She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    This faithful New Testament tale combines the events of the life of Jesus with grand historical spectacle in the exciting story of Judah of the House of Hur, a man who finds extraordinary redemption for himself and his family.A classic of faith, fortitude, and inspiration.

    But after the idealistic Felix Holt also returns to the town, the difference between Harold's opportunistic values and Holt's profound beliefs becomes apparent. Forthright, brusque and driven by a firm desire to educate the working-class, Felix is at first viewed with suspicion by many, including the elegant but vain Esther Lyon, the daughter of the local clergyman. As she discovers, however, his blunt words conceal both passion and deep integrity. Soon the romantic and over-refined Esther finds herself overwhelmed by a heart-wrenching decision: whether to choose the wealthy Transome as a husband, or the impoverished but honest Felix Holt.

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    The town is important because it is a port that serves a large coal mine. Colonel Lanser, the head of the invading battalion, along with his staff establishes his HQ in the house of the democratically elected and popular Mayor Orden.As the reality of occupation sinks in and the weather turns bleak, with the snows beginning earlier than usual, the "simple, peaceful people" of the town are angry and confused. Colonel Lanser, a veteran of many wars, tries to operate under a veil of civility and law, but in his heart he knows that "there are no peaceful people" amongst those whose freedom has been taken away by force. The veil is soon torn apart when Alexander Morden, an erstwhile alderman and "a free man," is ordered to work in the mine. He strikes out at Captain Loft with a pick axe, but Captain Bentick steps into its path and dies of it. After a summary trial, Morden is executed by a firing squad. This incident catalyzes the people of the town and they settle into "a slow, silent, waiting revenge." Sections of the railroad linking the port with the mine get damaged regularly, the machinery breaks down often, and the dynamo of the electricity generators gets short circuited. Whenever a soldier relaxes his guard, drinks or goes out with a woman, he is killed. Mayor Orden stands by his people, and tries to explain to Col. Lanser that his goal – "to break man’s spirit permanently" – is impossible.The cold weather and the constant fear weighs heavy on the occupying force, many of whom wish the war to end so that they can return home. They realize the futility of the war and that "the flies have conquered the flypaper." Some members of the resistance escape to England and ask the English for explosives so that the townspeople can intensify their efforts. English planes parachute-drop small packages containing dynamite sticks and chocolates all around the town. In a state of panic, the army takes the Mayor and his friend Dr. Winter, the town doctor and historian, hostage and lets it be known that any action from resistance will lead to their execution. Mayor Orden knows that nothing can stop his people and that his death is imminent. He tells his wife that while he can be killed, the idea of Mayor (and freedom and democracy) is beyond the reach of any army. Before his execution, Mayor Orden reminds Dr. Winter of the dialogues of Socrates in the Apology, a part he played in the high school play, and tells him to make sure that the debt is repaid to the army, i.e., that the resistance is continued.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    After accidentally becoming the star of University of Alabama's football team, Forrest goes on to become a Vietnam War hero, a world-class Ping-Pong player, a villainous wrestler, and a business tycoon -- as he wonders with childlike wisdom at the insanity all around him. In between misadventures, he manages to compare battle scars with Lyndon Johnson, discover the truth about Richard Nixon, and survive the ups and downs of remaining true to his only love, Jenny, on an extraordinary journey through three decades of the American cultural landscape. Forrest Gump has one heck of a story to tell -- and you've got to read it to believe it...

    One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.A work that combines social commentary with the more private preoccupations of Jane Eyre, Shirley demonstrates the full range of Brontë's literary talent. "Shirley is a revolutionary novel," wrote Brontë biographer Lyndall Gordon. "Shirley follows Jane Eyre as a new exemplar but so much a forerunner of the feminist of the later twentieth century that it is hard to believe in her actual existence in 1811-12. She is a theoretic possibility: what a woman might be if she combined independence and means of her own with intellect. Charlotte Brontë imagined a new form of power, equal to that of men, in a confident young woman [whose] extraordinary freedom has accustomed her to think for herself....Shirley [is] Brontë's most feminist novel."

    There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office, naive country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; Gregg, the free-spirited actress with a secret yearning for domesticity. Now a classic, and as page-turning as when it first came out, The Best of Everything portrays their lives and passions with intelligence, affection and prose as sharp as a paper cut.(back cover)

    At the beginning of Pudd'nhead Wilson a young slave woman, fearing for her infant son's life, exchanges her light-skinned child with her master's.  From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels.  On its surface, Pudd'nhead Wilson possesses all the elements of an engrossing nineteenth-century mystery:  reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution.  Yet it is not a mystery novel.  Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes.  Written in 1894, Pudd'nhead Wilson glistens with characteristic Twain humor, with suspense, and with pointed irony:  a gem among the author's later works.

    When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past--even hiding the truth from her racist husband.Clare finds herself drawn to Irene's sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself--and her deception--into every part of Irene's stable existence. First published in 1929, Larsen's brilliant examination of the various ways in which we all seek to "pass," is as timely as ever.

    Although fellow novelists William Dean Howells and Hamlin Garland immediately recognized genius in the twenty-one-year-old author of Maggie: A Girl of the Streets, in 1893 most readers were unwilling to accept its unconventional theme and were uneasy with a style that was at once darkly naturalistic and vividly impressionistic. Today Maggie is esteemed as an American classic, the first of an impressive group of works in which Crane explored the underside of urban life, portraying the rise of the metropolis as it alters not just the human environment but human nature itself. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their dignified realism these tales confirm Crane's place as the first modern American writer.

    After his death, she and her silly young stepmother go back still farther, to the small Mississippi town where she grew up. Alone in the old house, Laurel finally comes to an understanding of the past, herself, and her parents.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    This combination of slave memoir, fantasy, and historical fiction is a novel of rich literary complexity. Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she’s been given...