This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting too.2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she's found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost.Tess and Beth’s lives intertwine as war breaks out across the timeline--a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline?

    Or do we?As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, a woman who knows all too well about hardship, privately records the true story. But what unfolds is not the princess's history. The tale Agnes recounts is her own.A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress’s apprentice at Aviceford Manor when she is just ten years old. Alone, friendless, and burdened with a grueling workload, Agnes carves a place for herself in this cold place that is home to Sir Emont Vis-de-Loup, a melancholic and capricious drunkard. Using her wits and ingenuity, Agnes eventually escapes and makes her way toward a hopeful future, serving as a housemaid for the powerful Abbess Elfilda. But life once again holds unexpected, sometimes heartbreaking twists that lead Agnes back to Aviceford Manor, where she becomes nursemaid to Ella, Emont's sensitive, otherworldly daughter. Though she cares for Ella, Agnes struggles to love this child, who in time becomes her stepdaughter and, ultimately, the celebrated princess who embodies all our unattainable fantasies. Familiar yet fresh, tender as well as bittersweet, the story of Agnes and Ella's relationship reveals that beauty is not always desirable, that love may take on many guises, and that freedom is not always something we can choose.Danielle Teller's All the Ever Afters challenges our assumptions and forces us to reevaluate what we think we know. Exploring the hidden complexities that lie beneath classic tales of good and evil, this lyrically told, emotionally evocative, and brilliantly perceptive novel shows us that how we confront adversity reveals a more profound—and ultimately more precious—truth about our lives than the ideal of “happily ever after.”

    Gilly wouldn't call herself wicked, exactly...but when you have five little brothers and sisters and live in a run-down boot, you have to get creative to make ends meet. Gilly's a pretty good thief (if she does say so herself).Until she gets caught.Gilly's sentenced to three months at Fairy Tale Reform School where all of the teachers are former (super-scary) villains like the Big Bad Wolf, the Evil Queen, and Cinderella's Wicked Stepmother. Harsh. But when she meets fellow students Jax and Kayla, she learns there's more to this school than its heroic mission. There's a battle brewing and Gilly has to wonder just how good these bad guys really are?

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    . .   Once upon a time, there was a girl with golden locks. But that’s just the beginning of this tale. The real story begins with a bear.  Ursula is a young she-bear who has come to work as a governess at the Vaughn estate. Although she is eager to instruct her young charge, Teddy, she is also frightened, especially when inexplicable things happen in the huge house after dark. Ursula is sure she has heard footsteps in the hallways at night, and that something is following her during her walks in the Enchanted Forest. Then there is Mr. Bentley, a young bear also employed by Mr. Vaughn, whose superior disposition is enough to drive Ursula to tears . . . and yet why does he also make her heart race? As Ursula works to unravel the mysteries of the Vaughn manor, she will have to be very, very careful. After all, true love, justice, and a girl with golden locks are at stake. And in the Enchanted Forest, not every fairy tale is destined for a happily ever after.

    But if that’s the case, how do you explain the huge, foot shaped pond in the yard, or the occurrence of strange and sudden storms in which the earth quakes and dirt rains from the sky? When his father is carried away in such a storm, Jack gives chase in the only logical way: by trading the family cow for some magic beans that will give him access to a land beyond the clouds. He arrives to find that the giants themselves have giant-sized troubles. With the help of an overachieving little sister, a magic goose and a chatty cook (who is not interested in grinding human bones into bread, thank you very much!) Jack sets out to save his dad and save the day.

    The night of her birth, a sea-witch cast a spell that made Sanna’s people, including her landish mother, forget how and where she was born. Now Sanna is sixteen and an outsider in the seavish matriarchy, and she is determined to find her mother and learn who she is. She apprentices herself to the witch to learn the magic of making and unmaking, and with a new pair of legs and a quest to complete for her teacher, she follows a clue that leads her ashore on the Thirty-Seven Dark Islands. There, as her fellow mermaids wait in the sea, Sanna stumbles into a wall of white roses thirsty for blood, a hardscrabble people hungry for miracles, and a baroness who will do anything to live forever.

    She has a husband and a young daughter called Jane, a life in London. But on night, after all these years, Peter Pan returns. Wendy finds him outside her daughter's window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.Now a grown woman, a mother, a patient and a survivor, Wendy must follow Peter back to Neverland to rescue her daughter and finally face the darkness at the heart of the island...

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    But for an unfortunate few, that day-to-day existence is affected—perhaps infected is a better word—by memetic incursion: where fairy tale narratives become reality, often with disastrous results.That's where the ATI Management Bureau steps in, an organization tasked with protecting the world from fairy tales, even while most of their agents are struggling to keep their own fantastic archetypes from taking over their lives. When you're dealing with storybook narratives in the real world, it doesn't matter if you're Snow White, Sleeping Beauty, or the Wicked Queen: no one gets a happily ever after.Indexing is New York Times bestselling author Seanan McGuire’s new urban fantasy where everything you thought you knew about fairy tales gets turned on its head.

    These princesses are smart, funny, and kind, and can do anything they set their minds to. Focused on issues including self-image, confidence, LGBTQ, friendship, advocacy, and disability, these stories are perfect for sharing between parents and children, or for older princesses or princes to read by themselves. They teach that a princess is a person who seeks to help others, is open to learning new things, and looks for ways to add purpose to their lives and the lives of those around them. Get reacquainted with these powerful princesses:Snow White—champion of real beautySleeping Beauty—specialist on sleeping disordersThumbelina—music producer and advocateRapunzel—world-famous architectBelle the Brave—undercover agentElisabeth and the Wild Swans—fashion designerCinderella—prime minster and businesswomanStar and the 12 Dancers—dancerThe Goose Girl—stand-up comedianPrincess Sevinah (and the Pea)—founder of the Fairyland Dating ServiceThe Snow Queen—winter sports coachThe Little Mermaid—advocate for peace between mer-people and humansZade—storyteller (of 1001 tales) and businesswomanEvangeline (The Frog Princess)—natural historianLittle Red Riding Hood—environmentalist and Princess of the WolvesPower to the princess!

    You've read the Brothers Grimm, you've watched the Disney cartoons, and you cheered as these virtuous women lived happily ever after. But real princesses didn't always get happy endings. Sure, plenty were graceful and benevolent leaders, but just as many were ruthless in their quest for power and all of them had skeletons rattling in their royal closets. Princess Stephanie von Hohenlohe was a Nazi spy. Empress Elisabeth of the Austro-Hungarian empire slept wearing a mask of raw veal. Princess Olga of Kiev slaughtered her way to sainthood while Princess Lakshmibai waged war on the battlefield, charging into combat with her toddler son strapped to her back. Princesses Behaving Badly offers true tales of all these princesses and dozens more in a fascinating read that's perfect for history buffs, feminists, and anyone seeking a different kind of bedtime story.

    A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    On her first swim to the surface, she is drawn towards a human boy. She longs to join his carefree world, but how much will she have to sacrifice? What will it take for the little mermaid to find her voice? Hans Christian Andersen's original fairy tale is reimagined through a searing feminist lens, with the stunning, scalpel-sharp writing and world building that has won Louise her legions of devoted fans. A book with the darkest of undercurrents, full of rage and rallying cries: storytelling at its most spellbinding.

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.