EXPLORING ART uses art examples from around the world to discuss art in the context of religion, politics, family structure, sexuality, entertainment and visual culture.

     They are innocent schoolgirls ranging in age from 14 to 22. Under normal circumstances they should be learning, laughing, and playing. Unfortunately, the year is 1942 and the place is Nazi-occupied Poland. Nothing is normal. On the night of August 11, dressed only in cotton nightgowns, they await their fate at the hands of their Nazi captors. They are no match for the Nazi beast- or are they? Meanwhile, a young Jewish family is caught in a perilous game of cat and mouse with the Nazis in Berlin. How long can they possibly remain among the living? It's getting harder to run, more dangerous to hide. The Nazis are hot on their trail, and time is running out for both the hunters and the hunted. Rhonda is a successful television personality and a well-respected Jewish educator. With her aging mother still suffering scars left by the Holocaust some 70 years later, she decides it's time to go to Germany, where she pitches her way inside the largest Nazi archive the world has never seen in an attempt to discover the truth about what happened to her mother during WWII. Will the secrets she unveils help heal her mother's wounded soul? Or will the answers to her questions change everything she ever thought she knew about her family, her mother, and herself? Inspired by true events, 94 Maidens is an unforgettable story of heroism, resistance, martyrdom, and survival. "Total Inspiration! Never before has an account of the atrocities of Nazi Germany struck such a chord. 94 Maidens will send chills up your spine and bring tears to your eyes, but Rhonda Fink-Whitman's brilliant depiction of valiancy strengthens the inner soul." Lorraine Ranalli, author of Gravy Wars/South Philly Foods, Feuds & Attytudes and host of the Cucina Chatter Radio Network "Chillingly authentic. It's as if Rhonda dipped her paintbrush into a can of history and used her potent words to paint us a picture that is spot on. I would know." David Tuck, Auschwitz survivor, speaker, educator Meet Dave and hear other eyewitness accounts @ www.94maidens.com. "Heartfelt and moving...a great reminder to all of us about our obligation to share and preserve our own family history, the courage of ancestors, and their impact on our world." Tim Chambers, screenwriter, director, and producer of The Mighty Macs "It wasn't my choice to write this story...it was my responsibility." Rhonda Fink-Whitman RHONDA FINK-WHITMAN is a veteran TV and radio personality as well as an award-winning screenwriter, longtime Jewish educator and the daughter of a Holocaust survivor. 94 Maidens is her first novel. She lives in a suburb of Philadelphia with her husband, two children, and two cats. In their free time, for which they thank our troops, Rhonda and her family volunteer for the USO. Visit Rhonda online at www.94Maidens.com, at www.Facebook.com/94Maidens, and on Twitter @94Maidens. Serious filmmakers interested in the screenplay of 94 Maidens can contact the writer at Rhonda@94Maidens.com.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready."During the three years it took for Williams's narrative to unfold--and as the friendship and trust between the two women grew--Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery.Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story.

    Scott's romantic image is however, far from the rogue which Nigel Tranter portrays in this classic work.

    You'll learn that Michelangelo's body odor was so bad, his assistants couldn't stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O'Keeffe loved to paint in the nude. This is one art history lesson you'll never forget!

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    As it is, the political problem remains unsolved. Democracy substitutes election by the incompetent many for appointment by the corrupt few. Democratic republics can no more dispense with national idols than monarchies with public functionaries. Government presents only one problem: the discovery of a trustworthy anthropometric method.

    Life as he knew it changed in that instant. With nothing to bargain with and everything to lose, for the next six years Steve became reluctantly engaged in what he refers to as, “the greatest chess game of my life”.Thousands of kilometres away in Johannesburg, the shock of his kidnapping hit his wife Cath and the rest of the McGown family. Working every option they could find – from established diplomatic protocols to the murky back channels of the kidnap game – they set to work on trying to free Steve.To this day he holds the unenviable record of Al Qaeda’s longest held prisoner.Six Years With Al Qaeda is not just an incredible story of mental strength, physical endurance and the resilience of the human spirit, but also a unique, nuanced perspective on one of the world’s most feared terrorist organisations. Not only did Steve survive his ordeal, but in many respects he came out of the desert both a changed man and a stronger, more positive human.

    In this beautiful book, we hear the full story of the meteoric rise of Heston Blumenthal and The Fat Duck, birthplace of snail porridge and bacon-and-egg ice cream, and encounter the passion, perfection and weird science behind the man and the restaurant.

    250-258) and index.

    This richly illustrated and expert study follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his homeland, through his bright and colorful Parisian period, to the work of his final years, spent under a southern sun in Arles.

    We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.

    - Times Online, 1/30/09

    Cultural Studies. In the new INCREDIBLY STRANGE MUSIC, VOL. 1, the editors push way beyond the cheesy TV-celebs-do-pop-faves LP's beloved by garden-variety music cultists. Less a practical guide than a treatise on the philosophical underpinnings of such ephemeria. -- Rolling Stone.