In fact, 90 percent of Black voters supported Democratic House candidates, compared to just 53 percent of all voters. Despite media narratives, this was not a fluke. Throughout U.S. history, Black people have played a crucial role in the shaping of the American experiment. Yet still, this powerful voting bloc is often dismissed as some "amorphous" deviation, argues Tiffany Cross.Say It Loud! is her explosive examination of how America's composition was designed to exclude Black voters, but paradoxically would likely cease to exist without them. With multiple tentacles stretching into the cable news echo chamber, campaign leadership, and Black voter data, Cross creates a wrinkle in time with a reflective look at the timeless efforts endlessly attempting to deny people of color the right to vote--a basic tenet of American democracy.And yet as the demographics of the country are changing, so too is the electoral power construct--by evolution and by force, Cross declares. Grounded in the most-up-to-date research, Say It Loud! is a vital tool for a wide swath of constituencies.

    By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs.Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both. They Can't Kill Us All is a galvanizing book that offers more than just behind-the-scenes coverage of the story of citizen resistance to police brutality. It will also explain where the movement came from, where it is headed and where it still has to go.

    Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.

    NBC News and MSNBC correspondent Jacob Soboroff was among the first journalists to expose the truth of what their lives were like on the inside after seeing them firsthand. His widely shared reports in June 2018 ignited public scrutiny that contributed to the President reversing his own policy by Executive Order, and earned Soboroff the Cronkite Award for Excellence in Political Broadcast Journalism and the 2019 Hillman Prize for Broadcast Journalism.In Separated, Soboroff weaves together his own experience unexpectedly covering this national issue with other key figures in the drama he met along the way, including feuding administration officials responsible for tearing apart and then reuniting families, and the parents and children who were caught in the middle. He reveals new and exclusive details of how the policy was carried out, and how its affects are still being felt. Today, there is still not a full accounting of the total number of children the President ripped away from their parents. The exact number may never be known, only that it is in the thousands. Now the President is doubling down on draconian immigration policies, including threatening to hold migrant families indefinitely and making tens of thousands applying for asylum wait in some of Mexico’s most dangerous cities. Separated is required reading for anyone who wants to understand how Trump and his administration were able to carry out this inhumane policy, and how so many missed what was happening before it was too late. Soboroff lays out compassionately, yet in the starkest of terms, its human toll, and makes clear what is at stake in the 2020 presidential election.

      Born in upper-crust black Chicago—her father was for years head of pediatrics at Provident, at the time the nation’s oldest black hospital; her mother was a socialite—Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, “a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty.”   Reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the fallacy of postracial America—Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance.

    Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91% of the vote. Much as John Berendt did for Savannah in Midnight in the Garden of Good and Evil and the hit podcast S-Town did for Woodstock, Alabama, so Richard Grant does for Natchez in The Deepest South of All. With humor and insight, he depicts a strange, eccentric town with an unforgettable cast of characters. There’s Buzz Harper, a six-food-five gay antique dealer famous for swanning around in a mink coat with a uniformed manservant and a very short German bodybuilder. There’s Ginger Hyland, “The Lioness,” who owns 500 antique eyewash cups and decorates 168 Christmas trees with her jewelry collection. And there’s Nellie Jackson, a Cadillac-driving brothel madam who became an FBI informant about the KKK before being burned alive by one of her customers. Interwoven through these stories is the more somber and largely forgotten account of Abd al Rahman Ibrahima, a West African prince who was enslaved in Natchez and became a cause célèbre in the 1820s, eventually gaining his freedom and returning to Africa. With an “easygoing manner” (Geoff Dyer, National Book Critics Circle Award–winning author of Otherwise Known as the Human Condition), this book offers a gripping portrait of a complex American place, as it struggles to break free from the past and confront the legacy of slavery.

    An award-winning investigative journalist, he used his real name; In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still.

    . . . Abu-Jamal offers expert and well-reasoned commentary on the justice system. . . . His writings are dangerous." –Village Voice"Resonates with the moral force of Martin Luther King, Jr.'s Letter From Birmingham Jail." –Boston GlobeAfter twenty years on death row, Mumia Abu-Jamal has been released from his death sentence . . .but not the conviction. This once prominent radio reporter was convicted for the murder of Philadelphia police officer Daniel Faulkner in 1982, after a trial many have criticized as profoundly biased. Live from Death Row is a collection of his prison writings--and impassioned yet unflinching account of the brutalities and humiliations of prison life, and a scathing indictment of racism and political bias in the American judicial system.

