Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    There are thirteen two-color wood engravings.Norman Maclean (1902-90), woodsman, scholar, teacher, and storyteller, grew up in the Western Rocky Mountains of Montana and worked for many years in logging camps and for the United States Forestry Service before beginning his academic career. He retired from the University of Chicago in 1973.

    His wife Mary spends every day on the sofa in his hospital room. He has never even met their young daughter. And he will never again see the friend and fellow soldier who didn't make it back home—and who narrates the novel. But on Christmas, the one day Mary is not at his bedside, Eden's re-ordered consciousness comes flickering alive. As he begins to find a way to communicate, some troubling truths about his marriage—and about his life before he went to war—come to the surface. Is Eden the same man he once was: a husband, a friend, a father-to-be? What makes a life worth living?

    This anthology includes the masterpieces Wise Blood. The Violent Bear it Away, and Everything that Rises Must Converge.

    Their two paths converge with tragic inevitability. Jones writes of the physiology of grief and the isolation of loss with brilliance, and about the simple rawness of animal existence with a naturalist's unblinking eye. His is a pared-down prose of resonant simplicity and occasional lushness. His writing about ducks and dogs and cows is axe-sharp. There is not a whiff of the bucolic pastoral or the romanticized sod here. This is a real rural ride. It is short, but crackles with latent compressed energy that makes it swell to fill more space than at first glance it occupies.

    1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garréta won France's prestigious Prix Médicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

    Tatiana Ryckman chronicles the struggles of a long-distance relationship from summer to summer, forming a series of unsent musings to the beloved by the unnamed lover— all while keeping names and gender anonymous. At times funny, this sexy, charged, and deeply felt creation captures what loving from a distance can bring upon all of us.Cover art by Kyle William Butler

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat's brilliant exploration of the "dew breaker"—or torturer—is an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America's most essential writers.

    Nevertheless, I am sure of this much: My little story has become your history. You won't really understand your times until you understand mine."" So begins the account of Agnes Shanklin, the charmingly diffident narrator of Dreamers of the Day. And what is Miss Shanklin's "little story"? Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world-and of our own. A forty-year-old schoolteacher from Ohio, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes enters into the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward a personal awakening. With graceful and effortless prose, Mary Doria Russell illuminates the long, rich history of the Middle East through a story that brilliantly elucidates today's headlines. Dreamers of the Day is a memorable and passionate novel.

    Now Meloy returns with a novel even more dazzling and unexpected than her first. A Family Daughter is a brilliantly entertaining, powerfully moving novel about families, love, and the desire to reimagine one’s own history.It’s 1979, and seven-year-old Abby, the youngest member of the close-knit Santerre family, is trapped indoors with the chicken pox during a heat wave. The events set in motion that summer will span decades and continents, as the Santerres become entangled with an aging French playboy, a young Eastern European prostitute, a spoiled heiress, and her ailing jet-set mother. With elegant precision, Meloy takes us through the world of this changeable family, its values and taboos, its heartbreak and bitterness and fierce devotion.A rich, full novel about passion and desire, fear and betrayal, A Family Daughter illuminates both the joys and complications of contemporary life and the relationship between truth and fiction. For everyone who has yet to meet the Santerres, unmatched pleasure awaits.

    Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read.

    Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his father's study, plundered by the Nazis in Budapest in 1944.Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared.Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change?Nicole Krauss has written a soaring, powerful novel about memory struggling to creat a meaningful permanence in the face of inevitable loss.(front flap)