Contains ten stories describing aspects of British life in the years after the war.

    Provides an overview of 20th century women's lives, covering what the reader want to know about the suffragettes, early 'type-writers', contraception, and work in wartime; and it complements Persephone's other books by exploring factually what they, indirectly, explore in fiction.

    But he was born just too late to see action in the first world war, and it was a long wait until the second. Would he ever have his chance to be a hero?

    Is the child really his? And does he want him?

    Several of the stories in 'The Woman Novelist' are about women behaving badly, and many of them are uncomfortable reading.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    We are shown the two Marwood girls, who are nearly grown-up, their father, the widower Major Marwood, and their aunt; then, as soon as their lives have been described, the Major proposes marriage to a woman much younger than himself - and many changes begin.

    In 1913 they published this unique record in Round About a Pound a Week. We learn about family life, births, marriages and deaths; of grinding work carried out on a diet of little more than bread, jam and margarine. We learn how they coped with damp, vermin and bedbugs; how they slept - four to a bed, in banana crates; how they washed, cooked, cleaned, scrimped for furniture and clothes, saved for all too frequent burials...This classic text is one of the most important and vivid historical portraits of the daily life of working people in the early part of the twentieth century.

    Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when people still had no idea which way the war was going, A House in the Country has a verisimilitude denied to modern writers. Sebastian Faulks in Charlotte Gray or Ian McEwan in Atonement do their research and evoke a particular period, but ultimately are dependent on their own and historians' interpretation of events; whereas a novel like this one is an exact, unaffected portrayal of things as they were at the time. The TLS praised 'its evocation of the preoccupations of wartime England, and its mood of battered but sincere optimism'; and The Tablet remarked on its 'comic energy, compelling atmosphere and richly apt vocabulary.'

    A celebrated hostess and entertainer, her first dinner party included Robert Browning, John Ruskin, and Edward Burne-Jones. She lived in Surrey, England.

    But as WWII overtakes the country, the family, like so many others, slowly disintegrates. Told partly from the perspective of the children, but not a children's book, Saplings is immensely readable . . . a dark inversion of the author’s best-known book, the children’s classic Ballet Shoes.

    Based on the last years of the writer Violet Hunt, a once-glamorous woman living in Kensington during the Blitz who is now losing her memory, the novel's three 'acts' describe with insight, humour and compassion what happens to 'Claire Temple' in her last months. 'A quite extraordinary book,' was the verdict of Cressida Connolly in the Spectator, 'unflinchingly, blackly funny, brilliantly observed and terrifying.' And because Claire Temple is an unrepentant snob, 'the novel gives a sly account of the end of an entire way of life.'

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    But one day she meets someone on a park bench in Edinburgh. This novel is about dreams and the hard world of money and position and their relations to one another.

    They were charged with 221 acts of sabotage designed to “ferment violent revolution.” Rusty was one of two individuals acquitted, and the rest received life sentences. In The World that was Ours, his wife, Hilda Bernstein, offers an astonishing personal account of the events leading up to the “Rivonia Trial” and describes how, as a white family with four children, they managed to fight a hostile and unjust regime.There was a long night ahead. We are unable to read. We listen all the time, listen for the sound of a car in anticipation that the police will come. If he is in the hands of the police, surely they will bring him to the house to search; they always raid after an arrest.Hilda Bernstein (1915–2006) lived in London, but in 1933 moved to South Africa where she married Lionel Bernstein. She was elected as a Communist to the Johannesburg City Council; helped found the multiracial Federation of South African Women; and worked closely with the African National Congress’ Women’s League in opposition to apartheid.