He is an orphan, and he spends half of each year with his mother's people in the Lowlands, while the other half finds him in the Highlands with his father's kin. Both sides of Gillis's family are eager for him to settle down and adopt their ways. In the Lowlands, he is taught to herd cattle, learning how to call them to him in even the heaviest of evening fogs. In the rocky Highlands, he stalks stags from outcrop to outcrop, holding his breath so as not to make a sound. Wee Gillis is a quick study, and he soon picks up what his elders can teach him. And yet he is unprepared when the day comes for him to decide, once and for all, whether it will be the Lowlands or the Highlands that he will call his home.Robert Lawson and Munro Leaf's classic picture book is a tribute to the powers of the imagination and a triumph of the storyteller's and illustrator's art.

    Johnny goes hunting for a bearskin to hang on his family's barn and returns with a small bundle of trouble.

    The oxcart man packs his goods - the wool from his sheep, the shawl his wife made, the mittens his daughter knitted, and the linen they wove. He packs the birch brooms his son carved, and even a bag of goose feathers from the barnyard geese.He travels over hills, through valleys, by streams, past farms and villages. At Portsmouth Market he sells his goods, one by one - even his beloved ox. Then, with his pockets full of coins, he wanders through the market, buying provisions for his family, and returns to his home. And the cycle begins again."Like a pastoral symphony translated into picture book format, the stunning combination of text and illustrations recreates the mood of 19-century rural New England."--The Horn Book

    What do you say when:- you bump into a crocodile on a crowded city street?- a nice gentleman introduces you to a baby elephant?- the Queen feeds you so much spaghetti that you don't fit in your chair anymore?This is the funniest book of manners you'll ever read!

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Using the art-deco style of the period, Rachel Isadora not only captures the poignancy and yearning of a youthful talent, but in page after page of striking art seems to convey the very sound of music.

    Many children understand April's dilemma when her cat, Sheba, has three kittens. April is thrilled until her father insists that theirs is strickly a one-cat household. April must give up three cats, but which ones? The aptly named Charcoal? Tiger-striped Butch? Sweet-faced Brenda? -- or even Sheba? How April eventually comes up with the perfect solutions makes for a heartwarming story that has appealed to many young cat lovers and will continue to delight generations of children everywhere. Clare's Newberry's enchanting illustrations reflect her fondness for cats; School Library Journal deemed these "beautiful drawings, so real one wants to pet them."

    It's war time, and women are needed to fill the men's jobs. As winter sets in, Ada Ruth and her grandma keep up their daily routine, missing Mama all the time. They find strength in each other, and a stray kitten even arrives one day to keep them company, but nothing can fill the hole Mama left. Every day they wait, watching for the letter that says Mama will be coming on home soon. Set during World War II, Coming On Home Soon has a timeless quality that will appeal to all who wait and hope.

    All she needs now is a rainy day! Soft illustrations portray a thoughtful story about patience and growing independence.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    The owl is waiting for the moon. The pig is waiting for the rain. The bear is waiting for the wind. The puppy is waiting for the snow. And the rabbit is just looking out the window because he likes to wait! What will happen? Will patience win in the end? Or someday will the friends stop waiting and do something unexpected?Waiting is a big part of childhood—waiting in line, waiting to grow up, waiting for something special to happen—but in this book, a child sets the stage and pulls the strings. Timeless, beautiful, and deeply heartfelt, this picture book about imaginative play, the seasons, friendship, and surprises marks a new pinnacle in Caldecott Medalist Kevin Henkes’s extraordinary career.“The short sentences of the text flow with the precision one would expect from a master picture-book creator like Henkes. Little ones, to whom each experience is new, will know what it’s like to dream and wait.”—ALA Booklist

    With paintings that capture all the beauty of Appalachia in authentic detail, this tender story about a resourceful mountain girl's special coat will touchreaders with its affirming message of love and friendship.

    Beautiful watercolors.

    It certainly wasn't the day that Alan Mitz stumbled into the garden of Abdul Gasazi. For in this bizarre and eerie place—where strange topiary trees loomed—the evil visage of Gasazi casts its shadow. And even after Alan escaped, the spell of Gasazi still seemed to penetrate into his everyday world. In this extraordinary, unusual, and unique picture book, Chris Van Allsburg explores both the real and surreal worlds with incredible deftness. In doing so, he has created exquisite and beautiful images that will continue to haunt readers long after they have left the enchanted garden of Abdul Gasazi.

     It is there. It is everywhere. All the world is right where you are. Now. Following a circle of family and friends through the course of a day from morning till night, this book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky