Combative and lyrical, moving and relentlessly inquiring, "Ammi" offers a way of seeing our history and our future that is impossible to ignore.

     1950s Liverpool. Christmas is one of the most harrowing times of year for the nurses of St Angelus Hospital. The Matron takes on Tilly, a new clerk, to ease the load in the busy festive period. Tilly is bright and hard-working, but she is keeping a secret from her colleagues. Everyday Tilly makes a heartbreaking decision – but she has no other choice. If Matron – with her traditional values and strict discipline – learnt the truth about her new clerk, Tilly's career would be ruined. Could Matron ever forgive the deceit? 'Captivating, phenomenal and touching' 23 REVIEW STREET. 'A funny and sometimes shocking saga. I couldn't put it down' CRISTINA ODONE. 'The characters are engaging ... and the theme of the novel powerful' THE TIMES.

    A female officer who is attacked in the line of duty must protect her own husband from his worst impulses in this short story, first published in The Blue Religion (Michael Connelly, ed.) and recognized as one of 2009's Best American Mystery Stories (Jeffery Deaver, ed.).

    

    With no career to fall back on and her son and daughter leaving home, the solitude of bereavement hits particularly hard. When new love beckons, in the form of a handsome young man fifteen years her junior, Frances is torn. She longs to open her heart again but does not dare to trust her feelings. Turning to her closest friends for help, she is met by a wall of judgemental attitudes and envy. Distracted by the predicament, her fragile confidence wavering, she fails to observe the crises spiralling out of control in the lives of her two children. A sudden tragic accident brings her to her senses, but it may already be too late. Not even the strongest love cannot sit around for ever.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    Find out what happens when Iman secrets catch up with her & she realizes some times its best not to play games & keep secrets from dudes in the trap…! Love, Deceit, drama, and treachery at its finest!

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.

    The stakes soared rooftop when a lifeless corpse was found inside an idol during the celebration of Durga Puja. The sizzle and chill was observed by all. Aahana, an independent psychologist, was assigned the case in isolation by higher authorities when it was ascertained that the murder was being covered-up internally. How deep she can go to exhume the purpose of enormity is for her to decide.

    From four-time "Essence"-bestselling author Lee comes the compelling tale of a marriage that is tested when infidelity--and tragedy--come into play.

    Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...

    Rusenvelt, a physician cum psychiatrist receives a call. It is about a bestselling author who had created an illusion of fantasy around himself. The doctor is asked to bring him back to reality. However, he comes across a shock.Rohan, broken on losing the love of his life, is driving on the highway. Suddenly a man intrudes in his life to place his broken pieces together. But Rohan has now another secret to witness.Two stories to blow your mind.

    The character sketches in this collection are not only tales in the old mould, but also have the magical quality that touches upon the very essence of Life. The characters are genuinely Marathi in nature, and they have been drawn with the ease with which dawn turns into day or a bud blossoms into a flower. With innocence, Vyankatesh Madgulkar tells us about the poverty-stricken lives of the people of Mandesh and their saga of never-ending sorrows. Their tragedy is moving. The mind is filled with the thought that while men seek some happiness, their lives were never scripted to find it. This essential tragic fact is told by Madgulkar with the detachment of an artist. This renders his characters unforgettable. Our mind is disturbed every time we think of them.

    This collection brings together some of the most well known stories of M T Vasudevan Nair, fairly representative of his literary works. Written over a broad span of time from 1962 to 2000, the stories collected here reflect the built-in variety of his fictional concerns and the changing tones of his narration.

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.