Though they were men of very different backgrounds and experiences, Herman reveals how Wilson and Lenin were very much alike. Both rose to supreme power, one through a democratic election; the other through violent revolution. Both transformed their countries by the policies they implemented, and the crucial decisions they made. Woodrow Wilson, a champion of democracy, capitalism, and the international order, steered America's involvement in World War I. Lenin, a communist revolutionary and advocate for the proletariat, lead the Bolsheviks' overthrow of Russia's earlier democratic revolution that toppled the Czar, and the establishment of a totalitarian Soviet Union.Men of opposing ideals and actions, each was idolized by millions-and vilified and feared by millions more. Though they would never meet, these two world leaders came to see in the other the evils of the world each sought to eradicate. In so doing, both would unleash the forces that still dominate our world, and that continue to shape its future from nationalism and Communism to today's maps of the Middle East, Asia, and Eastern Europe. In this incisive, fast-paced history, Herman brilliantly explores the birth of a potent rivalry between two men who rewrote the rules of geopolitics-and the moment, one hundred years ago, when our contemporary world began.

    Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath.Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.Marian Schwartz's new English translation of Envy brilliantly captures the energy of Olesha's masterpiece.A NEW YORK REVIEW BOOKS ORIGINAL

    These homeless dogs, plucked from the streets of Moscow, were selected because they fitted the program's criteria: weighing no more than 15 pounds, measuring no more than 14 inches in length, robust, photogenic and with a calm temperament. These characteristics enabled the dogs to withstand the extensive training that was needed to prepare them for suborbital, then for orbital, space fights. On 3 November 1957, the dog Laika was the first Earth-born creature to enter space, making her instantly famous around the world. She did not return. Her death, a few hours after launching, transformed her into a legendary symbol of sacrifice. Two further strays, Belka and Strelka, were the first beings to make it back from space, and were swiftly immortalized in children's books and cartoons. Images of the Space Dogs proliferated, reproduced on everyday goods across the Soviet Union: cigarette packets, tins of sweets, badges, stamps and postcards all bore their likenesses. "Soviet Space Dogs" uses these unique items to illustrate the story (in fact and fiction) of how they became fairytale idols. The first book to document these items, it contains more than 350 images, almost all of which are previously unpublished, and many of which have never been seen before outside Russia. The rich and varied ephemera (from cigarette packets to sweet wrappers and children's toys) of Soviet graphics will have immense appeal to the art and design market, as well as appealing to dog-lovers everywhere.

    Revealing how this was possible, The Red Atlas is the never-before-told story of the most comprehensive mapping endeavor in history and the surprising maps that resulted. From 1950 to 1990, the Soviet Army conducted a global topographic mapping program, creating large-scale maps for much of the world that included a diversity of detail that would have supported a full range of military planning. For big cities like New York, DC, and London to towns like Pontiac, MI and Galveston, TX, the Soviets gathered enough information to create street-level maps. What they chose to include on these maps can seem obvious like locations of factories and ports, or more surprising, such as building heights, road widths, and bridge capacities. Some of the detail suggests early satellite technology, while other specifics, like detailed depictions of depths and channels around rivers and harbors, could only have been gained by actual Soviet feet on the ground. The Red Atlas  includes over 350 extracts from these incredible Cold War maps, exploring their provenance and cartographic techniques as well as what they can tell us about their makers and the Soviet initiatives that were going on all around us. A fantastic historical document of an era that sometimes seems less distant, The Red Atlas offers an uncanny view of the world through the eyes of Soviet strategists and spies.

    Dobrynin became the main channel for the White House and the Kremlin to exchange ideas, negotiate in secret, and arrange summit meetings. Dobrynin writes vividly of Moscow from inside the Politburo, but In Confidence is mainly a story of Washington at the highest levels.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    Two million men supported by 6,000 tanks, 35,000 guns, and 5,000 aircraft convened in Kursk--on the border of the Soviet Union--for an epic confrontation, the epitome of "total war." With unprecedented access to the journals and testimonials of the officers, soldiers, political leaders, and citizens who lived through it, Clark gives the definitive account of an epic showdown that changed the course of history.

    Suvorov explains his view on the political realities of the USSR, where everything is subordinated to maintain the Communist regime's dominance, thus explaining the rationale behind Soviet strategic planning. He then goes on to explain the organisation of the Soviet armed forces, from the top down, emphasizing the Land Forces/Soviet Army. Technical details are presented where useful, but the primary concern is explaining the underlying philosophy and culture, often contrasted with the Western military approach. Suvorov then concludes with descriptions of the daily life inside the Soviet Army for the soldier and the officer, including the bullying and hazing practice known as dedovshchina, a practice then almost unknown to the West at the time of publication, which has become notorious in the Russian Ground Forces of the post-Soviet period.

