. . until he finds an old puppet theatre and an ornate box of puppets in the basement.  Handcrafted by the building's former caretaker, now absent, the puppets seem the perfect tool to get the children to pay attention to their lessons.  But after dark the puppets emerge from that ornate box, without their strings.  While the children have been questioning their faith, the puppets believe Father Gaetano's Bible stories completely. But there is such a thing as too much faith.  And the children's lives will never be the same again.

    Gallado whose talents in magazine, book design and illustrating were first honed in the old and defunct Philippines Herald and Manila Times. From there, he became Art Director of The Asia Magazine and subsequently a series of publishing firms in Hong Kong, including Asian Finance, Ltd., Pacific Communications, Ltd., Communication Management Ltd., and Flair Publishing Asia Ltd., before returning to Manila, where he has held several one-man exhibitions of his paintings, the most recent of which was a collection of pen and ink drawings. Bert Gallardo's flair for drawing recommends this book to young artists.These four stories as crafted by the country's foremost novelist are meant for children but in reality, they are also for adults. Readers will find in these stories the author's familiar themes as depicted in his longer fiction. F. Sionil Jose's latest distinction comes from Chile—The Pablo Neruda Centennial Award.

    Brandon must learn to cope with the loss of his father in Iraq and his feelings of inadequately fulfilling his father s last instruction to take care of your mother until I get home. Andy Jenkins, Brandon's teacher, is recently divorced and happy with life the way it is. That is, until Lydia enters the picture and asks for his help. Unable to say no to a student in trouble, he agrees. When they team up to help Brandon, they soon realize that they make great partners outside of the classroom, as well.

    The brilliant and uproarious #15 bestseller (i.e., a runaway phenomenon in its own right-no, seriously) - a lavish compendium of handy reference tables, fascinating trivia, and sage wisdom - all of it completely unresearched, completely undocumented and (presumably) completely untrue, fabricated by the illuminating, prodigious imagination of John Hodgman, certifiable genius.

    . . This is Francis Rossi as you have never seen him before. Status Quo have sold over 100 million records worldwide, including 65 hit singles and 32 hit albums. The legendary band's career has mirrored the evolution of rock music. From the struggles of the flower-power '60s, the highs of the denim-clad '70s, the coke- and tequila-induced blur of the '80s, to fighting for musical integrity in the '90s and '00s and a fresh lease of life from new band members in recent years, Rossi has been there for the entirety of Quo's turbulent history.In I Talk Too Much, Rossi will reveal the truth behind one of the biggest rock bands of all time, as well as the personal highs and lows of a career spanning over 50 years. He lifts the lid on the man behind the music - from humble beginnings in Forest Hill and being labelled a has-been by the press in his twenties to opening Live Aid in 1985 - and why he's still going strong at seventy. Along the way he has fathered eight children with three mothers and beaten both alcoholism and cocaine addiction. Rossi comes clean about the time he almost left the band, what he really thinks about the music industry today and the complexities of his fifty-year friendship with Rick Parfitt.Painfully honest, riotously funny and frequently outrageous, I Talk Too Much covers the glory years, the dark days and the real stories behind the creation of some of the greatest rock music of all time.

    She takes a job at the Exeter Independent, where her days are filled with stories of church bazaars, runaway turkeys, and news from the garden club.Piper assumes her assignment to cover the American Independence Festival, honoring her town’s role in the Revolutionary War, is just another mundane event. But when a body dressed in a Red Coat soldier jacket is found hanged from the top of the historic Town Hall, Piper finds herself in the middle of a murder. The victim is her news editor, Charlotte Campbell, and there is no shortage of people who would be glad to see her dead.Suspicion quickly lands on the paper’s photographer, who was fired the day before, but Piper cannot believe he is capable of murder. With the help of her high school crush, now a detective, her best friend at the bakery, and the town historian, Piper sets out to prove her friend’s innocence. But as she persists, she learns that unearthing small-town secrets is harder than she thought—and that some parts of local history can be deadly.

    It's a quirky cultural history, social satire with a twist. Here are letters of congratulation-to newly elected Ronald Reagan ("This is my dream come true!") and letters of outrage-to Pepsi ("Take the Madonna commercial off the air!"). Letters filled with fresh ideas-proposing to Swanson a "Fit for a President Microwave Dinner" series, including the Jimmy Carter Camp David Accord Style Fried Chicken and Grits. And letters of advice-how Coca-Cola should handle the "pubic hair in the can of Coke" reference during the Thomas hearings.And the best part: the replies.CITIZEN LAZLO! Over 100 new letters. We missed you. 61,000 copies in print.

    Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    Eye-witness perspective of founding band member Richie Furay, the story of an influential group, pop culture, and politics in the 60's and 70's.

    In real life, Huffman is happily married to actor William H. Macy, but she also multitasks with enviable aplomb. Her "good boyfriend" handbook can be read for advantage by both guys new to the role and gals who are wondering if they are seeking an extinct species. With its pulp fiction artwork, sidebars, and quizzes, A Practical Handbook for the Boyfriend manages to maintain a light tone while imparting info that could lead to lasting satisfaction.

     It’s into this white-gloved arena that Clarissa Stamos, a reclusive, midlife romance writer is thrust when she decides to write a country-western romance. The only problem is—she’s never been on a horse. Clarissa signs up for riding lessons and finds relief from her troubled marriage and her darkest secrets in the company of horses who offer an intoxicating sense of freedom and daring. Before long, she impulsively buys an ex-rodeo horse who spurs her to take charge of her own destiny—or wind up in the dust. Complicating matters is an intriguing, Argentinian dressage trainer with secrets of his own. One part romance novel, one part literary fiction, one part love-affair-with-horses, Ephemeral is told from the viewpoint of a quirky, old cow horse who not only invites you into his world, but also shares his sensible and soulful outlook on human hearts and the meaning of true horsemanship.

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    During the summer of his senior year at college, while earning a B.A. in Economics and Political Science, David P. Spears spent eighty hours undercover as a panhandler. Systematically recording every transaction at the exit ramp, Spears captured a rarely seen picture of how modern urban charity works.This book is the record of his adventures, part economic research, part investigative journalism. Both the numbers and the stories behind the numbers provide answers to the questions we’ve all been wondering: Who gives more to panhandlers—men or women? What percentage of drivers roll down their windows to donate? And most important of all, how much can a panhandler earn per hour?Get out your bi-weekly pay stub—by the end of this book you’ll know if you make more or less than the guy with the cardboard sign.

    Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical potter wife, Raylou, Harp understands that it’s time to return to the mig welder. Yes, it’s time to prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, their arms voluntarily fused so they can’t drink, show up in order to help Harp out in a variety of ways? And why did his neighbor smuggle anteaters into desolate Ember Glow? Is it true that there’s no free will?

    At the center of this maelstrom of pyschobabble and unrequited lust sits Tom, program coordinator for the Young Women of Strength, who has been known to sob uncontrollably at meetings. When Tom tries to initiate a food fight, a rival psychologist bear hugs him into submission, resulting in an out-of-body experience that leaves our Tom hovering over his colleagues. In the hands of Donald Antrim, this unique perspective becomes an exuberantly funny riff on our culture that does nothing less than expose the core of emotions underlying the most basic of human needs.