Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    This land is also home to a three-dimensional chessboard of seemingly endless war — American drones killing the Taliban; Sunni Muslims bombing Shia Muslims; and an underground, generations-old fight for independence from the central government.Three brothers, who adopt the different ways of life from each other after their father's death, meet for breakfast. Soon after, the eldest, Aman Erum, recently returned from America, hails a taxi to the local mosque. The second, Sikandar, a doctor, goes to check in at his hospital. His troubled wife, does not join the family that morning. No one knows where Mina goes these days. And the youngest, the idealist, Hayat, leaves for town on a motorbike. Seated behind him is a beautiful, fragile girl, whose life and thoughts are overwhelmed by the war that has enveloped the place of her birth.Three hours later their day will end in devastating circumstances.The Shadow of the Crescent Moon chronicles the lives of five young people trying to live and love in a world on fire. Individuals are pushed to make terrible choices. And, as the events of this single morning unfold, one woman is at the centre of it all.

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

    Jeo and Mikal are foster brothers from a small town in Pakistan. Though they were inseparable as children, their adult lives have diverged: Jeo is a dedicated medical student, married a year; Mikal has been a vagabond since he was fifteen, in love with a woman he can’t have. But when Jeo decides to sneak across the border into Afghanistan—not to fight with the Taliban against the Americans, rather to help care for wounded civilians—Mikal determines to go with him, to protect him. Yet Jeo’s and Mikal’s good intentions cannot keep them out of harm’s way. As the narrative takes us from the wilds of Afghanistan to the heart of the family left behind—their blind father, haunted by the death of his wife and by the mistakes he may have made in the name of Islam and nationhood; Mikal’s beloved brother and sister-in-law; Jeo’s wife, whose increasing resolve helps keep the household running, and her superstitious mother—we see all of these lives upended by the turmoil of war. In language as lyrical as it is piercing, in scenes at once beautiful and harrowing, The Blind Man’s Garden unflinchingly describes a crucially contemporary yet timeless world in which the line between enemy and ally is indistinct, and where the desire to return home burns brightest of all.

    Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites—but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing, and started shoveling."  The pieces gathered within this book draw on fifteen years of what Michael Perry calls "shovel time"—a writer going to work as the work is offered. The range of subjects is wide, from musky fishing, puking, and mountain-climbing Iraq War veterans to the frozen head of Ted Williams. Some assignments lead to self-examination of an alarming magnitude (as Perry notes, "It quickly becomes obvious that I am a self-absorbed hypochondriac forever resolving to do better nutritionally and fitness-wise but my follow-through is laughable.") But his favorites are those that allow him to turn the lens outward: "My greatest privilege," he says, "lies not in telling my own story; it lies in being trusted to tell the story of another."

    withdraws from the longest war in its history.THE BROOKINGS ESSAY: In the spirit of its commitment to high-quality, independent research, the Brookings Institution has commissioned works on major topics of public policy by distinguished authors, including Brookings scholars. The Brookings Essay is a multi-platform product aimed to engage readers in open dialogue and debate. The views expressed, however, are solely those of the author.

    In her long-awaited study of Kargil, Nasim Zehra combines hitherto unknown information garnered from key players in the Pakistani military establishment involved in the planning of the incursion with a historically grounded and analytically nuanced analysis of the Indo-Pakistan conflict over Kashmir. She convincingly shows how the Kargil conflict accentuated Pakistan's relations with not only India and the United States of America but also brought to the fore age-old tensions between the civil and military arms of the state, resulting in the 1999 military coup. A gripping account of the Kargil war as it unfolded surreptitiously and then flagrantly, this study puts to rest myths about the relative strengths of the military decision-making process in Pakistan compared to its civilian counterpart, underscoring the imperative need to streamline both with a view to facilitating more cooperative relations between them, especially in the realm of strategic security. Well researched and persuasively argued, the book is mandatory reading for students of international relations and South Asia. (Professor Ayesha Jalal, Historian) Nasim Zehra s book is a remarkably honest, bold, diligent and well-researched account of the Kargil episode, a doomed initiative, conceived in shadows, without a thought-through institutional evaluation and based on a misreading of the international situation. The author combines a wealth of information and a good deal of fresh detail with scholarly insights and deep analysis. She has produced a comprehensive landmark case study- a must read- of great value to policy makers and scholars in Pakistan and to the wider readership interested in the history and political affairs of the country and the region. (Riaz M Khan, Senior Diplomat, former Foreign Secretary) The Kargil episode has remained an enigma both in Pakistan as well as India. Shrouded in secrecy, the deafening silence on this conflict has given rise to many conspiracies, rumours and ill-informed opinions on both sides of the divide, in India and Pakistan. In this book, the author has collated facts painstakingly and juxtaposed them into the regional environment. She establishes the context of this conflict in the light of the US-Afghan issues at the time, the international concerns in view of the potential of a Nuclear Conflict, the contradictions of the Lahore Declaration and the history of the Line of Control. An extremely well analysed study that will remain a reference point for any further study. (Lt General (retd) Tariq Khan, Pakistan Army Armoured Corps).

