His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but vowed never to work for them again when they went against her advice and subsequently botched an investigation. Still smarting from the experience, she's working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It's not her case, but Fiona can't help taking an interest. When the killer strikes again Fiona finds herself caught in a race against time - not only to save a life but also to find redemption, both personal and professional.Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome.

    Stopped by the police for a minor traffic violation, the situation escalates and he is pulled from his vehicle, handcuffed, and told he is under arrest. Several other police cars arrive and the questioning turns scary, but after it subsides, and Henry is about to move on, the officer is suddenly killed in his car and there is only one suspect: the very person he was about to arrest not ten minutes before. Henry! When a second friend turns up dead, Henry realizes he's being elaborately framed. But in a chilling twist, the stakes grow even darker, and he is unable to go to the police to clear his name.15 Seconds is a story of how even the best of lives can be destroyed in just an instant—and of an innocent man, framed for murder, who has to save the person he loves the most, and who cannot go the police to clear his name.

    On impulse they buy a cottage in Brackdale, an idyllic valley in the Lake District. But though they hope to live the dream , the past soon catches up with him...Tarn Cottage was once home to Barrie Gilpin, suspected of a savage murder. A young woman's body was found on the Sacrifice Stone, an ancient pagan site up on the fell., but Barrie died before he could be arrested. Daniel has personal reasons for bcoming fascinated by the case and for believing in Barrie's innocence. When the police launch a cold case review, Brackdale's skeletons begin to rattle and the lives of Daniel and DCI Hannah Scarlett become strangely entwined. Daniel and Hannah find themselves risking their lives as they search for a ruthless murderer who is prepared to kill again to hide a shocking secret.

    OR SO DANGEROUS... PI Dev Haskell wakes up one morning in dire need of an asprin, a cup of coffee, and an hour in the sauna. It seems he's just spent a wild night with his beautiful bombshell of a client, Kerri, and she's left him a note. A smart and sly man who fancies himself just a little more savvy and debonair than reality confirms, Dev thinks he's got it made. But he has absolutely no idea what he's getting into when he agrees to track down Kerri's sister Nikki. Turns out both women are involved in an elaborate human trafficking ring with Braco the Whacko, a notorious Russian mobster, at the helm. Soon Dev finds himself at odds with local police, Homeland Security, and an FBI task force, as well as in and out of the hospital thanks to a gunshot wound and a bit of shrapnel in the rear, not to mention on the run from a neurotic underworld boss and a psychotic killer: it must be love... In a bizarre but compelling mixture of crime and offbeat comedy, Dev proceeds to messily balance both sides of the law in a wacky tale that will keep you on your toes while laughing out loud.

    What if she's not dead?Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied — by a man and a teenage girl.A simple mistake at the front desk... but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.Cara doesn't know what to trust — everything she's read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    Six years ago Justin's life was ripped apart when he discovered his mother's bludgeoned corpse. Now Justin's father is serving a life sentence and Justin drowns his emotions in a pool of inner peace. But when Birdie claims he murdered Justin's mother for cash, Justin is hurled back to the emotions, back to the past, and, most frightening of all, back to the father he tried to leave behind. WHO HIRED BIRDIE GRACKLE TO KILL JUSTIN?S MOTHER? As Justin pieces together the truth, a killing machine stalks Justin, leaving a trail of dead in his wake. Someone wants to bury the truth, and maybe Justin, too. Justin had better find some answers quick, because murder is just not Zen.

    But he's less charmed by the two corpses he stumbles upon in a back room. Boyle summons "The Bishop," Chief Inspector Reginald F. Bishop of Scotland Yard, who in turn calls in Professor John Stubbs, a rotund amateur criminologist. The pipe-smoking, beer-drinking professor, the skeptical, world-weary Bishop, and the protesting Boyle — who would rather be basking in the sun on the Isles of Scilly — soon discover a web of skulduggery and dark deeds. Fueled as much by the friction between their personalities as their enthusiasm, the crime-solving trio threads a maze through the city's book and print emporia, grappling with a puzzle likely to baffle even the most astute armchair detectives.Bodies in a Bookshop is loaded with amusing sallies of wit, quaint and pungent observations, and droll characters. Crisp dialogue keeps the plot moving at top speed. A treat for mystery lovers and those who appreciate a rummage through musty bookshops, this novel is as exuberantly readable as it was upon its original publication in 1946.

