It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.

    The Erasers, his first novel, reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy. The narrative spans the twenty-four-hour period following a series of eight murders in eight days, presumably the work of a terrorist group. After the ninth murder, the investigation is then turned over to a police agent, who may in fact be the assassin.Both an engrossing mystery and a sinister deconstruction of reality, The Erasers intrigues and unnerves with equal force as it pull us along to its ominous conclusion.

    The narrator, a boy of sixteen, tells of his love affair with Martha Lacombe, a young woman whose soldier husband is away at the front. With an accuracy of insight that is almost ruthless, he describes his conflicting emotions—the pride of an adolescent on the verge of manhood and the pain of a child thrust too fast into maturity.The liaison soon becomes a scandal, and their friends, horrified and incredulous, refuse to accept what is happening—even when the affair reaches its tragic climax.

    Emily, now in her 30s, is living in Los Angeles with a husband and a career as an image consultant—a career that is suddenly floundering—when she gets a desperate summons to Greenwich, Connecticut, from her old friend Miriam. Miriam’s pal Karolina is all over the media with a bogus drunk driving change, and this senator’s wife and former Victoria’s Secret model needs an image makeover, fast. The narrative is split between the three women as they uncover a major betrayal and in doing so form an enviable bond. The doings of the Greenwich housewives who are now shunning Karolina is uproariously funny, and even jaded Emily is shocked by the scandalous behavior going on behind oversized doors. It feels like Weisberger wrote her novel yesterday, peppering the story with real-life celebrity misconduct. When Life Gives You Lululemons is a laugh-out-loud funny look at rich people behaving badly and the steel bonds of true female friendship. —Seira Wilson, Amazon Book Review

    Elegaic, macabre, chimerical, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

    And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

    Mosby, whose prose Time called "rich and accomplished," evokes in Twilight a complex moment in history seen through the prism of a poignant love story.By breaking off her engagement to an emotionally remote fiancé, Lavinia Gibbs avoids a stifling marriage -- but outrages her socially prominent family, who fear she has consigned herself to spinsterhood. Instead she sails for Europe to begin the process of rebuilding her life. Ever practical, Lavinia makes a new home in Paris, where she determines she needs more than beautiful architecture and entrée with the expats to make a full life. Lavinia wisely adds into the mix a pug and employment, but it is not until she meets the charming, enigmatic, and long-married Gaston Lesseur that she begins an extraordinary journey of self-discovery and sacrifice that will change her irrevocably.With luminous prose, Mosby examines the emotional landscape of adultery while creating a powerful yet poignant depiction of a woman's unlikely blossoming. Unlike Flaubert's Madame Bovary, for whom adultery provided escape from an unfulfilling marriage, Lavinia Gibbs longs for the domestic and the luxury of the quotidian in an increasingly precarious world. Mosby creates in Twilight a story that will resonate with readers long after they have finished this book.

    As a boy, Hussein falls in love with a beautiful and elusive girl, Sashiya, and arranges for another of her suitors to be murdered with a fakir's curse. The dead man's relatives vow vengeance. Hussein escapes and his adventures begin: snake-charming, sword-fighting, spying, stealing a fortune, and returning triumphantly to claim his bride. All of this is set against an evocatively exotic India, full of bazaars, temples, and beautiful women—despite the fact that O'Brian had never been to the East when he wrote the story.

    Their brutal punishment has been hushed up for more than two years when Mathilde Donnay, unable to walk since childhood, begins a relentless quest to find out whether her fiancé, officially "killed in the line of duty," might still be alive. Tipped off by a letter from a dying soldier, the shrewd, sardonic, and wonderfully imaginative Mathilde scours the country for information about the men. As she carries her search to its end, an elaborate web of deception and coincidence emerges, and Mathilde comes to an understanding of the horrors, and the acts of kindness, brought about by war.A runaway bestseller in France and the winner of the 1991 Prix Interallié, this astonishing novel is many things at once: an absorbing mystery, a playful study of the different ways one story can be told, a moving and incisive portrait of life in France during and after the First World War, and a love story of transforming power and beauty.

    Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is just merely a perpetual show emptied of every intimacy and every joy.

    It has its own style, its own rationale, its own extraordinary character. It moves back and forth from hilarity to horror. It is outrageously funny and strangely affecting.

    Yes, she is old. Yes, she sometimes forgets where she put her glasses, or her heart medication. But doesn't everyone? That doesn't give workers--paid to assist her, mind you--the right to rifle through her personal belongings, or "accidentally" forget something of hers in their pocket. It definitely does not give them the right to embezzle thousands of dollars from her family trust.Just when she is most desperate, a young neighbor takes her by surprise. Bonding over their shared love of soap operas, Jo and Toby engage in old-school reconnaissance to find answers. Together, they brave roller skates, walks along uneven ground, and even downtown parking on what may be Jo's most exciting adventure in forty years."Yes, And" is a feel-good story that explores the hearts of two misunderstood, kindred spirits, connected just when they need each other most.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

    Heir to an immense aristocratic fortune, mental and physical mutant Moravagine is a monster, a man in pursuit of a theorem that will justify his every desire. Released from a hospital for the criminally insane by his starstruck psychiatrist (the narrator of the book), who foresees a companionship in crime that will also be an unprecedented scientific collaboration, Moravagine travels from Moscow to San Antonio to deepest Amazonia, engaged in schemes and scams as, among other things, terrorist, speculator, gold prospector, and pilot. He also enjoys a busy sideline in rape and murder. At last, the two friends return to Europe—just in time for World War I, when "the whole world was doing a Moravagine."This new edition of Cendrars's underground classic is the first in English to include the author's afterword, "How I Wrote Moravagine."