Anticipating a quiet year of research, Emma quickly discovers her work impeded by a range of unforeseen complications. From the start, there is the well-intentioned matchmaking of her vivacious Russian colleague, Elena Smalova, and the unexpected jailing of one of her post-graduate students. More troublesome, however, are the unsolved, brutal night attacks on women near the university and Emma's suspicion that they might be linked to the sinister English professor, Kort Staahl. But, most diverting and disconcerting of all, is Emma's growing attraction to the strikingly handsome Dr. Matthew Lyons, whose kind but deliberately distant demeanor puzzles her.Suspense and dread mount when Kort begins to take a persistent and unsettling interest in Emma. What are Kort's intentions, and what is he capable of? And the mystery surrounding Matthew only deepens when Emma discovers a link between him and the journal. What is Matthew trying to hide?

    Geoff Harris, an investigative reporter, is soon drawn into her quest, both by romantic interest and suspicions about the head of the Shalom Foundation, the organization sponsoring her work. He’s also a dead ringer for the ghost of a monk Annie believes she has seen at the flat she is subletting in Bristol House.In 1535, Tudor London is a very different city, one in which monks are being executed by Henry VIII and Jews are banished. In this treacherous environment of religious persecution, Dom Justin, a Carthusian monk, and a goldsmith known as the Jew of Holborn must navigate a shadowy world of intrigue involving Thomas Cromwell, Jewish treasure, and sexual secrets. Their struggles shed light on the mysteries Annie and Geoff aim to puzzle out—at their own peril.This riveting dual-period narrative seamlessly blends a haunting supernatural thriller with vivid historical fiction. Beverly Swerling, widely acclaimed for her City of Dreams series, delivers a bewitching and epic story of a historian and a monk, half a millennium apart, whose destinies are on a collision course.

    She runs away, but is soon recaptured, to suffer once more under the tyrannical rule of Mrs Cotton, the housekeeper. The house, though, has a dark secret. Something ghostly inhabits the corridors, leading Abi to the very truth someone has tried so hard to bury.

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Thomas Aquinas, set against the violent background of the Italy of the Crusades. He tells the intriguing story of St. Thomas who - by taking a vow of poverty and joining the Dominicans - defied his illustrious, prominent family's ambition for him to have great power in the Church. The battles and Crusades of the 13th century and the ruthlessness of the excommunicated Emperor Frederick II play a big part in the story, but it is Thomas of Aquino who dominates this book. De Wohl succeeds notably in portraying the exceptional quality of this man, a fusion of mighty intellect and childlike simplicity. A pupil of St. Albert the Great, the humble Thomas - through an intense life of study, writing, prayer, preaching and contemplation - ironically rose to become the influential figure of his age, and he later was proclaimed by the Church as the Angelic Doctor.

    Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield, a spirit that only she can see. In a search for answers, she finds herself drawn to Owen as they unearth a tragic story from the Wellington family’s past—a beautiful young bride gone missing on her wedding day. Then tragedy strikes again on the night of a glittering masquerade ball...

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    Blue is a young man who decides to take Christianity seriously, not as a chore but as a challenge. He spends his inherited wealth almost as soon as he gets it. He lives in a packing box on a New York City rooftop. He embraces the poor as his best friends and wisest companions, distrusts the promises of technology (except for the movies), and is fascinated by anything involving the wide expanse of God’s universe. He is the ultimate free spirit, it seems; but what is the source—and purpose—of his freedom? This novel about a contemporary St. Francis figure has delighted and inspired countless readers since it was first published in 1928.

    Mystified experts, confounded by the impossible timeline they receive from traditional dating methods, call upon a stubborn twenty-something with a unique talent. Matthew Turner's gift is also his curse: whenever he touches an object, his consciousness is flooded with the thoughts and feelings of those who touched it before him, be it last week or centuries ago. It's a talent that many covet, some fear, and almost no one understands. Despite being exploited as a child and tormented by the unpleasant experiences imprinted on him from the various items he's "read," Matt agrees to travel from New York to the forests of Kenya. There, threatened by unknown enemies, and helped by a beautiful but prickly ally who begins to understand his strange ability, his mind journeys back in geological time to make a discovery so shocking that it forces us to rewrite all human history.

    Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her. This new edition includes an introduction that discusses the publication and early reception of the novel, the genre of Gothic romance, and Radcliffe's use of history, exotic settings, the supernatural, and poetry.

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    With language as taut as classic works by Cormac McCarthy, and a richness reminiscent of early Toni Morrison, Marlon James reveals his unique narrative command that will firmly establish his place as one of today's freshest, most talented young writers.In the village of Gibbeah--where certain women fly and certain men protect secrets with their lives--magic coexists with religion, and good and evil are never as they seem. In this town, a battle is fought between two men of God. The story begins when a drunkard named Hector Bligh (the "Rum Preacher") is dragged from his pulpit by a man calling himself "Apostle" York. Handsome and brash, York demands a fire-and-brimstone church, but sets in motion a phenomenal and deadly struggle for the soul of Gibbeah itself. John Crow's Devil is a novel about religious mania, redemption, sexual obsession, and the eternal struggle inside all of us between the righteous and the wicked.

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.