    The allegation that sections of and individual Indian Muslims indulged in "terrorism" surfaced for the first time with the ascent of the Hindutva forces in mid-1990s and became state policy with the BJP coming to power at the Centre. With even "secular" media joining the role as stenographers of security agencies, this became an accepted fact so much so that common Indians and even many Muslims started believing in this false propaganda. This book, by a former senior police officer, with a distinguished career that included unearthing the Telgi scam, peeps behind the propaganda screen, using material mostly in the public domain as well as his long police experience. It comes out with some startling facts and analysis, the first of its kind, to expose the real actors behind the so-called "Islamic terrorism" in India whose greatest feat was to murder the Maharashtra ATS chief Hemant Karkare who dared to expose these forces and paid with his life for his courage and commitment to truth. While unearthing the conspiracy behind the murder of Karkare, this book takes a hard look at some of the major incidents attributed to "Islamic terrorism" in India and finds them baseless.

    Urdu, one of the most widely used languages in the subcontinent, is, sadly, dying a slow death in the land where it was born and where it flourished. This definitive collection spans over 200 years of Urdu poetry, celebrating well-known and relatively unknown poets alike. It is essential reading for all who love Urdu verse and for all looking for the ideal introduction.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    You will find yourself in the middle of a torrid liaison in The Affair , revel in the euphoria of budding romance in Just One Glance and discover what it means to let go of your loved one in The Impasse .Love can also be brutal and unconventional as The Unseen Boundaries of Love and Something about Karen will show you. But most of all, as Death of a Widower and Siddharth show, you will see that love is all about hope and taking the leap of faith.Selected from a nationwide Romance Contest conducted by Rupa Publications, this heart-warming collection of stories urges you to believe that love is eternal...and forever.

    His commentaries on “All Things Considered” and his radio spots for Motel 6 have delighted millions, but he’s never been funnier than in this, his second collection of casual essays. Here are further musings ont he everyday joys and embarrassments of being a husband, father, citizen, and breadwinner by the author of As Far As You Can Go Without a Passport. Fans will be comforted by the familiarity of this return visit to Bodett country. Those new to his work will discover one of the freshest, friendliest voices among writers of humor today.

    Osman Samiuddin captures the jazba of the men who played for Pakistan, celebrates their headiest moments and many upheavals, and brings to life some of their most famous—and infamous—contests, tours and moments.Ambitious, spirited and often heartbreaking, 'The Unquiet Ones' is a comprehensive portrait of not just a Pakistani sport, but a national majboori, a compulsion whose outcome can surprise and shock, and can become the barometer of everyday life in Pakistan, tailing its ups and downs, its moods and character.

    As she steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back, her world is suddenly and irrevocably altered. In the numbing aftermath of the atomic bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, two years later, Hiroko travels to Delhi. It is there that her life will become intertwined with that of Konrad's half sister, Elizabeth, her husband, James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu. With the partition of India, and the creation of Pakistan, Hiroko will find herself displaced once again, in a world where old wars are replaced by new conflicts. But the shadows of history--personal and political--are cast over the interrelated worlds of the Burtons, the Ashrafs, and the Tanakas as they are transported from Pakistan to New York and, in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound these families together over decades and generations are tested to the extreme, with unforeseeable consequences.

    This collection of the works of Iqbal, considered to be one of the greatest poets of the Urdu language, showcases the musicality of style and unique rhyme and assonance that has made his work memorable. A lengthy introduction, discussing the important aspects of Iqbal's life and art, is also included.