In the process they form a deep connection and an unexpected relationship begins to develop.In her follow up to the critically acclaimed The End of Summer, Tillie Walden tells the story of a small love that can make you feel like the biggest thing around, and how it’s possible to find another person who understands you when you thought no-one could."

    The life of a gay and Jewish Nazi-fighter. A gender reveal party that tears apart reality. These are the just some of the comics you'll find in this massive queer comics anthology from The Nib.Be Gay, Do Comics is filled with dozens of comics about LGBTQIA experiences, ranging from personal stories to queer history to cutting satire about pronoun panic and brands desperate to co-opt pride. Brimming with resilience, inspiration, and humor, an incredible lineup of top indie cartoonists takes you from the American Revolution through Stonewall to today's fights for equality and representation.Featuring more than 30 cartoonists including Hazel Newlevant, Joey Alison Sayers, Maia Kobabe, Matt Lubchansky, Breena Nuñez, Sasha Velour, Shing Yin Khor, Levi Hastings, Mady G, Bianca Xunise, Kazimir Lee, and many, many more!

    While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people. This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century. Contributors:, Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack

    Obejas has been the model of a writer for me in every way--a master in her aesthetics, an inspiration in her politics, fearless and vital in every page. The Tower of the Antilles is another brilliant collection, a story of many Cubas, intensely personal and political, erotic and cerebral. I found myself holding my breath as I devoured this book, as I navigated the various avenues of the body, the blood, and all those seemingly impossible roads that lead to a place we try to call home."--Porochista Khakpour, author of The Last Illusion"These stories are like a long dream of many parts, mixed desire, love, longing, anger—Obejas is a master of the human, able to conjure her characters’ heartbeats right under your fingertips, their breaths in your ears."--Alexander Chee, author of The Queen of the Night "Achy Obejas's new story collection begins and ends with a question: What is your name? The answer is an abounding one. Counterrevolutionaries, the witnesses to the arrival of Columbus's caravels, poets, Supermán--the characters in these stories, in all their riveting variety, name themselves as Cuban, and are bound in complex ways by the geography of their hearts, if not the geography beneath their feet. An audacious and remarkable read!"--Chantel Acevedo, author of The Distant MarvelsPraise for Achy Obejas:"Obejas writes like an angel, which is to say: gloriously...one of Cuba's most important writers."--Junot DíazThe Cubans in Achy Obejas's story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they've created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again.In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the revolution triumphed. "North/South" portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. "The Cola of Oblivion" follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility.With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    The introduction is by Doctor Who and Torchwood star John Barrowman, and his sister and frequent collaborator, Carole E Barrowman (Anything Goes, Torchwood: Exodus Code). The book’s cover art is by Colleen Coover (Small Favors).Essay contributors to this collection include Tanya Huff (Blood Ties), Melissa Scott (Trouble and Her Friends), John Richards (Outland), Paul Magrs (Hornets’ Nest), Gary Russell (Doctor Who script editor), Rachel Swirsky (Through the Drowsy Dark), Hal Duncan (Ink: The Book of All Hours), Amal El-Mohtar (The Honey Month), Brit Mandelo (Beyond Binary), Nigel Fairs (In Conversation with an Acid Bath Murderer), David Llewellyn (Night of the Humans), Susan J. Bigelow (Extrahumans), Jennifer Pelland (Machine), Mary Anne Mohanraj (Bodies in Motion), and Jed Hartman (Strange Horizons).

    Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today.

    LGBTQIA Studies. Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions--what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love."When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars--galactic collisions--throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, DYKE (GEOLOGY) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive."Sabrina Imber's DYKE (GEOLOGY) is not only gorgeous, it is wildly transformative. It contains sentences that mimic the Earth itself: craggy, pitted, alive. There is so much movement, a momentum that sweeps readers along sentence by sentence. The structures Imbler builds are deeply affecting, deeply moving. The heart of it sits exposed, bare and beating, pulsing and insistent. This writing is very queer, very loving, very painful, very poignant. It is revolutionary work."--Kristen Arnett"You'll feel every moment of this book, words twisting, colliding, rooting in the body. With a gentle ferocity that builds from the inside out, I was swept by Imbler's story of navigation, displacement, and the violent marvels of the natural world."--T. Kira Madden"A dazzling work, striking and rich, Imbler's geology reminds us what it means to be alive."--Randa Jarrar"DYKE (GEOLOGY) holds strata of meaning and feeling veined with anger, horniness, and shame, studded with outcrops of facts and nuggets of nerd jokes. All of this together is what makes the sum of Sabrina Imbler's ranging, folding, stacking sentences an effortful pleasure to traverse, even when they dig down into pain. Like a lasting mythology, DYKE (GEOLOGY) offers ways to feel through indirection what it's hard to know head-on. Like good science, it recognizes the mediated ways that power shapes both knowledge and desire, what we're able to find and what we want to be true. Like any landscape, it repays attention and doesn't stop at the surface, but lives in the relationships among history and chemistry, the open air and the hot heart of the Earth."--Kate Schapira"Imbler queers the history of the world here--a thrilling summer romance set to geological time, unlike any I know, spanning the globe and the history of humanity and the space between two dyke hearts. Play in the waves of this mind and emerge renewed."--Alexander Chee

    Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.Benjamin Alire Sáenz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. Sáenz is the chair of the creative writing department of University of Texas at El Paso.Awards:PEN/Faulkner Award for FictionLambda Literary AwardSouthwest Book Award

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

    These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep–and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing–and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . . . Ammonite is an unforgettable novel that questions the very meanings of gender and humanity. As readers share in Marghe’s journey through an alien world, they too embark on a parallel journey of fascinating self-exploration.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”