Her hero, Doug Williams, teaches her to fly when she is just 17. With her pilot’s license it seems as though the sky’s the limit for Raine … until war breaks out.Raine knows that her place is not at home and she is determined to assist the war effort by doing what she loves, but the Air Transport Auxiliary aren’t taking women. Though at the height of the war, they need her help, and Raine is offered the opportunity to join the force and prove she is up to the task, risking her life daily ferrying aircraft to the men on the front line.But when tragedy strikes and Doug is reported missing after being shot down in his Spitfire, Raine realises that this war could tear both the country she loves – and her heart – apart…A brave and gripping story about women overcoming adversity whilst navigating love, loss, and the treacherous wartime skies.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    First performed by the American Repertory Theatre to critical acclaim, this translation by Gideon Lester is set on a contemporary battlefield of the sexes, with the performers going at one another with wit and passion.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    Manners and morality are also victims of Wilde's sharp wit in Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband, in which snobbery and hypocrisy are laid bare. In Salomé and A Florentine Tragedy, Wilde makes powerful use of historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde's delight in artifice, masks and disguises, and reveals the pretentions of the social world in which he himself played such a dazzling and precarious part.Richard Allen Cave's introduction and notes discuss the themes of the plays and Wilde's innovative methods of staging. This edition includes the excised 'Gribsby' scene from The Importance of Being Earnest.

    Carl Voigt had been a WWI prisoner of war who had married a cockney girl and never gone back. Now widowed, he and Kate were part of the London life of the square with all its rumbustious and colorful characters. Then came the war.Suddenly it seemed the Voigts were outcasts because if their German blood. When Carl was interned, Kate's only support was her best friend Carrie, and Toby, the R.A.F. pilot whom she loved. Finally when Toby was killed, and even Carrie turned against her, she found herself pregnant and totally alone.Late one Christmas Eve, during the Blitz, she was approached by a wounded sailor asking for lodgings. Leon Emmerson, like Kate, was also a lonely misfit because of his parentage. It was to be the beginning of a new friendship, of startling and dramatic events in Kate's life. And as the war progressed, as the Londoners fought to help each other while their city was bombed and burned, so the rifts in the community were healed, and Kate and those she loved became, once more, part of Magnolia Square.

    She's worried about everything: being a good mother, money and starting a new job. Philip is a lost soul in the world and he could do with a friend. They are just about to meet and when they do everything will change. Rachel and Philip don't know it yet, but they each have what the other needs. They can save one another, and not in the way you might expect.This is a story about finding happiness and love in all their forms. And how sometimes you can find them in the most unlikely of places.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.