    Yet he is poorly understood and most commonly described in stereotypes -- as a madman, martyr, or enigma. Not until Patriotic Treason has a biography or history brought him so fully to life, in scintillating prose and moving detail, making his life and legacy -- and the staggering sacrifices he made for his ideals-fascinatingly relevant to today's issues of social justice and to defining the line between activism and terrorism. Vividly re-creating the world in which Brown and his compatriots lived with a combination of scrupulous original research, new perspectives, and a sensitive historical imagination, Patriotic Treason narrates the dramatic life of the first U.S. citizen committed to absolute racial equality. Here are his friendships (Brown lived, worked, ate, and fought alongside African Americans, in defiance of the culture around him), his family (he turned his twenty children by two wives into a dedicated militia), and his ideals (inspired by the Declaration of Independence and the Golden Rule, he collaborated with black leaders such as Frederick Douglass, Martin Delany, and Harriet Tubman to overthrow slavery). Evan Carton captures the complex, tragic, and provocative story of Brown the committed abolitionist, Brown the tender yet demanding and often absent father and husband, and Brown the radical American patriot who attacked the American state in the name of American principles. Through new research into archives, attention to overlooked family letters, and reinterpretation of documents and events, Carton essentially reveals a missing link in American history. A wrenching family saga, Patriotic Treason positions John Brown at the heart of our most profound and enduring national debates. As definitions of patriotism and treason are fiercely contested, as some criticize religious extremism while others mourn religion's decline, and as race relations in America remain unresolved, John Brown's story speaks to us as never before, reminding us that one courageous individual can change the course of history.

    A passionate, personal, urgent book from the man who sparked a national debate."There is a difference between remembrance of history and reverence for it." When Mitch Landrieu addressed the people of New Orleans in May 2017 about his decision to take down four Confederate monuments, including the statue of Robert E. Lee, he struck a nerve nationally, and his speech has now been heard or seen by millions across the country. In his first book, Mayor Landrieu discusses his personal journey on race as well as the path he took to making the decision to remove the monuments, tackles the broader history of slavery, race and institutional inequities that still bedevil America, and traces his personal relationship to this history. His father, as state senator and mayor, was a huge force in the integration of New Orleans in the 1960s and 19070s. Landrieu grew up with a progressive education in one of the nation's most racially divided cities, but even he had to relearn Southern history as it really happened.Equal parts unblinking memoir, history, and prescription for finally confronting America's most painful legacy, In the Shadow of Statues will contribute strongly to the national conversation about race in the age of Donald Trump, at a time when racism is resurgent with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed.

    At the time, Wright spent his evenings waiting tables for Whites at a local restaurant and his mornings running his own business. The ripple effect from his remarks would cement Booker as a civil rights icon because he did the unthinkable: before a national audience, Wright described what life truly was like for the Black people of Greenwood, Mississippi.Four decades later, Yvette Johnson, Wright’s granddaughter, found footage of the controversial documentary. No one in her family knew of his television appearance. Even more curious for Johnson was that for most of her life she’d barely heard mention of her grandfather’s name. Born a year after Wright’s death and raised in a wealthy San Diego neighborhood, Johnson admits she never had to confront race the way Southern Blacks did in the 1960s. Compelled to learn more about her roots, she travels to Greenwood, Mississippi, a beautiful Delta town steeped in secrets and a scarred past, to interview family members and townsfolk about the real Booker Wright. As she uncovers her grandfather’s compelling story and gets closer to the truth behind his murder, she also confronts her own conflicted feelings surrounding race, family, and forgiveness.Told with powerful insights and harrowing details of civil rights–era Mississippi, The Song and the Silence is an astonishing chronicle of one woman’s passionate pursuit of her own family’s past. In the stories of those who came before, she finds not only a new understanding of herself, but a hopeful vision of the future for all of us.

