At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.

    The sort of atmosphere where mistakes could be made? For Maurice Castle it is the end of the line anyway and time for him to retire with his African wife, Sarah.The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp --

    India is fractured and divided into kingdoms, each independent and wary of one another, seemingly no match for the might of the English. But when they arrive in the Kingdom of Jhansi, the British army is met with a surprising challenge.Instead of surrendering, Queen Lakshmi raises two armies - one male and one female - and rides into battle, determined to protect her country and her people. Although her soldiers may not appear at first to be formidable against superior British weaponry and training, Lakshmi refuses to back down from the empire that is determined to take away the land she loves.Told from the unexpected perspective of Sita - Queen Lakshmi's most favored companion and most trusted soldier in the all-female army - Rebel Queen shines a light on a time and place rarely explored in historical fiction. In the tradition of her best-selling novel, Nefertiti ,and through her strong, independent heroines fighting to make their ways in a male-dominated world, Michelle Moran brings nineteenth-century India to rich, vibrant life.

    But when one of his stories from the Middle East is exposed as a fraud, his professional reputation crashes and burns. Now he lives in virtual exile—haunted by bad decisions and a shocking truth he can never prove:  that his downfall was a deliberate act of sabotage by an unknown enemy. But before Sagan can end his torment with the squeeze of a trigger, fate intervenes in the form of an enigmatic stranger.  This stranger forces Sagan to act—and his actions attract the attention of the Magellan Billet, a top-secret corps of the United States Justice Department that deals with America’s most sensitive investigations. Sagan suddenly finds himself caught in an international incident, the repercussions of which will shudder not only Washington, D.C., but also Jerusalem. Coaxed into a deadly cat-and-mouse game, unsure who’s friend and who’s foe, Sagan is forced to Vienna, Prague, then finally into the Blue Mountains of Jamaica—where his survival hinges on his rewriting everything we know about Christopher Columbus.

    We are assassins. Through a revolutionary technology that unlocks his genetic memories, Callum Lynch experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, the Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day.

    Translated by Lewis Galantière.

    All he knew for certain was that someone wanted him dead—and that he had better learn why. But everywhere he turned there seemed to be more questions—or people too willing to hide the truth behind a smoke screen of lies. He had only the name he had been told was his own, his mysterious skill with a gun, and a link to a half million dollars’ worth of buried gold as evidence of his past life. Was the treasure his? Was he a thief? A killer? He didn’t have the answers, but he needed them soon. Because what he still didn’t know about himself, others did—and if he didn’t unlock the secret of his past, he wasn’t going to have much of a future.

    Wells as a time-traveling investigator.Characters real and imaginary come vividly to life in this whimsical triple play of intertwined plots, in which a skeptical H. G. Wells is called upon to investigate purported incidents of time travel and to save lives and literary classics, including Dracula and The Time Machine, from being wiped from existence.What happens if we change history?

    Still an adventure novel, this one revolves around the dreams of a young boy, dreams that involve racial memories and the knowledge of his prior existence as a man-like creature named Big Tooth living in prehistoric times. "These are our ancestors, and their history is our history. Remember that as surely as we one day swung down out of the trees and walked upright, just as surely, on a far earlier day, did we crawl up out of the sea and achieve our first adventure on land."

    With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    He was the self-styled spokesman of the "Lost Generation" and author of The Great Gatsby (1925). His debut novel, This Side of Paradise (1920) examines the lives and morality of post-World War I youth. Flappers and Philosophers (1920) was his first collection of short stories. His second novel, The Beautiful and Damned (1922), demonstrates an evolution and maturity in his writing, and provides an excellent portrait of America during the Jazz Age, as does Tales of the Jazz Age (1922).

    The action takes place before and during the Mercenary Revolt, an uprising of mercenaries in the employ of Carthage in the 3rd century BC. --- An unfinished opera by Modest Mussorgsky, a silent film by Pierre Marodon and a play by Charles Ludlam are among the many adaptations of Flaubert's novel. --- Gustave Flaubert (1821-1880), famous French novelist, known for his endless search for "le mot juste" (the precise word); author of Madame Bovary (1857). In 1858, in order to gather material for Salammbo, Flaubert paid a visit to Carthage.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.