Michener guides us through Alaska’s fierce terrain and history, from the long-forgotten past to the bustling present. As his characters struggle for survival, Michener weaves together the exciting high points of Alaska’s story: its brutal origins; the American acquisition; the gold rush; the tremendous growth and exploitation of the salmon industry; the arduous construction of the Alcan Highway, undertaken to defend the territory during World War II. A spellbinding portrait of a human community fighting to establish its place in the world, Alaska traces a bold and majestic saga of the enduring spirit of a land and its people.  Praise for Alaska   “Few will escape the allure of the land and people [Michener] describes. . . . Alaska takes the reader on a journey through one of the bleakest, richest, most foreboding, and highly inviting territories in our Republic, if not the world. . . . The characters that Michener creates are bigger than life.”—Los Angeles Times Book Review   “Always the master of exhaustive historical research, Michener tracks the settling of Alaska [in] vividly detailed scenes and well-developed characters.”—Boston Herald   “Michener is still, sentence for sentence, writing’s fastest attention grabber.”—The New York Times

    Louis. Reminiscent of Jean Toomer's Cane, the book is in part a meditation on African-American autobiography. Keene explores questions of identity from many angles - from race to social class to sexuality (gay and straight). Employing all manner of textual play and rhythmic and rhetorical maneuvers, he (re)creates his life story as a jazz fugue-in-words.

    Ferguson Glen is an Episcopal priest and faded literary star, lover of God, women and liquor (but not necessarily in that order).Their lives intersect at LaVerne’s diner—"Smoke Meat," as the regulars call it. There they are joined by a cast of remarkable characters, including LaVerne’s devoted right-hand man, A.B. Clayton; blues legend ‘Mother’ Mary Weaver; and Sammy Merzeti, a young man with a bloody past – and a bloodier future.Thin Blue Smoke is an epic redemption tale, the story of two men coming to terms with their pasts. It is also a novel about faith, race, storytelling, bourbon, the language of rabbits, and the finer points of barbecue technique.Heartrending and bitterly funny, it marks the arrival of a vital new voice in American fiction.

    Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer.This is the twelfth expedition.Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself.They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.After the disastrous twelfth expedition chronicled in Annihilation, the Southern Reach—the secret agency that monitors these expeditions—is in disarray. In Authority, John Rodriguez, aka “Control,” is the team’s newly appointed head. From a series of interrogations, a cache of hidden notes and hours of profoundly troubling video footage, the secrets of Area X begin to reveal themselves—and what they expose pushes Control to confront disturbing truths about both himself and the agency he’s promised to serve. And the consequences will spread much further than that.It is winter in Area X in Acceptance. A new team embarks across the border on a mission to find a member of a previous expedition who may have been left behind. As they press deeper into the unknown—navigating new terrain and new challenges—the threat to the outside world becomes more daunting. The mysteries of Area X may have been solved, but their consequences and implications are no less profound—or terrifying.

    Reading it is like listening to the silence in the public squares painted by Giorgio de Chirico. Like Chirico, Jahnn is a master of the eerie and the inexplicable. It would be presumptuous to explain the fable contained in these pages; its meaning will differ from reader to reader. Yet it is obvious that the author intended us to know that our hold on reality is at best a treacherous delusion. When Gustav bent down to retrieve the suitcase he had so thoughtlessly kicked under the berth, he found that where a wall should have been there was no wall but only infinite space. Since this three-masted ship had been designed by a competent Scot, Gustav was puzzled. But he had only begun to be bewildered. Locked doors sprang open at the touch of an invisible hand, and the supercargo was unwilling to dispel anxiety with an answer. With microphones placed at strategic points throughout the ship, the supercargo spied on everyone, angrily insisting that no member of the crew should attempt to fathom the nature of the cargo.When Gustav's fiancee vanished, Gustav acted less like a hero than a victim of a nightmare. The Ship itself is a nightmare, contrived by a writer with an iron will.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world--including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong. Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

    Told with lust and affection, karate and tenderness, slapstickery, ferocity, and heart, Hot Pink is the work of a major talent in his sharpest form.*Hot Pink comes in three resplendent colors (pink, gray and blue).

    Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    Easter finds her life in the Pentecostal Holiness church and its music, while Anneth dances and drinks in less-than-holy honky-tonks. Will the differences in their young lives and in their very natures tear them apart or will the bond of the sisters prevail? In lucid prose with an ear for the voice of the sisters’ time and place, Silas House brings readers a rich and moving story of coal country.This novel was named The Appalachian Book of the Year, and was a finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and A Parchment of Leaves. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    'I missed the turning over Battersea Bridge. I didn't know it would make a difference... that the manner of living seconds and minutes mattered' Joan is a single mother - beautiful, talented and desired. John is her adored son, her 'Merboy'. Growing up in the West Country, his life is lived outdoors, playing in the creek by their cottage in Devon, swimming, hunting for shells, collecting bits of old boats. On his thirteenth birthday, Joan treats him to a trip to London to buy his first pair of Levi's jeans. Unused to city driving, she takes a wrong turn. The repercussions of that moment's hesitation are devastating... Their story recounts the life-altering effects of that one moment. It is a story about a mother's heartbreaking love for her son and the different ways people survive damage. With sensitivity and compassion, Jules Hardy's lyrical prose explores the strengths and flaws of this unique relationship between a mother and her son, and vividly describes the altered worlds in which they must live. It is a wonderfully assure

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    They are marked by coincidence and surprise endings as well as the compassion and high humour that have made O Henry's stories popular for the last century.

    The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still's friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still's last and perhaps greatest contribution to American literature.Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still's entrancing narrative centers on the boy's experience at the ranch under Anson's watchful eye and Lurie's doting care, highlighting the importance of home, whether it is defined by people or a place.In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still's mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.