"El Rayo de Luna" is one of his short stories.

    Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of "BRIGGFLATTS", which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's "Four Quartets". Bunting called "BRIGGFLATTS" his 'autobiography'. It is a complex work, drawing on many elements of his life, experience and knowledge, and features the saint Cuthbert and the warrior king Eric Bloodaxe as two opposing aspects of the Northumbrian - and his - character. Its structural models include the sonata form (and Scarlatti's music in particular) and the latticework of the Lindisfarne Gospels, while thematically it recalls Wordsworth's "Prelude". Bunting wrote that 'Poetry, like music, is to be heard.' His own readings of his own work are essential listening for a full appreciation of his highly musical poetry. This new edition includes a CD with an audio recording Bunting made of "BRIGGFLATTS" in 1967 and a DVD of Peter Bell's 1982 film portrait of Bunting. As well as his own notes to the poem, the book includes his seminal essay on sound and meaning in poetry, "The Poet's Point of View" (1966). All his poetry is available in "Complet Poems" (Bloodaxe Books, 2000).

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    The Fantagraphics Free Comic Book Day 2013 offering! This full-color comic collects two 1950 Prince Valiant stories: "Home Again," an eventful ocean journey for our new family; and "The Challenge," a classic duel with Valiant!

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    A member of one of the leading Norman families involved in the invasion of Ireland, he first visited there in 1183 and later returned in the entourage of Henry II. The resulting Topographia Hiberniae is an extraordinary account of his travels. Here he describes landscapes, fish, birds and animals; recounts the history of Ireland's rulers; and tells fantastical stories of magic wells and deadly whirlpools, strange creatures and evil spirits. Written from the point of view of an invader and reformer, this work has been rightly criticized for its portrait of a primitive land, yet it is also one of the most important sources for what is known of Ireland during the Middle Ages.

    Scottish novelist and poet Sir Walter Scott (1771 - 1832), a literary hero of his native land, turned to writing only when his law practice and printing business foundered. Among his most beloved works are Rob Roy (1818), and Ivanhoe (1820). American writer William Vaughn Moody (1869 - 1910) served as co-editor of the Harvard Monthly and assistant professor of English at the University of Chicago. He authored several verse plays, books of poetry, and histories and criticisms of English literature.

    But, besides this, chronicles, laws and letters, charters and charms are also incorporated in the anthology. Kevin Crossley-Holland places poems and prose in context with his own interpretation of the Anglo-Saxon world, in addition to translate them into modern English.

    Through these 'showings', Christ's sufferings were revealed to her with extraordinary intensity, but she also received assurance of God's unwavering love for man and his infinite capacity for forgiveness. Written in a vigorous English vernacular, the Revelations are one of the most original works of medieval mysticism and have had a lasting influence on Christian thought. This edition of the Revelations contains both the short text, which is mainly an account of the 'showings' themselves and Julian's initial interpretation of their meaning, and the long text, completed some twenty years later, which moves from vision to a daringly speculative theology. Elizabeth Spearing's translation preserves Julian's directness of expression and the rich complexity of her thought. An introduction, notes and appendices help to place the works in context for modern readers.

    Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953.Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre.The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian world of Saint Patrick with his scribes; clerics; occasional angels and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and Irish kings; and the parallel, timeless Otherworld (peopled by ever-young, shape-shifting fairies). This readable, lucid new translation is based on existing manuscript sources and is richly annotated, complete with an Introduction discussing the place of the Acallam in Irish tradition and the impact of the Fenian or Ossianic tradition on English and European literature."

    Evidence of the influence of courtly love in the culture & literature of most of western Europe spans centuries. This unabridged edition of codifies life at Queen Eleanor's court at Poitiers between 1170 & 1174 into 'one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization.' This translation of a work that may be viewed as didactic, mocking or merely descriptive, preserves the attitudes & practices that were the foundation of a long & significant tradition in English literature.

     Now Lord Barnard is dead and his son, Lord Charles, has come home from the crusades with the last of their men -- and Simon is not among them. Lord Charles claims Simon died saving his life. Melisende suspects there is more to the story. Left to fend for herself and her two young children, Melisende is determined to discover what really happened to Simon at the battle for Acre. The truth is far stranger and more unsettling than she could ever have imagined. If you enjoy true-to-life historical fiction based on real events, with all the passion, drama, and heartache of life in Medieval Europe, you’ll love The Lode Stone, written by multi-award-winning author Jane Ann McLachlan.