    Her first assignment takes her to northern Alberta, where she falls in love with her mentor, the daring and brilliant Tate. After they’re separated from each other on another assignment, Marian is shattered to learn of Tate’s tragic death. Worse still is the aftermath in which Marian discovers disturbing inconsistencies about Tate’s life, and begins to wonder if the man she loved could have been responsible for the unsolved murders of at least four women.Hoping to clear Tate’s name, Marian reaches out to a retired forensic profiler who’s haunted by the open cases. But as Marian relives her relationship with Tate and circles ever closer to the truth, evil stalks her every move.…

    . . Twenty years ago, wild child Jessie Brentwood vanished from St. Elizabeth's high school. Most in Jessie's tight circle of friends believed she simply ran away. Few suspected that Jessie was hiding a shocking secret-one that brought her into the crosshairs of a vicious killer. . . Until There's No One Left. . . Two decades pass before a body is unearthed on school grounds and Jessie's old friends reunite to talk. Most are sure that the body is Jessie's, that the mystery of what happened to her has finally been solved. But soon, Jessie's friends each begin to die in horrible, freak accidents that defy explanation. . . But Her. . . Becca Sutcliff has been haunted for years by unsettling visions of Jessie, certain her friend met with a grisly end. Now the latest deaths have her rattled. Becca can sense that an evil force is shadowing her too, waiting for just the right moment to strike. She feels like she's going crazy. Is it all a coincidence-or has Jessie's killer finally returned to finish what was started all those years ago?

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    Though war correspondent Billie Walker is happy to finally be home, for her the heady postwar days are tarnished by the loss of her father and the disappearance in Europe of her husband, Jack. To make matters worse, now that the war is over, the newspapers are sidelining her reporting talents to prioritize jobs for returning soldiers. But Billie is a survivor and she's determined to take control of her own future. So she reopens her late father's business, a private investigation agency, and, slowly, the women of Sydney come knocking.At first, Billie's bread and butter is tailing cheating husbands. Then, a young man, the son of European immigrants, goes missing, and Billie finds herself on a dangerous new trail that will lead up into the highest levels of Sydney society and down into its underworld. What is the young man's connection to an exclusive dance club and a high class auction house? When the people Billie questions about the young man start to turn up dead, Billie is thrown into the path of Detective Inspector Hank Cooper. Will he take her seriously or will he just get in her way? As the danger mounts and Billie realizes that much more than one young man's life is at stake, it becomes clear that though the war was won, it is far from over.

    Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…

    According to Drew Campbell, the well-suited corporate representative who hires her, the gallery is a passion project for its anonymous, wealthy, and eccentric owner. Drew assures Alice that the owner will be hands off, allowing her to run the gallery on her own. Her friends think it sounds too good to be true, but Alice sees a perfect opportunity to make a name for herself beyond the shadow of her famous father, an award-winning and controversial film maker.Everything is perfect until the morning Alice arrives at work to find the gallery gone—the space stripped bare as if it had never existed—and Drew Campbell’s dead body on the floor. Overnight, Alice’s dream job has vanished, and she finds herself at the center of police attention with nothing to prove her innocence. The phone number Drew gave her links back to a disposable phone.The artist whose work she displayed doesn’t seem to exist. And the dead man she claims is Drew has been identified as someone else.When police discover ties between the gallery and a missing girl, Alice knows she’s been set up. Now she has to prove it—a dangerous search for answers that will entangle her in a dark, high-tech criminal conspiracy and force her to unearth long-hidden secrets involving her own family… secrets that could cost Alice her life.

    “Few crimes are reported as quickly as a snatched kid.”That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing.Instead, people question her sanity. Aubrey hears the whispers. She’s a former stay-at-home mom who doesn’t have primary custody of her daughter, so there must be something wrong with her, right? Others may not understand her decision to walk away from her safe life at home, but years of hiding her past – even from the people she loves – were taking their toll, and Aubrey knows she can’t be the mother or wife she envisions until she learns to leave her secrets behind.When the police refuse to believe her, she realizes that rescuing the boy is up to her alone. But after all the secrets, how far is she willing to go? Even to protect a child.