The socio-economic crisis of recent decades is over and consumerism is thriving.Ownership of land outside the city is the preserve of a tiny elite, and the rest of the population must spend to earn a Right to Reside. Ageing has been abolished thanks to a radical new approach, replacing retirement with blissful euthanasia at a Dignitorium.When architect Philip goes missing, his wife, Alice, risks losing her home and her status, and begins to question the society in which she was raised. Her search for him uncovers some horrifying truths about the fate of her own family and the reality behind the new social order.

    When a denizen from Salt Water City suffering from a mysterious flu comes into their midst, Peristrophe becomes infected and dies, prompting Kirilow to travel to Salt Water City, where the flu is now a pandemic, to find a new starfish who will help save her sisters. There, Kirilow meets Kora, a girl-woman desperate to save her family from the epidemic. Kora has everything Kirilow is looking for, except the will to abandon her own family. But before Kirilow can convince her, both are kidnapped by a group of powerful men to serve as test subjects for a new technology that can cure the mind of the body.Bold, beautiful, and wildly imaginative, The Tiger Flu is at once a female hero's saga, a cyberpunk thriller, and a convention-breaking cautionary tale--a striking metaphor for our complicated times.

    She was young and frightened, trying to escape a brutal marriage, but despite the violence and cruelty she’d endured, she was not prepared for this final blow, this breathtaking punishment. Yvonne would not see her son again for nearly 40 years.Kristina was the first child of her mother’s subsequent, much gentler marriage and, like her siblings, grew up unaware of the reasons behind her mother’s sorrow, though Peter’s absence resounded through the family, marking each one. Yvonne dreamt of her son by day and by night, while Peter grew up a thousand miles and a lifetime away, dreaming of his missing mother. Boy, Lost tells how their lives proceeded from that shattering moment, the grief and shame that stalked them, what they lost and what they salvaged. But it is also the story of a family, the cascade of grief and guilt through generations, and the endurance of memory and faith.

    His adult children, Martin and Evie, must come to terms with the shock of their father’s death. But a sculpture has gone missing from a museum in Palermo, and Noah is a suspect. The police are investigating.None of it makes any sense. Martin sets off to Palermo in search of answers about his father’s activities, while Evie moves into Noah’s apartment, waiting to learn where her life might take her. Retracing their father’s steps in their own way, neither of his children can see the path ahead.Gail Jones’s mesmerising new novel tells a story about parents and children, and explores the overlapping patterns that life makes. The Death of Noah Glass is about love and art, about grief and happiness, about memory and the mystery of time.

    Providing you with the antidote to every annoying little thing, these rules are not made to be broken.488 Rules for Life is not a self-help book, because it's not you who needs help, it's other people. Whether they're walking and texting, asphyxiating you on public transport with their noxious perfume cloud, or leaving one useless square of toilet paper on the roll, a lot of people just don't know the rules. But thanks to Kitty Flanagan's comprehensive guide to modern behaviour, our world will soon be a much better place. A place where people don't ruin the fruit salad by putting banana in it … where your co-workers respect your olfactory system and don't reheat their fish curry in the office microwave ... where middle aged men don't have ponytails …What started as a joke on Kitty Flanagan's popular segment on ABC TV's The Weekly, is now a quintessential reference book with the power to change society. (Or, at least, make it a bit less irritating.) What people are (Kitty Flanagan is) saying about this book: 'You're welcome everyone.''Thank god for me.''I'd rather be sad and lonely, but right.''There's not actually 488 rules in here but it sure feels like it'.

    This near-future world is utterly dependent on these little understood mechanisms and implants.And so when the terrible, dry winds sweep out of the abandoned places in America, silencing all devices, Francine and the man she has grown to love make a decision that will determine if they’ll face a premature ending or, maybe, find a chance to start life over.This superb literary novel can’t be characterized as dystopian or science fiction. Audrey Schulman has written an absorbing, recognizable story, a book that is humane, generous and surprising. Readers will shiver as they keep turning the pages.

    But now the lab in which she was created is under siege and the scientists have turned on their animal creations. Flying through tunnels, dodging bullets, and changing her colors and patterning to avoid capture, the Strange Bird manages to escape.But she cannot just soar in peace above the earth. The sky itself is full of wildlife that rejects her as one of their own, and also full of technology—satellites and drones and other detritus of the human civilization below that has all but destroyed itself. And the farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful that have outlived the corporation itself: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters with whom she bears some kind of kinship, it is the humans—all of them now simply scrambling to survive—who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.With The Strange Bird, Jeff VanderMeer has done more than add another layer, a new chapter, to his celebrated novel Borne. He has created a whole new perspective on the world inhabited by Rachel and Wick, the Magician, Mord, and Borne—a view from above, of course, but also a view from deep inside the mind of a new kind of creature who will fight and suffer and live for the tenuous future of this world.

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

    When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?Collects BITCH PLANET #1-5.

    Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant.Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity.

    The first, a science fiction of the past, tells of a boy whose brother was ‘devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, Specimen Days is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    Tired of marrying off their daughters to the highest bidder and determined to finally make marriage fair, the women who form the country of Koyanagar have instituted a series of tests so that every boy has the chance to win a wife.Sudasa doesn’t want to be a wife, and Contestant Five, a boy forced to compete in the test to become her husband, has other plans as well. Sudasa’s family wants nothing more than for their daughter to do the right thing and pick a husband who will keep her comfortable—and caged. Five’s family wants him to escape by failing the tests. As the tests advance, Sudasa and Five thwart each other at every turn until they slowly realize that they just might want the same thing.Told from alternating points of view—Sudasa’s in verse and Contestant Five’s in prose—allowing readers to experience both characters’ pain and their brave struggle for hope.

    This would be fine for the hormone business, except the new government has banned all remedies except prayer.Now the pious gather under the streetlights at dusk and the Neighbourhood Values Brigades prowl for ‘transgressors’. Meanwhile, the out-of-town animal farms have started up a barbarous form of hormone production and the Animal Protection Vigilantes are planning their next raid.For Salisbury it’s not all bad. Love is in the air, and the job is a joy—until someone starts distributing suss hormones stamped with the boss’s Cruelty-Free Assured logo. This bike courier turned accidental sleuth has to discover who’s trying to destroy the business before it all goes belly up…

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.