The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

    When she travels to Sydney on assignment and finds her best friend murdered, she soon discovers a deadly puzzle of suspicious photographers, hired thugs, mysterious lovers and the handsome, jaded Detective Andy Flynn investigating the Stiletto Murders - the most violent serial killings Australia has ever known. In her quest to uncover the truth behind her best friend's murder, Mak falls headlong into a deadly game of cat and mouse, unaware she has become the obsession of a sadistic psychopath. When a photo from her portfolio disappears, her borrowed flat is ransacked and Andy Flynn suddenly goes underground, Mak knows she must run. But where can she go and to whom can she turn? Mak has scratched the seedy underbelly of a foreign city and is driven into a corner, an evil place where, for her own well-being and state of mind, she must suspect everyone and everything... The first book in the Mak Vanderwall series, FETISH is followed by SPLIT, COVET, HIT, SIREN and ASSASSIN.

    Rush has achieved the kind of critical and commercial success most authors only dream about: He has a top agent and publisher in New York, and his twenty-eight mystery novels have sold millions of copies. Only Stephen King, one of the few mystery writers whose fame exceeds his own, is capable of inspiring a twinge of envy in Rush. But Rush is hiding a dark secret. Under the pseudonym "Jack of Spades," he pens another string of novels—noir thrillers that are violent, lurid, masochistic. These are novels that the upstanding Rush wouldn't be caught reading, let alone writing. When his daughter comes across a Jack of Spades novel he has carelessly left out, she picks it up and begins to ask questions. Meanwhile, Rush receives a court summons in the mail explaining that a local woman has accused him of plagiarizing her own self-published fiction. Before long, Rush's reputation, career, and family life all come under threat—and in his mind he begins to hear the taunting voice of the Jack of Spades.

    In his sober moments Jack aspires to become Ireland’s best private investigator, not to mention its first—Irish history, full of betrayal and espionage, discourages any profession so closely related to informing. But in truth Jack is teetering on the brink of his life’s sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future nonexistent.Nonexistent, that is, until a dazzling woman walks into the bar with a strange request and a rumor about Jack’s talent for finding things. Odds are he won’t be able to climb off his barstool long enough to get involved with his radiant new client, but when he surprises himself by getting hired, Jack has little idea of what he’s getting into.Stark, violent, sharp, and funny, The Guards is an exceptional novel, one that leaves you stunned and breathless, flipping back to the beginning in a mad dash to find Jack Taylor and enter his world all over again. It’s an unforgettable story that’s gritty, absorbing, and saturated with the rough-edged rhythms of the Galway streets. Praised by authors and critics around the globe, The Guards heralds the arrival of an essential new novelist in contemporary crime fiction.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    Anya Crichton.The only female freelancer in the male-dominated field, pathologist Dr. Anya Crichton will take any work she can find to pay child support and her mortgage, get her new business off the ground, and battle her ex-husband for custody of their three-year-old son. Things turn around rapidly, however, when her expert forensic evidence is instrumental in winning a high-profile case -- and new work offers start pouring in.But Anya's investigation into the drug overdose of a young Lebanese girl is raising troubling questions. Startling coincidences between this sad and tragic death and a series of seemingly unrelated suicides that Anya is also examining at the urging of her friend and colleague, detective sergeant Kate Farrer, suggest that there's a monumental evil at work in the shadows. With each scalpel cut, Anya Crichton's forensic prowess and deductive brilliance are pulling her relentlessly toward a sinister plot and a devastating truth -- and once she enters the lethal darkness, she may never again see the light of day.

    It’s early 2009, and the world has gone dark very quickly. The economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s in no position to refuse when he’s offered a job by his sister, Eilo.Besides, Eilo has shown him a photo of a ten-year-old girl who could be homeless and in trouble. The little girl looks strikingly like Gavin and has the same last name as his high school girlfriend, Anna, from a decade ago. Gavin, obsessed with film noir and private detectives and otherwise at loose ends, begins his own private investigation in an effort to track down Anna and their apparent daughter—an investigation that soon takes a surprisingly dangerous turn.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    A suspect has already been singled out: a 17-year-old girl who has since disappeared from the scene.The press has now revealed that she is the youngest member of one of London's most notorious families. Thirteen years earlier, her grandfather set off a suicide bomb in a grocery store, a bomb her mother confessed to building. Has the girl decided to follow in their footsteps?To find her, Bish must earn the trust of her friends and family, including her infamous mother, now serving a life sentence in prison--but as he delves into the deadly bus attack that claimed five lives, the ghosts of older crimes become impossible to ignore.A gripping fusion of literary suspense and family drama, Tell the Truth, Shame the Devil is a fast-paced puzzle of a novel that will keep readers feverishly turning pages.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died. While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm. And then a local girl disappears, catapulting the family headlong into a dead man's curve...

    Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers' Club--dead with a knife in his throat.When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society.When a second body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a complex web of stolen gemstones and a mysterious gang of thieves who have no qualms about killing again to protect their secrets.