A grove of majestic live-oaks surrounded it.Thirty years later, only the thick walls were standing, with the dull red brick showing here and there through a matted growth of clinging vines. The huge round pillars were intact so to some extent was the stone flagging of hall and portico. There had been no home so stately along the whole stretch of Cote Joyeuse. Every one knew that, as they knew it had cost Philippe Valmet sixty thousand dollars to build, away back in 1840. No one was in danger of forgetting that fact, so long as his daughter Pelagie survived. She was a queenly, white-haired woman of fifty. "Ma'ame Pelagie," they called her, though she was unmarried, as was her sister Pauline, a child in Ma'ame Pelagie's eyes a child of thirty-five.

     They say you shouldn’t make eye contact with a stranger on the subway in New York City. It may not be an actual violation of the subway system code of conduct, but still. Lisa and Geoff, two strangers smushed together on a crowded E train, break that code when their train unexpectedly stops. Their conversation is the perfect antidote to the boredom and frustration of the delay. And more than the broken AC is to blame for the rising heat between them. When the train moves again, Lisa wonders if they should go back to behaving like strangers. But what if their paths were meant to cross? Tom—middle-aged, divorced, and out of work—needs to get a life. Instead, he gets a juror summons. Hardly expecting to ‘find himself’ while fulfilling his civic duty, he sets a single goal for the day: persuade the judge to exempt him from being picked for a jury. Time had stood still in the juror lounge. It begins to spin backward when he reconnects with Susan, a fellow juror and his middle school crush. Before long, he’s back under her spell. Could a man in his current position interest her? When she swipes through a dating app in front of him, she indicates the answer is no. With nothing else to lose, Tom prepares to sacrifice the one goal he has in order to capture her attention.

    Growing up amongst a family of men, she is the treasured gem at the heart of a large and boisterous clan of cops.After the heart-breaking death of her mother, Allison has thrown herself into her work—but then she meets Mike. Neither one of them is prepared for the power and intensity of their love for each other.So when tragedy strikes again, Allison’s life is derailed. Her overprotective family have looked out for her all her life, but they cannot protect her from herself…

    Over time he has learned to accept his confinement. After all, it is no more than he deserves given the heinous nature of his previous crimes. However, when a new member of the nursing staff begins taking an interest in Tommy, he learns things previously kept from him: Like why he is being permanently dosed with meds. How, and why, his parents really died. And is it just a coincidence his earlier crimes occurred at the time of a full moon? Nurse Jenny informs Tommy about the true nature of his world: Secret Government cabals, and their plans for a New World Order; the murder of his parents, and facing up to the reality of his life as a werewolf. Then, when she thinks he is ready, she tells him the biggest secret of all: Nurse Jenny has a way out of Broad-lands. But, as is often the case, nothing comes without a price. What is the real motivation for her aiding Tommy's escape? A tale of horror that unfolds beneath the light of a full moon.

    Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    Determined to stop the thief, Angus uses everything he’s got and more. This fast paced story will have you running alongside him right up until the surprise ending that you won’t see coming.(A Christmas short-story for kids 9-12 years.)

    Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

    Carlson uncannily captures the complexity of his characters' inner lives.

    . .Kate, an attractive single parent, is in a desperate situation. Her young son Charlie suffers from a rare eye disease that will soon cause him to go blind unless he can receive the cutting-edge new treatment that's offered by just one private clinic in London. The cost is out of Kate's league and she needs to raise the cash - fast.When her best friend suggests that she should find employment as a freelance female decoy, Kate initially rejects the idea. But realising what the potential earnings could mean for Charlie, she reluctantly goes to work, getting paid by female clients wanting to put the fidelity of their partners to the test. Business is good. It won't be long before Kate has the money she needs.But after being hired by a wealthy new client to investigate a suspected cheating husband, Kate's world suddenly turns upside-down and she discovers too late that deception can have deadly consequences . . .

    In stories filled with heart and humour, Tim Gautreaux explores the stresses and strains of everyday life as his characters struggle to make amends for their mistakes and hope for different, better days to come.

    Filled with admiration for his characters and the hope they bring to their day to day dilemmas, Night Swimming has affirmed Pete Fromm's reputation as one of the nation's best writers.

    This collection of stories, set in various locales of North Carolina create entire worlds and indelible moments as only the best short fiction does.

    Always a protective mother, Cora has never left her children alone. That is until a well-intentioned friend encourages her to. This is a story that will leave you questioning your parenting skills and wanting to read more great running adventures by Diane Strong.

    But when a terrified woman falls through his bathroom ceiling, he's forced back into a life of gunfights, double agents and paranormal research. The secret he's been keeping for nearly four decades might reunite him with his lost love, or kill millions.This new short story by John August falls into the genre of paranoid "spy-fi" popularized by writers like Jorge Luis Borges and shows like The Prisoner and The Man from U.N.C.L.E.== What Others Say =="I really dug the story. Gave it a glance just to see, got totally hooked, and blazed on through to the end."-- Michael Chabon (The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union) "The Variant" is both a good, fun, smart story and an interesting experiment in indie self-publishing for fiction."-- John Gruber, daringfireball.net== About the Author ==An excerpt of The Variant is available at johnaugust.com/variant About the AuthorJohn August is the screenwriter of eight feature films, including Go, Big Fish, Charlie and the Chocolate Factory and Corpse Bride. He wrote and directed the 2007 movie The Nines.He can be found on Twitter, @johnaugust

    The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.