Just over a year later the Japanese attack on Pearl Harbor devastated this force. Out of a total of 231 aircraft of the Hawaiian Air Force, 64 were destroyed and not more than 79 were left usable. Out of the inferno emerged the newly reformed Seventh Air Force. It faced, in the central Pacific, the largest water theater in the world — sixteen million square miles, five times the size of the United States. The Americans patched up their planes as best they could and began to fly the "Atoll Circuit," the low-lying, white sand atolls and the first stepping stones on the long road to Tokyo. In this huge area and against a fearsome opponent, the men of the Seventh were forced to fly the longest missions in any theater of war, entirely over water and, at first, without fighter escort. They fought at Midway, Guadalcanal, Tarawa, Kwajalein, Eniwetok, Truk, Saipan, Palau, the Philippines, Iwo Jima, and finally Tokyo. Clive Howard and Joe Whitley’s history of this remarkable air force covers from the events at Pearl Harbor through to V-J Day, covering every single island that the force landed on in between. They listened to demand of Corporal Earl Nelson’s article “Heroes Don’t Win Wars”, that criticised the press and radio that only recorded the fantastic achievements of men who wore medals; “Why don’t they talk about the guy who is just a soldier?” So with humor and insight Howard and Whitley have provided us with a history of the Seventh Air Force that doesn’t focus on only the glorious achievements of some men, nor does it simply record the accounts of the “brass hats”, but instead gets to the heart of what the men of this extraordinary force did and thought. Clive Howard and Joe Whitley were both sergeants and served as correspondents for the Seventh Air Force. They were there; they saw it happen. Their book One Damned Island After Another was first published in 1946.

    The first book by a top-ranking American navy officer to answer these questions: : Why did the Japanese attack Pearl Harbor? How did they inflict so much damage? What went wrong in our system?

    And with G-d's help, he saved not only himself but also his parents and a host of friends, relatives, and strangers from almost certain death. If Ludvik Wieder's adventures were fiction, they would seem too contrived. But everything told is the unembellished truth. At the age of 26, Ludvik had it all—health, wealth, good looks, popularity, and a growing business in one of Europe's brightest capitals. Then, one dreadful Sunday in the spring of 1943, the Nazis marched into Budapest and imposed a series of repressive measures that threatened the life of every Jew in Hungary. From that day on, all that mattered was survival. Suddenly, life hung by a shred of paper— the proper “Aryan” identification. Determined to survive, Ludvik boldly entered the black market to buy those precious scraps of false identity that might save him and his loved ones from disaster. Soon he was living a double life, outwardly forsaking his Orthodox Jewish upbringing to pose as a gentile, at the same time clinging steadfastly to his beliefs, never for a moment forgetting who he was and where he came from. Soon he became a master of deception— whether it was posing as a trusted “gentile” factory employee, disguising himself as a drunken peasant, or assuming the dress and manner of a member of the Hungarian S.S. Somehow, he had the capacity to enlist the aid of an unlikely assortment of non-Jews, who helped him at the peril of their lives—among them, a peasant woman who befriended him in prison and offered her home as his haven for the duration of the war… a Hungarian Air Force officer, who “adopted” Ludvik's niece as his own illegitimate child, lent him his apartment as a hiding place and smuggled a series of vital ID papers to him… the Skid Row derelict who saved the life of Ludvik's nephew by pretending to be the boy's uncle. The book traces Ludvik's life, beginning with his placid, essentially easygoing boyhood in Czechoslovakia. Then, in 1940, after the Hungarian takeover, he was inducted into forced labor. It describes the cruelty and black humor of the labor camp, which helped him to develop the cunning and ingenuity that enabled him to sharpen his survival skills and avoid being sent to fatal service on the Russian front. The story then focuses on the Nazi occupation, culminating in Ludvik's near-execution at the hands of his Russian liberators. Armed with optimism, unswerving faith in the Almighty, and his own resourcefulness, Ludvik never let fear keep him from doing whatever was necessary to save himself and his fellow Jews. Throughout his heart-stopping adventures —and even in the darkest moments of despair, when events propelled him to the brink of suicide—Ludvik was motivated to go on by consummate devotion to his beloved mother. He knew he had to survive, for he had promised her he would.

    I was locked in the attic and only the older daughter, Len, was at home. I heard her say that she did not have a key to the attic door since her mother always carried the key, and I knew trouble had come. I moved over into a large box that was pushed under the eaves that was our agreed-upon hiding spot. I closed the top as best I could and soon heard the sounds of the attic door being broken down. In came a man to search the attic. More than once I saw the shadow of the searcher over me.” In this remarkable memoir, Ellen-Ruth Karpowitz Song recounts with astonishing clarity and a touch of humor her harrowing experiences as a child hiding from The Nazis in German-occupied Holland during World War II. Shuffled from family to family over an event-filled three-year period, Ellen-Ruth recalls how her saviors repeatedly risked their own lives to shield hers from the atrocities of the time. Ellen-Ruth’s grown children also provide their thoughts on their mother’s early history, and share insights into how this knowledge has affected their own lives. An extensive Appendix includes documentation of the ordeal and a photo gallery of lives lost and those left to carry on. Featured in Steven Spielberg’s SHOAH project, Ellen-Ruth’s amazing story is a memorable testimony of the strength of the human spirit. May we never forget...

    internment of Japanese citizens during World War II, from the author of The Other Typist and Three-Martini Lunch.Louis Thorn and Haruto "Harry" Yamada -- Eagle and Crane -- are the star attractions of Earl Shaw's Flying Circus, a daredevil (and not exactly legal) flying act that traverses Depression-era California. The young men have a complicated relationship, thanks to the Thorn family's belief that the Yamadas -- Japanese immigrants -- stole land that should have stayed in the Thorn family. When Louis and Harry become aerial stuntmen, performing death-defying tricks high above audiences, they're both drawn to Shaw's smart and appealing stepdaughter, Ava Brooks. When the Japanese bomb Pearl Harbor and one of Shaw's planes mysteriously crashes and two charred bodies are discovered in it, authorities conclude that the victims were Harry and his father, Kenichi, who had escaped from a Japanese internment camp they had been sent to by the federal government. To the local sheriff, the situation is open and shut. But to the lone FBI agent assigned to the case, the details don't add up. Thus begins an investigation into what really happened to cause the plane crash, who was in the plane when it fell from the sky, and why no one involved seems willing to tell the truth. By turns an absorbing mystery and a fascinating exploration of race, family and loyalty, Eagle and Crane is that rare novel that tells a gripping story as it explores a terrible era of American history.

    Timely—as the 2012 presidential election nears—and controversial, here is the first book by a major African-American public intellectual on racial politics and the Obama presidency. Renowned for his cool reason vis-à-vis the pitfalls and clichés of racial discourse, Randall Kennedy—Harvard professor of law and author of the New York Times best seller Nigger: The Strange Career of a Troublesome Word—gives us a keen and shrewd analysis of the complex relationship between the first black president and his African-American constituency. Kennedy tackles such hot-button issues as the nature of racial opposition to Obama, whether Obama has a singular responsibility to African Americans, electoral politics and cultural chauvinism, black patriotism, the differences in Obama’s presentation of himself to blacks and to whites, the challenges posed by the dream of a postracial society, and the far-from-simple symbolism of Obama as a leader of the Joshua generation in a country that has elected only three black senators and two black governors in its entire history. Eschewing the critical excesses of both the left and the right, Kennedy offers a gimlet-eyed view of Obama’s triumphs and travails, his strengths and weaknesses, as they pertain to the troubled history of race in America.