go but tries to give her the space she needs. Mallory embarks on her dangerous journey only to discover how swiftly and easily promises can be broken. And Mallory can only pray that she will make it out alive.Inspired by actual events, The Promise is a riveting love story that asks the question: how far will we go for love?

    For millennia it has been worshipped as a god; for centuries used as a tool of imperial expansion; today it is the cement of Pakistans fractious union. Five thousand years ago, a string of sophisticated cities grew and traded on its banks. In the ruins of these elaborate metropolises, Sanskrit-speaking nomads explored the river, extolling its virtues in Indias most ancient text, the Rig-Veda. During the past two thousand years a series of invaders Alexander the Great, Afghan Sultans, the British Raj made conquering the Indus valley their quixotic mission. For the people of the river, meanwhile, the Indus valley became a nodal point on the Silk Road, a centre of Sufi pilgrimage and the birthplace of Sikhism. Empires of the Indus follows the river upstream and back in time, taking the reader on a voyage through two thousand miles of geography and more than five millennia of history redolent with contemporary importance.

    Dulat and Asad Durrani. One was a former chief of RAW, India's external intelligence agency, the other of ISI, its Pakistani counterpart. As they could not meet in their home countries, the conversations, guided by journalist Aditya Sinha, took place in cities like Istanbul, Bangkok and Kathmandu. On the table were subjects that have long haunted South Asia, flashpoints that take lives regularly. It was in all ways a deep dive into the politics of the subcontinent, as seen through the eyes of two spymasters. Among the subjects: Kashmir, and a missed opportunity for peace; Hafiz Saeed and 26/11; Kulbhushan Jadhav; surgical strikes; the deal for Osama bin Laden; how the US and Russia feature in the India-Pakistan relationship; and how terror undermines the two countries' attempts at talks. When the project was first mooted, General Durrani laughed and said nobody would believe it even if it was written as fiction. At a time of fraught relations, this unlikely dialogue between two former spy chiefs from opposite sides-a project that is the first of its kind-may well provide some answers.

    Suleri; of her tenacious grandmother Dadi and five siblings; and of her own passage to the West."Nine autobiographical tales that move easily back and forth among Pakistan, Britain, and the United States. . . . She forays lightly into Pakistani history, and deeply into the history of her family and friends. . . . The Suleri women at home in Pakistan make this book sing."—Daniel Wolfe, New York Times Book Review"A jewel of insight and beauty. . . . Suleri's voice has the same authority when she speaks about Pakistani politics as it does in her literary interludes."—Rone Tempest, Los Angeles Times Book Review"The author has a gift for rendering her family with a few, deft strokes, turning them out as whole and complete as eggs."—Anita Desai, Washington Post Book World"Meatless Days takes the reader through a Third World that will surprise and confound him even as it records the author's similar perplexities while coming to terms with the West. Those voyages Suleri narrates in great strings of words and images so rich that they left this reader . . . hungering for more."—Ron Grossman, Chicago Tribune"Dazzling. . . . Suleri is a postcolonial Proust to Rushdie's phantasmagorical Pynchon."—Henry Louise Gates, Jr., Voice Literary Supplement