    Mills Thornton, University of Michigan"This valuable first-hand account of the historic Montgomery Bus Boycott, written by an important, behind-the-scenes organizer, evokes the emotional intensity of the civil rights struggle. It ought to be required reading for all Americans who value their freedom and the contribution of black women to our history."—Coretta Scott King"A sharply remembered addition to the literature on what has become an event of mythic proportions, and a sound primer for those interested in community organizing. The author is scrupulously honest, modest, and gives unsung heroes much deserved praise."—Kirkus"This fascinating memoir provides new evidence on the origins and sustaining force of the Montgomery Bus Boycott (1955–'56)."—Anthony O. Edmonds, Library Journal"There's no substitute for this intimate memoir; it provides an immediacy and graphic intensity never before available."—Marge Frantz, San Jose Mercury News"This powerful memoir is a milestone in the history of that boycott and in the American Civil Rights Movement."—American History Illustrated"This absorbing study may become a minor classic in the literature of the Montgomery bus boycott. . . . Garrow correctly states in his Foreword that this book is the most important participant-observer account of the Montgomery protest available to students and scholars of the black freedom movement. . . . This straightforward, sensitive memoir is must reading for students of the civil rights movement. It is a powerful commentary on how a woman and the group she led rose up to throw off an injustice thrust upon them. When Jo Ann Robinson and other Montgomery women decided no longer to play the role of contented black Southerners, they gave blacks everywhere renewed hope, and they helped to create a national leader who took them closer to the promised land."—Jimmie L. Franklin, The Alabama Review"In an absorbing, first-hand narrative, the dignified and unassuming Robinson focuses on the role of the Women's Political Council (WPC) and details the WPC's plans to engineer a boycott months before the heralded arrest of Rosa Parks. . . . The value of this primary source will endure long after many best-selling, secondary accounts of national politics during this period have disappeared."—Keith D. Miller and Elizabeth Vander Lei, Explorations in Sight and Sound

    But over the four years that followed, the Atlantic staff writer became one of our most astute analysts of the Trump presidency and the volatile powers it harnessed. The shock that greeted Trump's victory, and the subsequent cruelty of his presidency, represented a failure to confront elements of the American past long thought vanquished.In this searing collection, Serwer chronicles the Trump administration not as an aberration but as an outgrowth of the inequalities the United States was founded on. Serwer is less interested in the presidential spectacle than in the ideological and structural currents behind Trump's rise--including a media that was often blindsided by the ugly realities of what the administration represented and how it came to be.While deeply engaged with the moment, Serwer's writing is also haunted by ghosts of an unresolved American past, a past that torments the present. In bracing new essays and previously published works, he explores white nationalism, myths about migration, the political power of police unions, and the many faces of anti-Semitism. For all the dynamics he examines, cruelty is the glue, the binding agent of a movement fueled by fear and exclusion. Serwer argues that rather than pretending these four years didn't happen or dismissing them as a brief moment of madness, we must face what made them possible. Without acknowledging and confronting these toxic legacies, the fragile dream of American multiracial democracy will remain vulnerable to another ambitious demagogue.

    It was founded in a bizarre but momentous "Land Run" in 1889, when thousands of people lined up along the borders of Oklahoma Territory and rushed in at noon to stake their claims. Since then, it has been a city torn between the wild energy that drives its outsized ambitions, and the forces of order that seek sustainable progress. Nowhere was this dynamic better realized than in the drama of the Oklahoma City Thunder basketball team's 2012-13 season, when the Thunder's brilliant general manager, Sam Presti, ignited a firestorm by trading future superstar James Harden just days before the first game. Presti's all-in gamble on "the Process"—the patient, methodical management style that dictated the trade as the team’s best hope for long-term greatness—kicked off a pivotal year in the city's history, one that would include pitched battles over urban planning, a series of cataclysmic tornadoes, and the frenzied hope that an NBA championship might finally deliver the glory of which the city had always dreamed.Boom Town announces the arrival of an exciting literary voice. Sam Anderson, former book critic for New York magazine and now a staff writer at the New York Times magazine, unfolds an idiosyncratic mix of American history, sports reporting, urban studies, gonzo memoir, and much more to tell the strange but compelling story of an American city whose unique mix of geography and history make it a fascinating microcosm of the democratic experiment. Filled with characters ranging from NBA superstars Kevin Durant and Russell Westbrook; to Flaming Lips oddball frontman Wayne Coyne; to legendary Great Plains meteorologist Gary England; to Stanley Draper, Oklahoma City's would-be Robert Moses; to civil rights activist Clara Luper; to the citizens and public servants who survived the notorious 1995 bombing of the Alfred P. Murrah federal building, Boom Town offers a remarkable look at the urban tapestry woven from control and chaos, sports and civics.

    In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast.This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."