Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them.

    Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day.Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin.Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago.Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."

    But she's a loner. Her mother tells her she has 'gunfighter eyes', like the father she's never met. In prison, about to be released, Nate runs afoul of the powerful leader of the Aryan Brotherhood. Marked for death on his release, Nate soon realizes that everyone he has ever loved is a target - including his daughter, Polly. Now, forced into hiding by the greenlight placed upon them, Nate finds himself having to teach his estranged daughter how to survive in a kill-or-be-killed world, all the while observed by Polly's teddy bear, who is soon the only outlet for the little girl's emotions. Soon the two of them find themselves on a non-stop struggle for survival, and along the way, discover the bonds that eluded them for so many years...

    He’s hoping to escape a violent past he would rather forget. But his solitude is broken when he finds himself drawn into a friendship with Tom Kristoll, publisher of the mystery magazine Gray Streets—and into an affair with Laura, Tom’s sleek blond wife. When Tom offers him a job as an editor, Loogan sees no harm in accepting. What he doesn’t realize is that the stories in Gray Streets tend to follow a simple formula: Plans go wrong. Bad things happen. People die.Elizabeth Waishkey is a single mother raising a fifteen-year-old daughter. She’s also the most talented detective in the Ann Arbor Police Department. But when Tom Kristoll turns up dead, she doesn’t quite know what to make of David Loogan. Is he a killer, or an ally who might help her find the truth? Loogan, for his part, would like to trust her, but he has his own agenda. He suspects his friend’s death is part of a much larger puzzle, and he’s not going to wait for someone else to put the pieces together. As Loogan and Elizabeth navigate their way through the Kristoll's world, they find no shortage of people with motives for murder, from a young graduate student obsessed with Laura Kristoll to a trio of bestselling writers, all of them with secrets they don’t want uncovered.As the deaths start mounting up—some of them echoing stories published in Gray Streets—Loogan begins to look more and more like the most promising suspect.Soon it becomes clear that only Elizabeth can find the path to solving both the murders and the mystery of Loogan himself. But by the time she unravels the twisted skein, Loogan May be indicted for murder—or more likely, become the next victim.

    Gentle, soft-spoken, and lonely, he innocently befriends Amanda, one of his students. But one morning, Amanda is found dead in his backyard, and Warren, shocked, flees the scene.As the small community slowly turns against him, an anonymous narrator, a person of extreme intelligence and emotional detachment, offers insight into events past and present. As the tension builds, we gain an intimate understanding of the power of secrets, illusions, and memories.Nicole Lundrigan uses her prodigious talent to deliciously creepy effect, producing a finely crafted page-turner and a chilling look into the mind of a psychopath.

    Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car — strange for a frigid night. Her husband and daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away. The puzzle of those missing eleven days has persisted. With her trademark exploration into the shadows of history, acclaimed author Marie Benedict brings us into the world of Agatha Christie, imagining why such a brilliant woman would find herself at the center of such a murky story. What is real, and what is mystery? What role did her unfaithful husband play, and what was he not telling investigators? A master storyteller whose clever mind may never be matched, Agatha Christie’s untold history offers perhaps her greatest mystery of all.

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    Lindsey’s friend Beth wants to sell the editor her children’s book, but Beth’s boyfriend, a famous author, gets in the way. When they go to confront him, he’s found murdered—and Beth is the prime suspect. Lindsey has to act fast—before they throw the book at the wrong person.

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

     East Long Beach. The LAPD is barely keeping up with the neighborhood's high crime rate. Murders go unsolved, lost children unrecovered. But someone from the neighborhood has taken it upon himself to help solve the cases the police can't or won't touch. They call him IQ. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford, which might be a set of tires or a homemade casserole. To get by, he's forced to take on clients that can pay. This time, it's a rap mogul whose life is in danger. As Isaiah investigates, he encounters a vengeful ex-wife, a crew of notorious cutthroats, a monstrous attack dog, and a hit man who even other hit men say is a lunatic. The deeper Isaiah digs, the more far reaching and dangerous the case becomes.Winner of the Anthony, Macavity, and Shamus Awards

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.