Titles in this collection are: The Lost Symbol, Digital Fortress, Angel & Demons, Deception Point, The Davinci Code Dan Brown is the bestselling author of Digital Fortress, Deception Point, Angels and Demons and The Da Vinci Code. He is a graduate of Amherst College and Phillips Exeter Academy, where he has taught English and creative writing. He lives in New England.

    His highly-acclaimed work includes One Hundred Years of Solitude, The Autumn of the Patriarch and Love in the Time of Cholera. He won the Nobel Prize for Literature in 1982 for his literary production prior to Chronicle of a Death Foretold. A principal exponent of 'magical realism', his work forms a significant part of the debate about postmodernist writing, and the study of fantasy as a genre. Dr. Fiddian's detailed and accessible Introduction places Marquez's work in the contexts of national, regional (Caribbean) and continental (Latin American) writing and develops a coherent overview of the author's literary output. The essays selected for inclusion in this collection bring together some of the most up-to-date and authoritative assessments of Marquez's writing, from early stories and novellas, through the major novels, up to Love in the Time of Cholera. Featuring a variety of critical approaches, this fascinating study provides the first annotated anthology of criticism in English.

    Works include:Le Monsieur De La Petite DameSurly Tim, A Lancashire StoryThe Dawn of a To-morrowEmily Fox-SetonBeing ''The Making of a Marchioness'' and ''The Methods of Lady Walderhurst''EsmeraldaA Fair BarbarianThe Head of the House of CoombeHis Grace of OsmondeBeing the Portions of That Nobleman's Life Omitted in the Relation of His Lady's Story Presented to the World of Fashion under the Title of 'A Lady of Quality'In Connection with the De Willoughby ClaimIn the Closed RoomA Lady of QualityThe Land of the Blue FlowerThe Little Hunchback ZiaLittle Lord FauntleroyA Little PrincessLittle Saint Elizabeth and Other StoriesLoduskyThe Lost PrinceMère Girauds Little DaughterMy RobinOne Day At ArleThe Pretty Sister of JoséRacketty-Packetty HouseAs told by Queen CrosspatchRobinSara Crewe, or, What Happened at Miss Minchin'sThe Secret GardenSethThe ShuttleT. TembaromThat Lass O' Lowrie'sTheo, A Sprightly Love StoryVagabondiaThe White People

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    He is an extremely wealthy man, although no one knows where he or his money have come from. But Gatsby has a purpose: he is following a dream of love. Will his dream come true?

    If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

    

    Parker. In the first novel, Promised Land, Harvey Shepard's wife has run away. Spenser has been hired to find her. A seemingly easy mission: go to Cape Cod, find the missing woman, then sit back and enjoy the sun. But it seems there is more to this case than meets the eye. Who are the shady figures Pam Shepard has been seen with? And why does Harvey keep showing up with bruises? Both Pam and Harvey are in over their heads, and soon Spenser will be too. In the second novel, Looking for Rachel Wallace, Spenser is hired to protect Rachel Wallace, the outspoken feminist. Left-wing lesbian meets muscles and machismo. Chalk meets cheese. It is not long before Rachel fires him. Then she disappears. Spenser feels it is his duty to save her. And once he has made up his mind then no bigot, Klansman, or family will get in his way. He will not stop until he finds Rachel Wallace.

    The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing." – Ernest Hemingway, Death in the Afternoon (from Amazon)