    For two years, a small, daring band of Americans fed more than ten million men, women, and children across a million square miles of territory. It was the largest humanitarian operation in history--preventing the loss of countless lives, social unrest on a massive scale, and, quite possibly, the collapse of the communist state.Now, almost a hundred years later, few in either America or Russia have heard of the ARA. The Soviet government quickly began to erase the memory of American charity. In America, fanatical anti-communism would eclipse this historic cooperation with the Soviet Union. Smith resurrects the American relief mission from obscurity, taking the reader on an unforgettable journey from the heights of human altruism to the depths of human depravity. The story of the ARA is filled with political intrigue, espionage, the clash of ideologies, violence, adventure, and romance, and features some of the great historical figures of the twentieth century.In a time of cynicism and despair about the world's ability to confront international crises, The Russian Job is a riveting account of a cooperative effort unmatched before or since.

    More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Belarussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The Soviet press called the book"a vivid reporting of events long past, which affected the destiny of the nation as a whole." The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...

    In this unusual exploration of the crises that Lenin overcame, the decisions he made, and actions that he took, Tariq Ali reveals an insightful political portrait of this most exemplary leader. From the first stirrings of revolutionary fervour, Lenin sought the right answer to a series of dilemmas that he faced and that still resonate with us today: Is terrorism ever a useful tactic? Can imperial wars ever be supported? What sort of political party do we need? What is the moral justification for seizing power? How does one overcome the burden of history? What role does friendship or love play in revolution? How do you establish a legacy that lasts? Ali reveals that no other modern thinker than Lenin has better understood, nor more clearly articulated, the need to change the world. But do Lenin's ideas, as expressed in his actions and his political writings, still have any significance for us? In this centenary year of the Russian Revolution, this book raises important questions related to political representation and the popular institutions necessary to challenge capitalism today.

    His fantasy ranges between the mysteries of times long bygone and the distant future. His novels include The Land of Foam, where the scene is set in ancient Egypt and Greece, and the world-renowned Andromeda, in which his fantasy roams two thousand years ahead. The Heart of the Serpent, given in this volume, was written in 1959. Its subject is related to that of Andromeda. Anatoly Dnieprov (born 1919), the author of Siema, which he wrote in 1958, is a distinguished physicist who works at an institute of the U.S.S.R. Academy of Sciences. His first book appeared in 1946. His favorite subject is cybernetics - its amazing achievements to date and its breathtaking potentialities. Scientific authenticity is a salient feature of his writings. Victor Separin (born 1905), a journalist by profession, is editor of the Soviet popular geographic magazine Around the World. His fiction, which treats of present-day scientific and technical problems, is amazingly realistic. In this volume he is represented by The Trial of Tantalus, a story dealing with prospects of microbiology. Arkady and Boris Strugatsky, authors of The Six Matches, are frequent contributors to Soviet popular science periodicals. Few readers know, however, that the two brothers are not professional writers. Boris Strugatsky (born 1933) is an astronomer and works at the computer laboratory of Pulknovo Observatory. Arkady (born 1925) is a linguist and translator specializing in Japanese. Valentina Zhuravleva (born 1933) is a comparatively recent graduate of the Azerbaijan Medical Institute. She was probably prompted to try her hand at scientific fiction by the almost fantastic possibilities offering in the field of medicine. The bold flights of fancy in her scientific thinking make her stories particularly noteworthy. Bio-automation is the theme of her Stone from the Stars, written in 1959, and included in this volume.

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    The prospect of a summer job as a tour guide at the Pushkin Hills Preserve offers him hope of regaining some balance in life as his wife makes plans to emigrate to the West with their daughter Masha, but during Alikhanov’s stay in the rural estate of Mikhaylovskoye, his life continues to unravel.Populated with unforgettable characters—including Alikhanov’s fellow guides Mitrofanov and Pototsky, and the KGB officer Belyaev—Pushkin Hills ranks among Dovlatov’s renowned works The Suitcase and The Zone as his most personal and poignant portrayal of the Russian attitude towards life and art.

    All of his varied jobs and the places, people and situations he encountered on his way can be found in his stories. From the introduction by Ivan Strannik: "The interest of these stories does not lie in the unraveling of an intricate plot. They are rather fragments of life, bits of biography covering some particular period, without reaching the limits of a real drama. And these are no more artificially combined than are the events of real life. Everything that he relates, Gorky has seen."