After a childhood in Brooklyn, he spent many years in and around Manhattan and Washington, where he witnessed troops returning from the Civil War and tended wounded soldiers in the camp hospitals. Whitman's broad humanity, his love of cities (especially Manhattan), his sympathy with all conditions of people, and his visionary - even prophetic - sense of the reality of the American dream make him as much a poet for our time as he was for the time of the American Civil War and its aftermath. This selection of courageous and consoling poems focuses on Whitman's vision of democracy, his love of Manhattan, his sense of the future - and of the community of peoples of this earth.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    Editor Alan Ryan includes a wide range of talents here, from Bram Stoker to Robert Bloch to Tanith Lee.Contents:"Fragment of a Novel" by George Gordon, Lord Byron "The Vampyre" by John Polidori "Varney the Vampyre, or, the Feast of Blood" [excerpt] by James Malcolm Rymer "The Mysterious Stranger" by Anonymous"Carmilla" by Sheridan Le Fanu"Good Lady Ducayne" by Mary Elizabeth Braddon "Dracula's Guest" by Bram Stoker "Luella Miller" by Mary E. Wilkins-Freeman "For the Blood is The Life" by F. Marion Crawford "The Transfer" by Algernon Blackwood "The Room in the Tower" by E.F. Benson "An Episode of Cathedral History" by M.R. James "A Rendevous in Averoigne" by Clark Ashton Smith "Shambleau" by C.L. Moore "Revelations in Black" by Carl Jacobi "School for the Unspeakable" by Manly Wade Wellman "Drifting Snow" by August Derleth "Over the River" by P. Schuyler Miller "The Girl with the Hungry Eyes" by Fritz Leiber "The Mindworm" by C.M. Kornbluth "Drink My Blood" by Richard Matheson "Place of Meeting" by Charles Beaumont "The Living Dead" by Robert Bloch "Pages from a Young Girl's Journal" by Robert Aikman "The Werewolf and the Vampire" by R. Chetwynd-Hayes "Love-Starved" by Charles L. Grant "Cabin 33" by Chelsea Quinn Yarbro "Unicorn Tapestry" by Suzy McKee Charnas "Following the Way" by Alan Ryan "The Sunshine Club" by Ramsey Campbell "The Men & Women of Rivendale" by Steve Rasnic Tem "Bite-Me-Not, or, Fleur de Feu" by Tanith Lee Also includes short appendices of vampire novels and movies.

    Bored at the opera, egocentric young Lieutenant Gustl contemplates which women are flirting with him; the fact that there are too many Jews in the army, which is the reason for "all this anti-Semitism"; and an upcoming duel with a doctor who made an unflattering remark about the military. After the concert, impatient in the coat check queue, Gustl gets into a quarrel with a baker who threatens to break Gustl's sword in two if he doesn't calm down. Convinced he's been dishonored, Gustl decides he must commit suicide and spends the night walking the streets, weighing the repercussions of killing himself. When he arrives at his favorite cafe for a final breakfast, he becomes elated on learning that he can go on living because the baker died of a stroke just after their encounter. This novel is an early embodiment of modern skepticism and despair. Written in interior monologue, it demonstrates a Freudian influence, while its historical and literary impact remains its strong point, making it more interesting to think about than to read.

    Prince Vulcan and an army of vampires invade the city of Los Angeles, the first step in a plan to conquer the world

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results.

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    A new edition for adults of the classic children's stories also includes a World War II-era parody entitled Struwwelhitler.

    But nothing prepared him for Milkwood: a fat, ugly bastard who could take a beating like a government mule, but never, ever won. So when Malcolm risks his life to discover Milkwood's secret, he convinces the fighter to stop being a punching bag and to go for broke in the local tournament. Only problem? A beautiful woman called Lash who needs Milkwood for her own purposes, and a fouler creature on her heels known only as Dizzy Colt. But for Malcolm and Milkwood? Hell, it’s just another day of Blood and SawdustPRAISE FOR BLOOD AND SAWDUST!"With wicked, playful prose that blends the best of pulp with the supernatural, Jason Ridler’s Blood and Sawdust creates an unholy, hell-raising hybrid, the kind of tale Christopher Moore and Jim Thompson might swap after a long night of drinking, trying to one-up one another with acerbic absurdity." Joe Clifford, Author of CHOICE CUTS and JUNKIE LOVEPRAISE FOR THE WORK OF JASON RIDLER!"An exciting new writer." Lucius Shepard, multiple-award-winning author of HANDBOOK OF AMERICAN PRAYER. “Jason Ridler is kind of like a bull rider who’s tossed a saddle on a Tiger tank, and he’s riding that bucking sucker for all he’s worth, because, hey, no one told him that he couldn’t do it, did they? So here he is, the Man in the Barbed-Wire Straitjacket." Norman Partridge, Award Winning Author of DARK HARVEST. "Jason Ridler’s work is intense and taut, with incredible characters and plots that keep your mind buzzing long after you’ve reached the final page." Trent Zelazny, author of TOO LATE TO CALL TEXAS, and FRACTAL DESPONDENCY. ABOUT THE AUTHORJason S. Ridler is the author of BLOOD AND SAWDUST, the Spar Battersea thrillers (DEATH MATCH, CON JOB and DICE ROLL), the short story collection KNOCKOUTS, and has published over fifty stories in such magazines and anthologies as Beneath Ceaseless Skies, Brain Harvest, Chilling Tales, and more. His popular non-fiction has appeared in Clarkesworld, Dark Scribe, and the Internet Review of Science Fiction. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. Visit him at twitter at http://twitter.com/JayRidler, Facebook ,http://www.facebook.com/Ridlerville, or his writing blog, Ridlerville, atwww.jsridler.com

    While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgements and oppressive social forces."This revised student edition contains a lengthy new introduction with background on the author, date and sources, theme, critical interpretation and stage history. The introduction discusses Webster's radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Bram Stoker wrote Dracula over the course of a decade, researching historical figures and compiling notes from scattered diary entries. What was supposed to be a work of fiction holds far more truth than he realized. Dr. Jane Langford is investigating a murder-suicide unlike anything she's ever encountered before. Sleepy Boise, Idaho, is a haven to an evil that has passed unnoticed down through the centuries.

    But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocation of exile and loss.Written with a bone-dry sense of humour and a fascination with the oddness of existence The Emigrants is highly original in its heady mix of fact, memory and fiction and photographs.

    But as he digs deeper into Falkland's past and finally unearths the guilty truth, the results of his curiosity prove calamitous when - even though Caleb has loyally sworn never to disclose what he has discovered - the Squire enacts a cruel revenge. A tale of gripping suspense and psychological power, William Godwin's novel creates a searing depiction of the intolerable persecution meted out to a good man in pursuit of justice and equality. Written to expose the political oppression and corrupt hierarchies its author saw in the world around him, Caleb Williams (1794) makes a radical call to end the tyrannical misuses of power.