At the moment of her death, Imogen Zula Nyoni – Genie – was seen to fly away on a giant pair of silver wings ...’ Said to have hatched from a golden egg, Genie spends her childhood playing in a field of sunflowers as her country reawakens after a fierce civil war. But Genie’s story stretches back much further: it tells of her grandfather, who quenched his wanderlust by walking into the Indian Ocean, and of her father, who spent countless hours building model aeroplanes to catch up with him. It is the tale of her mother, a singer self-styled after Dolly Parton with a dream of travelling to Nashville, and of her grandmother, who did everything in her power to raise her children to have character. With the lightest of touches, a cast of unforgettable characters, and moments of surreal beauty, The Theory of Flight sketches decades of history in this unnamed Southern African nation. It does not dwell on what has been lost in its war, but on the daily triumphs of its people, the necessity of art, and the power of its visionaries to take flight.

    191 pp. . Harry N AbramsVery good line illustrations by Brian Froud, some full page. Original fairy tale in which a boy meets Jack-of-the-Beanstalk and Jack-the-Giant-Killer.

    Rain must hold fast to her inner warrior, but she is startled and mystified by the first stirrings of mercy towards the enemy.

    An evil seed takes root in the mind of Macbeth, a general in the king’s army, when three witches tell him he will one day be king. At the urging of his wife, he resolves to take the throne by the most direct path: a dagger in the heart of King Duncan. But "blood will have blood," and when others grow suspicious of his sudden rise to power, is Macbeth prepared to commit more murders to keep the crown?

    To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit.Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals' despair--and their anger. There's talk of violent reprisals against the callous gentry and their agents. Briana's studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland's darkest hours--toward hope, love, and a new beginning.

    His prurient interest, oddly motivated, leaves few people unaffected - and the consequences cannot be ignored. Timothy, an "aimless, sadistic" 15-year-old boy, wanders about the seaside town of Dynmouth "trying to connect himself with other people."

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    In a relaxed and humorous tone, these splendid artists bring to life the myths that have inspired great European literature and art through the ages, creating a book readers of all ages will cherish."For any child fortunate enough to have this generous book...the kings and heroes of ancient legend will remain forever matter-of-fact; the pictures interpret the text literally and are full of detail and witty observation."--The Horn  Book"The drawings, particularly the full-page ones in this oversized volume, are excellent  and excitingly evocative."--The New  York Times"Parents, uncles, and aunts who have been searching for a big picture book that has good reading-aloud value for the younger ones and fine read-it-yourself value on up, have it in this volume...a children's classic."--Christian Science Monitor

    Flanders is Anthony's first true mainstream novel, a powerful evocation of the First World War--and the passage between life and death that reveals itself to one young soldier...

    The adults immediately set about gathering food and provisions, bracing for the deprivation they know all too well. But the children—Maral, her brother Missak, and their close friend Zaven—are spurred to action of another sort, finding secret and not-so-secret ways to resist their oppressors. Only when Zaven flees with his brother Barkev to avoid conscription does Maral realize that the Occupation is not simply a temporary outrage to be endured. After many fraught months, just one brother returns, changing the contours of Maral’s world completely. Like Tatiana de Rosnay’s Sarah’s Key and Jenna Blum’s Those Who Save Us, All the Light There Was is an unforgettable portrait of lives caught in the crosswinds of history.

    But little does he realize that his most valuable possession, his relationship with his father, is slipping away from him.Of Things Gone Astray is a magical fable about modern life and values and finding the things that really matter.

    In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    When she receives a strange letter from her mother three weeks before her 18th birthday, Vanessa knows it’s the only shot she has at finding her real family. The letter instructs her to jump off the Swan Pier into the ocean at midnight under the next full moon. With the steadfast hope that her mother would be waiting for her, Vanessa jumps, only to find that she’s come up for air seventy years in the past. Journals written by women who took the same time-altering jump help Vanessa realize that the mystery of her mother’s life spans generations and is far more complex than she could have ever dreamed. While living in 1949, Vanessa develops feelings for a boy despite the warnings from previous travelers not to fall in love. As she begins to unravel her mother’s web of secrets, Vanessa discovers that the truth is anything but easy, and the answers are not influenced by past, but have the power to alter her future forever.

    If Millie Crossan doesn't know anything else, she knows this one truth simply because her brother Finley grew up beside her. Charismatic Finley, eighteen months her senior, becomes Millie's guide when their mother Posey leaves their father and moves her children from Minnesota to Memphis shortly after Millie's tenth birthday. Memphis is a world foreign to Millie and Finley. This is the 1970s Memphis, the genteel world of their mother's upbringing and vastly different from anything they've ever known. Here they are the outsiders. Here, they only have each other. And here, as the years fold over themselves, they mature in a manicured Southern culture where they learn firsthand that much of what glitters isn't gold. Nuance, tradition, and Southern eccentrics flavor Millie and Finley's world as they find their way to belonging. But what hidden variables take their shared history to leave both brother and sister at such disparate ends?