Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    On the one hand it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound. Chesterton incorporates brilliant imagination, atmosphere, moral concern, chronological continuity, wisdom and fancy. He makes his stanzas reverberate with sound, and hurries his readers into the heart of the battle. This deluxe volume is the definitive edition of the poem. It exactly reproduces the 1928 edition with Robert Austin's beautiful woodcuts, and includes a thorough introduction and wonderful endnotes by Sister Bernadette Sheridan, from her 60 years researching the poem."When Chesterton writes poetry, he excels like no other modern writer. The rhyme, rhythm, alliteration and imagery are a complete joy to the ear. But The Ballad of the White Horse is not just a poem. It is a prophecy." —Dale Ahlquist, President, The American Chesterton Society"Not only a charming poem and a great tale, this is a keystone work of Christian literature that will be read long after most of the books of our era are forgotten." —Michael O'Brien, Author, Father Elijah

    

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

     Even Mr. Leighton himself, though he did not alter the prudential tone with which he had done appropriate honor to this lengthy instrument, grinned dryly while reading the final paragraph. ‘And it is my further request that at eleven A.M., on the first Lord’s Day subsequent to her graduation from college, the said Barbara Breckenridge shall present herself, unaccompanied, at divine services in Trinity Cathedral, Chicago.’

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    

    Naomi Evans, the ordinary kindergarten teacher, a devoted mother of two and wife to her loving husband, Tyree, never would have imagined falling for a fine ass street king.Naomi and Tyree have been together since their freshman year in college and he is all that she knows. Three years of marriage to the love of her life seemed perfect… At first. She made the money, he stayed at home with the kids. To many it seems that they are living the New American Dream and to Naomi there is no greater feeling than being with her family.However, that all suddenly changes once she meets a sexy thug named Marquise who desires Naomi from the very moment he lays eyes on her. With just the flash of that million-dollar smile, his cocky attitude and irresistible lips, Naomi becomes intoxicated in Marquise and lets him seduce her on the very first night of their meeting. Ashamed and guilty for stepping out on her husband, Naomi tries her best to forget her encounter with Marquise, but as life continues to throw him in her path, she finds him harder and harder to resist. Marquise suddenly opens Naomi’s eyes to a world of pure ecstasy that she never knew existed, as he pushes her beyond her limits. Limits that Tyree could never dare to reach. Naomi is now torn between the only life that she’s ever known and the life that she has now become so addicted to. And to make matters worse, she begins to drift away from her family in order to get her daily fix with her new addiction. But that isn’t even the best part… Her new addiction has no idea about his competition waiting for Naomi to come home every night. So how will he react to finding out that Naomi Evans isn’t the sweet, single, innocent but freaky girl she made herself out to be?Only time will tell…

    Left to raise a baby without the assistance of the married father, she has given up on finding a prince on a white horse to rescue her. Enter Cardiologist and single father, Ford Tucker. Dr. Tucker is all work and no play. He has dedicated his life to work and raising his daughter. When Ford becomes Maya’s Cardiologist, he is instantly smitten with her. Sparks fly and the passion’s hot as ever between the two. But just when Ford thinks he has finally found Ms. Right, and Maya thinks she’s found her prince, a devastating secret is revealed that will rock the core of their relationship. Will their bond survive the terrible secret? Or will Ford end up alone and Maya prince less?

    Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of the suburban town of Thames Lockdon, where she rents a room in a boarding house run by Mrs. Payne. There the savvy, sensible, decent, but all-too-meek Miss Roach endures the dinner-table interrogations of Mr. Thwaites and seeks to relieve her solitude by going out drinking and necking with a wayward American lieutenant. Life is almost bearable until Vicki Kugelmann, a seeming friend, moves into the adjacent room. That’s when Miss Roach’s troubles really start to begin.Recounting an epic battle of wills in the claustrophobic confines of the boarding house, Patrick Hamilton’s The Slaves of Solitude, with a delightfully improbable heroine, is one of the finest and funniest books ever written about the trials of a lonely heart.

    

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal elf. Her father, a great elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost. Published on the tenth anniversary of the last Middle-earth book, the international bestseller The Children of Húrin, this new volume will similarly include drawings and color plates by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win Academy Awards for his work on The Lord of the Rings film trilogy.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    M. Forster. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".In 1991 it was made into a film by Charles Sturridge, starring Rupert Graves, Giovanni Guidelli, Helen Mirren, Helena Bonham Carter, and Judy Davis.[1] A ten-part radio adaptation of the novel was broadcast on BBC Radio 4.[2] An opera based on the novel by Mark Weiser was premiered at the Peabody Institute of Music in 1999, and received its professional premiere at Opera San Jose in 2015